While Xavier Dolan stole the spotlight last year for Quebec cinema, there was another Quebec film that charmed and won over the audiences who were lucky to see it. Stephane Lafleur’s black and white ode to the surrealism of summer boredom, Tu Dors Nicole, is a film with a deceptively light touch that burrows deep into your consciousness. Lafleur may not have the name recognition that Dolan has, but he nonetheless is one of the shining stars of the Quebec cinema landscape.
His previous efforts, Continental: Un film sans fusil and En terrains connus, opened to similar acclaim but remain relatively unknown outside of Quebec. Tu dors nicole is his “big break”, and has found success at Cannes, Tiff and around the world. When I saw it at Tiff I gave it a very strong review (it was among my favourite of the festival), saying about it’s use...
His previous efforts, Continental: Un film sans fusil and En terrains connus, opened to similar acclaim but remain relatively unknown outside of Quebec. Tu dors nicole is his “big break”, and has found success at Cannes, Tiff and around the world. When I saw it at Tiff I gave it a very strong review (it was among my favourite of the festival), saying about it’s use...
- 5/13/2015
- by Justine Smith
- SoundOnSight
Bruno Dumont finds a special place on the croisette to premiere his latest work (his television mini-series Li’l Quinquin) and Frederick Wiseman makes another appearance in the section with London Museum bliss in National Gallery as the 2014 edition of the Directors’ Fortnight is low of first time works (only three) and filled with renowned auteurs. Rumored as a possible Main Comp entry, it is the hotly anticipated Bande De Files from Céline Sciamma that will open the section which will be book-ended by what could be a feel-good The Full Monty type in Matthew Warchus’ Pride. Starring Bill Nighy, Dominic West and Imelda Staunton, this 1984 Margaret Thatcher set drama sees gay and lesbian activists support the families of National Union of Mineworkers and thus form to a surprising partnership. Also on the English side, Ken Loach and Mike Leigh will have some company in John Boorman, Queen and Country...
- 4/22/2014
- by Eric Lavallee
- IONCINEMA.com
The “foreign” film, product of another world where people converse in odd dialects and act in peculiar ways. We need to be honest that the vast majority of films that most people consume every year are either American mainstream blockbusters or studio distributed independent (Sundance) films. There are of course, every year, a few foreign films that do get released in the American market, The selected films that get a push from their government hoping to get that Foreign Language film Oscar nom or other films that manage to make some noise at Cannes might eventually get released in our great Na. But for every Incendies or 4 Months, 3 Weeks and 2 days, that are released to the rabid American market there are dozens of other films that never make it outside of their home market save in the occasional film festival. The Quebec film market produces 30+ films every year, a lot...
- 1/3/2012
- by Alex Moffatt
- SoundOnSight
Qaushik Mukherjee’s Gandu (Asshole) will compete at the 17th Athens International Film Festival that opens on Thursday.
The opening film of the festival is Michel Hazanavicius’ The Artist.
Around 175 titles will be presented at the festival under 15 sections. The festival will pay tribute to Japanese filmmaker Yasuzo Masumura and Dutch filmmaker Johan van der Keuken. The country in focus will be Norway.
The festival will close on September 25 with Asghar Farhadi’s A Separation.
International competition lineup:
Bellflower, dir Evan Glodell (USA)
Silver Tongues, dir Simon Arthur (USA)
Volcano (Eldfjall), dir Runar Runarsson (Iceland)
Asshole (Gandu), dir Qaushik Mukherjee (India)
Familiar Grounds (En terrains connus), dir Stephane Lafleur (Canada)
Natural Selection, dir Robbie Pickering (USA)
Sensation, dir Tom Hall (Ireland)
Submarine, dir Richard Ayoade (UK, Us)
Sidewalls (Medianeras), dir Gustavo Tarreto (Argentina)
Bullhead (Rundscop), dir Michael Roskam (Belgium)
Love, dir William Eubank (USA)
Silver Forest (Silberwald), dir Christine Repond (Switzerland)
On the Ice,...
The opening film of the festival is Michel Hazanavicius’ The Artist.
Around 175 titles will be presented at the festival under 15 sections. The festival will pay tribute to Japanese filmmaker Yasuzo Masumura and Dutch filmmaker Johan van der Keuken. The country in focus will be Norway.
The festival will close on September 25 with Asghar Farhadi’s A Separation.
International competition lineup:
Bellflower, dir Evan Glodell (USA)
Silver Tongues, dir Simon Arthur (USA)
Volcano (Eldfjall), dir Runar Runarsson (Iceland)
Asshole (Gandu), dir Qaushik Mukherjee (India)
Familiar Grounds (En terrains connus), dir Stephane Lafleur (Canada)
Natural Selection, dir Robbie Pickering (USA)
Sensation, dir Tom Hall (Ireland)
Submarine, dir Richard Ayoade (UK, Us)
Sidewalls (Medianeras), dir Gustavo Tarreto (Argentina)
Bullhead (Rundscop), dir Michael Roskam (Belgium)
Love, dir William Eubank (USA)
Silver Forest (Silberwald), dir Christine Repond (Switzerland)
On the Ice,...
- 9/15/2011
- by NewsDesk
- DearCinema.com
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers? Klitschko Trailer I'm not sure what to make of German director Sebastian Dehnhardt's resume but one look at IMDb can uncover a healthy interest in all things WWII.
- 6/24/2011
- by Christopher Stipp
- Slash Film
The Los Angeles Film Festival has announced the world premiere of Richard Linklater's Bernie as the opening night film for the 2011 festival.
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
- 5/30/2011
- by alyssa@mediavine.com (Alyssa Caverley)
- Reel Movie News
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