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Trance (2013)

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An art auctioneer becomes mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.

Director:

Danny Boyle

Writers:

Joe Ahearne (screenplay), John Hodge (screenplay) | 1 more credit »
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Popularity
3,742 ( 940)
3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
James McAvoy ... Simon
Vincent Cassel ... Franck
Rosario Dawson ... Elizabeth
Danny Sapani ... Nate
Matt Cross Matt Cross ... Dominic
Wahab Sheikh Wahab Sheikh ... Riz
Mark Poltimore Mark Poltimore ... Francis Lemaitre
Tuppence Middleton ... Young Woman in Red Car
Simon Kunz ... Surgeon
Michael Shaeffer ... Security Guard #1
Tony Jayawardena Tony Jayawardena ... Security Guard #2
Vincent Montuel Vincent Montuel ... Handsome Waiter
Jai Rajani Jai Rajani ... Car Park Attendant
Spencer Wilding ... 60's Robber
Gursharan Chaggar Gursharan Chaggar ... Postman
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Storyline

A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated. Written by Fox Searchlight

Plot Summary | Plot Synopsis

Taglines:

Inside the mind. Outside the law.


Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, violence, some grisly images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | France

Language:

English | French

Release Date:

27 March 2013 (UK) See more »

Also Known As:

En trance See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$131,145, 7 April 2013

Gross USA:

$2,328,743

Cumulative Worldwide Gross:

$24,261,569
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Danny Sapani and Matt Cross play characters in Misfits (2009) but in different seasons. See more »

Goofs

The view of Auvers by Paul Cezanne in the room of lost or stolen paintings is actually in the Art Institute of Chicago. It was a different painting by him with the same title that was stolen from the Ashmolean Museum, Oxford, UK on December 31 1999. See more »

Quotes

[first lines]
Simon: [auctioneer is barking prices] There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
See more »

Crazy Credits

After the closing credits have rolled, the audience hears the familiar five taps on the glass window that was an iconic audible signature throughout the film. See more »

Connections

Featured in Maltin on Movies: The Wolverine (2013) See more »

Soundtracks

The Day
Written, Produced and Performed by Moby
Courtesy of Little Idiot & Mute
By arrangement with Bank Robber Music
See more »

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User Reviews

 
If you're a Boyle fan lower your expectations a little.
29 March 2013 | by BuscatcherSee all my reviews

James Mcavoy is back on form after the dismal Welcome To The Punch. He is Simon who works for a fine art auction house, where one of his duties is to whisk away to a deep vault the most valuable artwork in the event of any attempted robbery. Of course their is a robbery, masterminded by Franck played by Vincent Cassels, the only problem is he has stolen a picture frame but no canvas. Simon is hit on the head during the robbery causing amnesia and cannot remember what happened to the canvas. Franck isn't too chuffed about this so employs Elizabeth - Rosario Dawson a hypnotist to delve into Simon's mind to find where he may have secreted the artwork.

For at least the first half I was gripped by the plot and characters plus Boyles camera work is spot on as always. I did however feel completely puzzled at one point when the plot seemed to zig-zag a bit too much and I began to wonder whether I had lost concentration. I wasn't being dim however because at this point one of the characters explains (in flashback) what's going on.

Although an adequate enough watch this was for me a below par Boyle movie. But I suppose with a back catalogue including two of my top ten films he can be excused for not 'hitting a coconut every time'. Overall I was not disappointed to have caught the bus to view this and neither should you be. If you are a Boyle fan just lower your expectations a little.


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