- Saul Goodman: If you're committed enough, you can make any story work. I once told a woman I was Kevin Costner, and it worked because I believed it.
- Saul Goodman: [Talking to Skyler after Walt introduced his wife to Saul] Walter never told me how lucky he was. Clearly his taste in women is the same as his taste in lawyers : only the very best... with just a right amount of dirty!
- Gustavo 'Gus' Fring: You are a wealthy man now. And one must learn to be rich. To be poor, anyone can manage.
- Walter White: What advice do you have for me?
- Gustavo 'Gus' Fring: Never make the same mistake twice.
- Marie Schrader: Pain is weakness leaving your body.
- Hank Schrader: Pain is my foot in your ass, Marie.
- Marie Schrader: Hey, if you can get your leg up that high, I say go for it.
- Jesse Pinkman: You know, I don't get it. Why would anyone paint a picture of a door, over and over again, like, dozens of times?
- Jane Margolis: But it wasn't the same.
- Jesse Pinkman: Yeah, it was.
- Jane Margolis: It was the same subject, but it was different every time. The light was different, her mood was different. She saw something new every time she painted it.
- Jesse Pinkman: And that's not psycho to you?
- Jane Margolis: Well, then why should we do anything more than once? Should I just smoke this one cigarette? Maybe we should only have sex once, if it's the same thing.
- Jesse Pinkman: ...no.
- Jane Margolis: Should we just watch one sunset? Or live just one day? Because it's new every time. Each time is a different experience.
- Jesse Pinkman: Okay, fine. I guess the cow skull pictures were cool, but a door? I will say it again. A door.
- Jane Margolis: Why not a door? Sometimes you get fixated on something, and you might not even get why. You open yourself up and go with the flow, wherever the universe takes you.
- Jesse Pinkman: Okay, so the universe took her to a door. And she got all obesessed with it, and just had to paint it 20 times until it was perfect.
- Jane Margolis: No. I wouldn't say that. Nothing's perfect.
- Jesse Pinkman: Yeah? Well, I mean,
- [looking to her]
- Jesse Pinkman: some things.
- Jane Margolis: Aww, that was so sweet, I think I threw up in my mouth a little bit.
- Jesse Pinkman: You can't admit, just for once, that I'm right. Come on. That O'Keeffe lady kept trying over and over until that stupid door was perfect.
- Jane Margolis: No. That door was her home and she loved it. To me, that's about making that feeling last.
- Jesse Pinkman: [looking at the painting "My Last Door" by Georgia O'Keeffe] Yo, I thought I was gonna see some, like, vaginas.
- Jane Margolis: I didn't say she actually painted vaginas. I said, some of her paintings looked like vaginas.
- Jesse Pinkman: Uh, seriously? Not even close.
- Jane Margolis: Georgia O'Keeffe painted all kinds of stuff. Everyday items, her surroundings. Some of it evoked an erotic nature. It's who she was.
- Jesse Pinkman: Not like any vagina I ever saw. This chick have medical issues?
- Jane Margolis: This particular painting... is of a door.
- Jesse Pinkman: Any other doors we can check out? Like, real ones or...
- Gustavo 'Gus' Fring: The smell of this meal instantly, it brings you back to my childhood. How is that possible?
- Walter White: Basically, it takes place in the hippocampus. Neural connections are formed. The senses make the neurons express signals that go right back to the same part of the brain as before. Where memory is stored. It's something called relational memory.
- Walter White, Jr.: How'd you get her to sleep so quick? Are you that boring?
- Walter White: I'm comforting. I'm a comforting presence.