Ernest & Celestine

Move over Pixar and Disney, your monopoly be damned. Although I do like some of the Pixar/Dinsey animated movies, it was always the French animated movies that I adored. It was always amusing and entertaining and often adhering to real life nuances than go all aboard with fantasy. From L'illusioniste to Persepolis, the craftsmanship and quality that goes into these movies are impeccable. Often manually animated than using CG, the smooth animation is just mesmerizing, furthermore the narrative and the characters rivets you to your seats. Although these movies might not garner as much attention as an over-rated Hollywood production, they've always been highly refined, immensely engrossing.

Based on the kids' book by Belgian author and illustrator Gabrielle Vincent, Ernest et Célestine is the sweet sweet story of Célestine an orphan mouse who befriends a poor Bear, Ernest. In a society where the two factions are prohibited The story isn't something to write home about but it has all the essential elements to entertain you till end. I saw the French version and it seems like there is also an English dubbed version voiced over by some AAA actors like Forest Whitaker, Paul Giamatti, William H. Macy. The movie is warmly visual and wouldn't be an issue for the young ones to get hold of whats happening on screen.

Its simplicity is what made me love it so much. You are drawn into the spellbinding art and animation and its almost like a water-colored fairytale book come to life in front of you. It works a bit like a Calvin and Hobbes comic strip sans the philosophical quandaries. Instead Ernest et Célestine digs subtly into the political and societal undertones. Having seen both Frozen and Ernest et Célestine, I couldn't even fathom why Frozen won the Academy Award for Best Animated Feature.

In an industry where even animated movies are filled with shades of debauchery, you'd be a victim of a slew of questions from your young ones that you'd be too embarrassed to answer. Thankfully, Ernest et Célestine is a movie so innocent and pure at heart, that it can be watched with kids of all ages. Let them soak in the brilliant and colorful art direction and Ernest et Célestine's beautiful friendship. There's a lot that could be learnt from these two adorable critters.

Ernest And Celestine is a fantastic story that presents us a friendship that shouldn't happen, but against all odds prevails. Celestine is a young mouse that is curious about the world above and has a knack for art. Unfortunately for her, the mice around her wish to see her become a dentist as it is more her position in society. Almost alike, above the sewage an oaf like bear named Ernest longs to become a performer, but upon his family's wishes to become a judge, he ultimately ends up living in poor conditions and with his aspirations frowned upon. When they meet they will shake the foundations of the place they live in. This tale is classic storytelling and features interesting characters to root for. This friendship seems very real because the personalities involved are genuinely kind and don't agree with the way life is lived. The animation is very simple yet beautiful. Against more grand animation works, Ernest And Celestine still stands out with its endearing story and overall is a pleasure to watch.

Rating: 7,5/10

An Oscar nominee in the category of best animation feature. The cutest animation which gave the experience of seeing a Japanese anime similar to from the Ghibli studio. The characters are very adorable, especially both the Ernest and Celestine. After praising the technicians I mean the illustrator I must compliment the voice renders. Whenever I hear Celestine saying 'Ernest, Ernest' I just fall in love because it was sexy. I know French language itself a seductive.

No age group limited to enjoy this animation. From 6 year-old kid to 60 year-old and beyond that can have a great time with it. A simple animation with a good message story. Probably you will come to know what kinda movie is this if you have seen 'Stormy Night' and 'Ratatouille'. A tale about the unlikely friendship between two different living creatures.

It all begins with a young little mouse who got a different opinion on the creatures that live above their world. The earth's surface was ruled by the big bad bears and that is what beneather believe. Between these two world a new friendship bloom from nowhere. But both the societies denies it so the two must protect each other and run for their life. Instead, they need to prove it can be possible and harmless. So they have to take the advantage of the such circumstances and how it can be done is the rest.

The character Ernest was lazy, but tough and Celestine is very active, but sensitive in matters. The friendship between them was very well told, in an enchanting way. I liked the replacement of bear in the place of humans. Otherwise, our people think they are genius to find similarity between this and 'Ratatouille'.

