Vesoul continued in its usual style of programming this year, adding, however, three very interesting sections for 2024, one focusing on Malayalam cinema, one on Taiwanese cinema and one on Netpac winners, which allowed the programmers to include a number of movies of quality without being restricted by the prerequisites of the films included in the competition section. The inclusion of films from countries from the former Ussr, as in the case of Uzbek “Sunday” and Kazakh “Scream” was once more the cherry on the top, in one of the best years in terms of film selection for the festival, which celebrated its 30th edition this year. Lastly, the screening of “Snow Leopard” the last film of the recently deceased Pema Tseden was the most touching moment of the whole festival, with the presence of the protagonist, Tetsen Tashi, definitely adding to the overall impact.
Without further ado, here is our...
Without further ado, here is our...
- 2/27/2024
- by AMP Group
- AsianMoviePulse
Director of “Oxhide” I and II, Liu Jiayin, had not shot anything since the latter and 2009, since he spent most of his time as an associate professor of screenwriting at the Beijing Film Academy. It seems that his days there have also given him inspiration, as the story of his newest movie, “All Ears” focuses on a mediocre screenwriter.
All Ears is screening at Vesoul International Film Festival of Asian Cinema
The aforementioned character is Wen Shan, who is struggling to make a living in Beijing, as his script writing, and particularly his inefficiency of creating a captivating, full fledged character are causing significant issues for him, while it becomes obvious that the pace of the megalopolis does not suit him exactly. By chance, he ends up writing eulogies, which he does so in the most meticulous fashion, meeting the families of the deceased, observing them carefully, listening to their...
All Ears is screening at Vesoul International Film Festival of Asian Cinema
The aforementioned character is Wen Shan, who is struggling to make a living in Beijing, as his script writing, and particularly his inefficiency of creating a captivating, full fledged character are causing significant issues for him, while it becomes obvious that the pace of the megalopolis does not suit him exactly. By chance, he ends up writing eulogies, which he does so in the most meticulous fashion, meeting the families of the deceased, observing them carefully, listening to their...
- 2/17/2024
- by Panos Kotzathanasis
- AsianMoviePulse
Blackbird Lands In Osaka
The Osaka Asian Film Festival has added eight more titles to its line-up, including the award-winning Georgian drama “Blackbird Blackbird Blackberry,” which will play in competition.
Elene Naveriani’s “Blackbird,” about a middle-aged woman’s relationship decision, has had wide festival play in Europe and earned multiple prizes for lead actor Eka Chavleishvili.
Other additions are Cambodian directing duo Inrasothythep Neth and Sokyou Chea’s “Tenement”; the world premiere of Hong Kong director Ricky Ko’s “Out of the Shadow”; “Supposed,” by Thanakorn Pongsuwan and “Death Whisperer,” by Taweewat Wantha, which expand the festival’s selection of Thai films to eight; and “The Winter of 1905,” a 1981 film by Hong Kong director Yu Wei-Cheng, which joins the Taiwan: Movies on the Move 2024 special section.
Other revival inclusions are: the 4K restored director’s cut of Patrick Tam’s 1982 Hong Kong movie “Nomad” and “240 Hours in One Day,...
The Osaka Asian Film Festival has added eight more titles to its line-up, including the award-winning Georgian drama “Blackbird Blackbird Blackberry,” which will play in competition.
Elene Naveriani’s “Blackbird,” about a middle-aged woman’s relationship decision, has had wide festival play in Europe and earned multiple prizes for lead actor Eka Chavleishvili.
Other additions are Cambodian directing duo Inrasothythep Neth and Sokyou Chea’s “Tenement”; the world premiere of Hong Kong director Ricky Ko’s “Out of the Shadow”; “Supposed,” by Thanakorn Pongsuwan and “Death Whisperer,” by Taweewat Wantha, which expand the festival’s selection of Thai films to eight; and “The Winter of 1905,” a 1981 film by Hong Kong director Yu Wei-Cheng, which joins the Taiwan: Movies on the Move 2024 special section.
