Directed by
| Peter O'Fallon | ||
Writing Credits (in alphabetical order)
| Jeff Bell | ||
Cast
| Lenny Citrano | ... | Curtis Moyers | |
 |
Timothy 'TJ' James Driscoll | ... | Bartender |
| Devon Elora | ... | Angie Reynolds | |
| Monica Garcia | ... | Jenny Delgado | |
| Amy Landecker | ... | Arlene Duncan | |
|
|
Devon Ligus | ... | Detective Ross (as Devon Marie King) |
|
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Julissa Lopez-Ramone | ... | Katrina Archuleta (as Julissa Lopez) |
| Michael McGrady | ... | JR Daldrup | |
| Laura Miro | ... | Holly Morgan | |
| Hudson Thames | ... | Derek | |
|
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Felicia Van Pelt | ... | Perfect couple (as Felicia Lukezic) |
|
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Luke Van Pelt | ... | Perfect couple |
Produced by
| Sean Ryerson | ... | producer |
| Nina Wass | ... | executive producer |
Music by
| Gabriel Mann | ||
Cinematography by
| Walt Lloyd | ||
Casting By
| Tammara Billik | ||
| Jason L. Wood | ||
Set Decoration by
| Linda Lee Sutton | ||
Makeup Department
| Alex Proctor | ... | makeup artist |
| Beverly Jo Pryor | ... | key makeup artist |
| Vito Trotta | ... | department head hair |
| Lizbeth Williamson | ... | makeup department head |
Production Management
| Jason Neese | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Thom Buckley | ... | additional second assistant director |
| Jeani Harris-Olivieri | ... | first assistant director (as Jeani Harris) |
Art Department
| Tamara Auerbach | ... | on-set props |
| Brett Bowden | ... | lead scenic |
| Colleen Broderick | ... | buyer |
| Stephanie Charbonneau | ... | graphic designer |
| Denis Cordova | ... | construction coordinator |
| Beth Emerson | ... | buyer |
| Joey Genitempo | ... | stand by painter |
| Tracy Morris Johnson | ... | 2nd buyer |
| Sean Langdon | ... | leadman |
| Michael V. Maurice | ... | set dresser |
| Jeffrey M. O'Brien | ... | property master |
| Jefry Shebroe | ... | on-set props |
Sound Department
| Thomas DeGorter | ... | supervising sound editor |
| Catherine Flynn | ... | dialogue editor |
| Mark L. Mangino | ... | supervising adr editor |
| Timothy P. Salmon | ... | boom operator |
Visual Effects by
| Kelly Fischer | ... | compositor: LOOK Effects |
| Andy Simonson | ... | visual effects coordinator: LOOK Effects |
Camera and Electrical Department
| Travis Belgard | ... | best boy grip |
| Pete Escobar | ... | grip |
| David Garden | ... | second assistant camera |
| Jeff Graham | ... | first assistant camera |
| Kim McCall | ... | video playback operator |
| Thomas McGough | ... | rigging best boy |
| John 'Fest' Sandau | ... | rigging gaffer |
| Jeremy Schonwald | ... | set lighting technician |
| Andy Waldron | ... | dolly grip |
Casting Department
| Amey René | ... | casting associate (as Amey Rene Morris) |
Editorial Department
| Wyatt Beale | ... | post-production assistant |
Location Management
| Brian M. O'Neill | ... | location manager |
Music Department
| Gabriel Mann | ... | composer: theme music |
| Zed Starkovich | ... | music editor |
Additional Crew
| Caleb Aldrich | ... | production assistant |
| John David Moffat IV | ... | production assistant |
| Jonathan Poots | ... | second assistant accountant |
| Jennifer Scott | ... | first assistant accountant |
| Karl Sonnenberg | ... | technical advisor |
| Cay Templeton | ... | office production assistant |
| Rorie D. van Klaveren | ... | assistant production coordinator |
| Louis Farah Jr. | ... | set medic (uncredited) |
| Louis Farah | ... | supervising set medic (uncredited) |
