Kyle Kallgren: Oancitizen

Quotes 

• Oancitizen : Of course, Alice's repeated attempts to swallow the camera lens aren't making me feel any safer.

• Oancitizen : Of course, this is Alice and it's not supposed to make sense. Like this jar full of ear wax or something, it's not supposed to make sense, it's just there. Or this pile of leaves she jumps in, it's not supposed to make sense, it's just there.

• Oancitizen : Curiouser and curiouser.

• Oancitizen : Is the rabbit beating her? Oh, and he made the little girl cry.

• Oancitizen : It wasn't enough just to have the rabbit light small fires on her head, he had to sick the Legion of the Undead on her.

• The Mad Hatter : Why is a raven like a writing desk?

  Oancitizen : Because it can produce a few notes, though they are very flat, and it is "nevar" put with the wrong end in front... some of us have gotten that.

• Oancitizen : Now the original novel made a brief mention of a scene where Alice got chased by the animals. Brief mention. This film turns it into a production number. Everything imaginable, and unimaginable for that matter, comes after her. The rabbit leads the charge with a Shining reference, a fish skeleton with legs joins in, then we see what I think is a jester with the skull of a small monkey... at least I hope it's a small monkey, a skeleton duck and... oh come on, lobsters don't even have skeletons!

• Oancitizen : I should be thankful that the Cheshire Cat isn't in this one. I think I got enough serial killer smiles from the Caterpillar.

• Oancitizen : Well, there it is: after that nightmarish journey into the deepest recesses of stop-motion hell, precocious little Alice has been turned into a sociopathic killer, and that is the most logical reaction she has had in the film.

• Oancitizen : This film is one of the most frightening things ever put on celluloid, and a big part of that is the fact that this film was made for children. Every frame holds something unnatural, a strange artificiality that gives everything a taste in macabre, add to that a clicking, scratching sound design emphasising every tiny movement of these creatures, and it creates the scariest movie monsters ever conceived, and I expect no less from a man whose country also produced Kafka. This is in no way a film for children, and it's brilliant!

• Phil Buni : Hey Oancitizen, how's it going? Wow, you got a great place here, it's really great to be on your show finally...

  Oancitizen : [brandishes a dagger]  Get back, I swear to God I'll use this!

  Phil Buni : Huh. You're freaking out. You're kinda freaking out right now, man. You okay?

  Oancitizen : Get away from me. Get away from me, demon!

  [runs away] 

  Phil Buni : Huh, that's kinda rude. Yeah, just run away like a little girl, that's great. That's a mature way to handle your problems. Racist!