Earlier I was very, very disappointed for ditching 'Monsters University' over crap movie 'Despicable Me 2'. I will be so happy if 'The Wind Rises' or this movie wins the Oscar. But Americas own 'Frozen' will be a strong contender for the honour.

Finally, I retire for now by saying it is a must see movie, especially if you are an animation movie fan. I truly wanted it not to end, in the world at certain point everything must end and so it is against my will.

When we all think of animation and the journey it has walked through, naturally we all go to a big studio like Disney to offer up lots of the credit. Rightfully so, the studio paved the way for companies like Dreamworks and Sony Pictures to dip their feet into the animation arena. One of the quiet and brilliant studios that isn't on the lips of everyone yet is the impressive GKIDS. They made heads turn in the 2009- 2010 awards season when they pushed The Secret of Kells and managed a surprise nomination for Best Animated Feature. In 2011-2012, they pulled a one-two punch with Chico & Rita and A Cat in Paris, snagging nominations as well. For my money, they produced the best animated film of last year with Jean-François Laguionie's The Painting and found no wiggle room to get in over Brave and Wreck-It Ralph.

This year, the animation studio is at it again with their captivating French film Ernest & Celestine. Touching all the sweet parts of my cinematic heart, the Daniel Pennac written film tells the story of an unlikely friendship between a grumpy bear and a young mouse. Encompassing the powerful elements of honesty, truth, and acceptance, Pennac's screenplay, once again, fixates on the small details that bring our story full circle and unimaginably to life. It's one of the great surprises of the film year. Pennac is quickly becoming one of my favorite animated film writers working today.

One of the qualities that have made other animation studios so successful over the years is easy application of the child-like story that is being told, into the moment of the now and even the adult world. As life above ground includes Ernest, and a race of bears, they are the dominant power on the Earth. Down below, lives a race of mice, fending for survival, and only going to the world above to collect teeth in preparation to become dentists, which all rodents hold. Celestine lives in an orphanage, with a zeal and talent for drawing, she yearns for a world outside though stories are constantly told about the evil world of bears above. Ernest is down on his luck. When Celestine gets chased by a bear family after attempting to take one of the cubs' tooth, she hides in a trash can. When a hungry and desperate Ernest finds Celestine and tries to eat her, the two find an understanding and affection for one another that is both poetic and moving.

As we continue to live in a world that is dominated by the Pixar-3D mediums, that are only told in our native language, general audiences and industry people need to branch out their scope in the genre and discover these little diamonds that are found in the nooks and crannies of the movie world. Lambert Wilson voices the gentle bear Ernest, who you might remember from The Matrix Reloaded as The Merovingian or more recently from Of Gods and Men where he played the lead Christian. He plays particularly well off his co-star Pauline Brunner, who's innocent ticks and beats in her voice, shine brightly through the naïve and sweet Celestine.

The animation is simply stunning, reminiscing a storybook you would read to your youngest love, everything flows magically from page to screen, and inevitably into your heart. Directors Stéphane Aubier, Vincent Patar, and Benjamin Renner know, with great confidence, what kind of story they want to be told. Inserting the humor at the appropriate times before hitting the right emotional chords with the viewer by film's end. A tender yet bombastic composition by musical composer Vincent Courtois is the film's secret weapon. Capturing the moment and executing the ambiance with absolute precision. I was completely smitten with everything about Ernest & Celestine.

By any means possible, seek out this French animated film from GKIDS. A sensational welcome to the animated genre that will be cherished for years. Ernest & Celestine is proof that hand-drawn animation should and still lives well in the medium. Its clever and fresh nature is purely magnetic and is something that should be considered for the Academy Awards.

The film is scheduled for a limited release December 6.

It's interesting how studios and creative people would assume they know what people want. Disney knows that people want to see fairy tale stories and grand animation making the way for memorable characters and catchy songs. Warner Brothers knows that people want to see really fast animation alongside some good visual gags as perpetrated by unique charters with a lot of heart. Most other studios seem to copy either formula in their own projects. It's not too bad of an idea as long they can make their movies just as original and unique (projects like Despicable Me or Cloudy With a Chance of Meatballs).

But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.

In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.

She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.

As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.

Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.

I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.