User Reviews

Mag's we'll miss you, you nasty, manipulative, lying murderous psychopath!!!

The only good thing you can say about her is she did seem to genuinely care about Loretta. Then again, she's the one who made her an orphan, and virtually nothing could be taken at face value with Mags.

Margo Martindale did a lights-out job with this character. I'll be damned if I didn't see my own mother in her (not a lot, thank God! But some) and a lot of the tough women I grew up among in rural Iowa. None of them were crime bosses of course, but they too had pride in where they came from - even if most people would laugh at them (behind their backs) for any "pride" in a small, poor isolated hometown.

People who wanted to leave their kids a little better off than they had it.

People who valued the truth in their dealings with others, especially family.

Margo Martindale, through Mags, put this forth as well as anyone, even if it wasn't her most important characteristic. She seems to "get" those of us who grew up poor (but surely not needy due to the good and decent parents who ensured that) in isolated areas that most people wouldn't want to stop even for gas.

For this, if nothing else, I felt a real connection to her character. Of course, there was much "else" to the Mags character - pretty much all of it vile. But she was real.

A great ending for a season, and a fitting ending for the Bennett family.

There's an unmistakable sense of finality with the opening of 'Bloody Harlan', primarily with regard to the Bennetts. But not in the way you might expect. Raylan feels an obligation to protect Loretta (who's since run off back to Harlan to avenge her father) especially with the news that he'll soon be a father himself. This, as Winona pleads with him not to return to that war zone. It's what elevates this finale above just your "there will be blood" hook. Loretta's the most heartbreaking character so far, and her life in the balance is more than enough to ratchet the stakes. Honest to god, I can't think of a better way to end the season. Bullets fly and losses are suffered, but the episode's best moments center on a 14 year-old.

This is a "Justified" highlight; brilliant, taut and I'll be damned if I'm not sorry to see Mags go.

Margo Martindale, for the win.

10/10

When I started watching Justified I had it in my head that it was a drama series very much of the ilk of Deadwood and The Wire; I wasn't sure why I thought this but it didn't take too long for me to figure out that I had heard wrong. What the first season mostly seemed to be was a case per week detective show albeit with characters, themes and narrative that covers the whole season. It wasn't much more than this although I did enjoy it for this content and the engagingly tough manner in which it did it since this is not a genre I mind in terms of light entertainment. With the second season I expected more of the same but in a way my expectations were confounded again (albeit less so) as this season sees the show mature into something more engaging and satisfying than it had originally been.

The first season did have a season-long story arc but it did move week-to-week in regards a lot of specific open/shut cases. The second season takes a step away from that formula and to a certain extent the focus is much more on the season as being a total product rather than just a collection of individual bits held on a common thread. I liked the change in tone that this gave the show - there seemed to be more consistency in the telling of the story and there was a sense of things building that was only partially there in the first season. Although off-shot threads are still present and still good, the weaving together of several related threads serves to make the second season better. Having said that, it isn't all quite as good as all that and there are missteps and weaknesses with the maturing process.

This is seen in the detail and in the groundwork on which the threads are built because not all of it is as well done as other bits and some ideas feel like they could have been fleshed out and strengthened from the base up. So the central family feud is a good device to add background to the central conflict in the season, but it seems too suddenly in existence and it also seems a shame to have it all pretty much brought to an end. Likewise the material with the ex-wife is engaging but too much happens with too weak a root to it – I liked the idea of her being tempted but it comes out of nowhere and then unlikely circumstances make it too big a deal too quickly. As with season 1 I still find Boyd to be an odd character and one that the show doesn't totally know what to do with – I liked his fit better this season (one he settled in) and in fairness his arch appears to be longer term, which is what I prefer generally. On thing I did like in particular is how mean-spirited so much of the material is; many of this type of show tend to use crime and murder as a glossy device but here it is often hard to watch and not done glibly. It holds this approach back so as not to take away from the show as entertainment, but it doesn't dress it up in regards the violence, the characters or the dialogue.

The cast remain solid with Olyphant in particular being a great asset. Handsome, patient and a good presence on screen, he is easy to watch no matter what angle you're coming at it from. The supporting cast around him are good again whether it is his family (Barry, Zea), his colleagues (Searcy, Tazel etc) or those he is facing off against. As before there are some very broad caricatures in here but none of them seem too excessive or cruel in their portrayal; this is partly because of how well presented this world is – everyone seems to fit well.

Overall season 2 of Justified is consistently enjoyable and engaging as light entertainment, but the move beyond "case per week" material adds a maturity to it that I found additionally satisfying. Even with this maturing process, it is not all as good as it could have been and indeed in many regards it seems to be reaching for ideas without ensuring the material is well footed, and as a result some threads are inherently weak from the start and struggle as they develop. Perhaps this can be addressed in the third season, to give it the extra gravitas and grit that the tone and much of the dialogue is already getting.