Other revival inclusions are: the 4K restored director’s cut of Patrick Tam’s 1982 Hong Kong movie “Nomad” and “240 Hours in One Day,...
- 1/31/2024
- by Patrick Frater
- Variety Film + TV
“Auto-bio Pamphlet,” a Marathi-language film that is both a love story and a rage against class divisions, will open the 18th edition of the Jogja-netpac Asian Film Festival later this month. The festival will close with the world premiere of spy thriller “13 Bombs in Jakarta.”
Jaff run Nov. 25 – Dec. 2 and include 205 films from 25 countries and territories across Asia-Pacific.
Directed by Angga Dwimas Sasongko, “13 Bombs in Jakarta” (aka “13 Bom di Jakarta”) tells of a group of terrorists who launch their attack with the threat of bombs scattered throughout the Indonesian capital. Sasongko is also the founder of local studio Visenema, which has four films at the festival.
“As the opening film for this year’s edition, we choose something light-hearted, which is ‘Autobio Pamphlet’ from India. Its coming-of-age story will be perfect to set the festival’s spirited and entertaining mood,” said Alexander Matius, Jaff program director. The film had...
Jaff run Nov. 25 – Dec. 2 and include 205 films from 25 countries and territories across Asia-Pacific.
Directed by Angga Dwimas Sasongko, “13 Bombs in Jakarta” (aka “13 Bom di Jakarta”) tells of a group of terrorists who launch their attack with the threat of bombs scattered throughout the Indonesian capital. Sasongko is also the founder of local studio Visenema, which has four films at the festival.
“As the opening film for this year’s edition, we choose something light-hearted, which is ‘Autobio Pamphlet’ from India. Its coming-of-age story will be perfect to set the festival’s spirited and entertaining mood,” said Alexander Matius, Jaff program director. The film had...
- 11/11/2023
- by Patrick Frater
- Variety Film + TV
The full lineup has been unveiled for the festival’s 36th edition.
The Tokyo International Film Festival (TIFF) today revealed the lineup for its 36th edition, including 20 world premieres across its two competition strands.
The festival, set to run October 23 to November 1, will feature 15 titles in its main Competition section led by Japan and China, which each have three films in the selection.
Scroll down for full list
From China are crime drama A Long Shot from debut feature director Gao Peng; Snow Leopard by late Tibetan filmmaker Pema Tseden, which premiered at Venice; and Dwelling By The West Lake by Gu Xiaogang,...
The Tokyo International Film Festival (TIFF) today revealed the lineup for its 36th edition, including 20 world premieres across its two competition strands.
The festival, set to run October 23 to November 1, will feature 15 titles in its main Competition section led by Japan and China, which each have three films in the selection.
Scroll down for full list
From China are crime drama A Long Shot from debut feature director Gao Peng; Snow Leopard by late Tibetan filmmaker Pema Tseden, which premiered at Venice; and Dwelling By The West Lake by Gu Xiaogang,...
- 9/27/2023
- by Michael Rosser
- ScreenDaily
Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each.
Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award.
The full competition with 15 titles, set to play between Oct. 23 and Nov. 1, includes the world premiere of Russian director Alexei German Jr.’s “Air” and Filipino director Sheron Dayoc’s “The Gospel of the Beast.”
The trio from Japan are: “(Ab)Normal Desire,” by Kishi Yoshiyuki; “A Foggy Paradise,” by Kotsijui Yohei; and “Who Were We,” by Tomina Tetsuya.
The festival’s gala selection appears designed for entertainment pleasure. In addition to the previously-announced “Perfect Days” and “Godzilla Minus One,” set as the festival’s opening and closing films,...
Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award.
The full competition with 15 titles, set to play between Oct. 23 and Nov. 1, includes the world premiere of Russian director Alexei German Jr.’s “Air” and Filipino director Sheron Dayoc’s “The Gospel of the Beast.”
The trio from Japan are: “(Ab)Normal Desire,” by Kishi Yoshiyuki; “A Foggy Paradise,” by Kotsijui Yohei; and “Who Were We,” by Tomina Tetsuya.
The festival’s gala selection appears designed for entertainment pleasure. In addition to the previously-announced “Perfect Days” and “Godzilla Minus One,” set as the festival’s opening and closing films,...
- 9/27/2023
- by Patrick Frater
- Variety Film + TV
The SXSW Sydney festival has set a 75-film screening schedule for its first edition. The selection skews heavily towards music, but is also distinctly international.
Headline titles include re-edited Talking Heads concert film “Stop Making Sense,” “Hot Potato: The Story of The Wiggles,” an exploration of iconic Australian musical act The Wiggles; drill rap documentary “Onefour: Against All Odds,” directed by Gabriel Gasparinatos; and the widely-acclaimed “Ryuichi Sakamoto: Opus,” directed by Neo Sora.
“The first ever SXSW Sydney Screen Festival aims to platform the most exciting new voices, new forms and new ways of creating on screen. We hope to inspire our audiences and industry, by unwrapping the future of screen innovation as it emerges,” said Ghita Loebenstein, the festival’s head of screen. “Like our Austin counterparts, our festival presents global programming from leading creators, and our unique offer is this distinctive Asia Pacific lens. We also thematically lean...
Headline titles include re-edited Talking Heads concert film “Stop Making Sense,” “Hot Potato: The Story of The Wiggles,” an exploration of iconic Australian musical act The Wiggles; drill rap documentary “Onefour: Against All Odds,” directed by Gabriel Gasparinatos; and the widely-acclaimed “Ryuichi Sakamoto: Opus,” directed by Neo Sora.
“The first ever SXSW Sydney Screen Festival aims to platform the most exciting new voices, new forms and new ways of creating on screen. We hope to inspire our audiences and industry, by unwrapping the future of screen innovation as it emerges,” said Ghita Loebenstein, the festival’s head of screen. “Like our Austin counterparts, our festival presents global programming from leading creators, and our unique offer is this distinctive Asia Pacific lens. We also thematically lean...
- 9/21/2023
- by Patrick Frater
- Variety Film + TV
Going simply by the awards handed out, the 25th Shanghai International Film Festival delivered on its promise to celebrate the emerging stars of both Asian and Chinese cinema.
There were Golden Goblet wins for established markets Japan and China, and those less known, including Uzbekistan. And there were some scene-stealing emotions shared up on stage at the Shanghai Grand Theater, including the moments when two of China’s biggest stars, Hu Ge and Da Peng, were jointly awarded the festival’s best actor prize and then shared memories of their long-lasting friendship.
Japanese director Kazuyoshi Kumakiri was certainly swept up by the occasion, as China’s major festival event marked a return to normalcy — and a return of international guests — after the travel restrictions and assorted uncertainties of the global pandemic.
Kumakiri’s Yoko picked up the festival’s best feature film, best actress and best screenplay awards in the...
There were Golden Goblet wins for established markets Japan and China, and those less known, including Uzbekistan. And there were some scene-stealing emotions shared up on stage at the Shanghai Grand Theater, including the moments when two of China’s biggest stars, Hu Ge and Da Peng, were jointly awarded the festival’s best actor prize and then shared memories of their long-lasting friendship.
Japanese director Kazuyoshi Kumakiri was certainly swept up by the occasion, as China’s major festival event marked a return to normalcy — and a return of international guests — after the travel restrictions and assorted uncertainties of the global pandemic.
Kumakiri’s Yoko picked up the festival’s best feature film, best actress and best screenplay awards in the...
- 6/25/2023
- by Mathew Scott
- The Hollywood Reporter - Movie News
Further winners included Spanish documentary ‘Muyeres’.
Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.
The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.
Scroll down for full list of winners
Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...
Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.
The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.
Scroll down for full list of winners
Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...
- 6/19/2023
- by Silvia Wong
- ScreenDaily
Further winners included Spanish documentary ‘Muyeres’.
Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.
The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.
Scroll down for full list of winners
Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...
Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.
The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.
Scroll down for full list of winners
Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...
- 6/19/2023
- by Silvia Wong
- ScreenDaily
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