Spring, 1958. 21-year-old Rose Pamphyle lives with her grouchy widower father who runs the village store. Engaged to the son of the local mechanic, she seems destined for the quiet, drudgery-filled life of a housewife. But that's not the life Rose longs for. When she travels to Lisieux in Normandy, where charismatic insurance agency boss Louis Echard is advertising for a secretary, the ensuing interview is a disaster. But Rose reveals a special gift - she can type at extraordinary speed. Unwittingly, the young woman awakens the dormant sports fan in Louis. If she wants the job she'll have to compete in a speed typing competition. Whatever sacrifices Rose must make to reach the top, Louis declares himself her trainer. He'll turn her into the fastest girl not only in the country, but in the world! But a love of sport doesn't always mix well with love itself ...Written by
The Weinstein Company
The typewriter Rose uses in the shop is an Adler Triumph, a European model which uses the 'AZERTY' keyboard, a popular style used especially among European-based French speakers (as opposed to the English QWERTY). Switzerland and Luxembourg use a variant called 'QWERTZ'. See more »
When Louis smashes the record playing "Le tango des illusions", it shatters as a 78 rpm shellac record. The label features a variant of Columbia Records' "Magic Notes" design as a 12-inch record. However, Jacqueline Boyer's "Le tango des illusions" was never released as a 78. The song was issued in France in 1962 by Columbia Records as part of a vinyl 7-inch EP under "Le pont vers le soleil". 78s had largely been phased out by 1960. See more »
She Looked Very Cute and Fashionable, and That's All, but It's Enough
Déborah François as the heroin, Rose Pamphyle, looked very cute and fashionable. That's all, but it's enough for me to see this movie for a change. I am guessing that Régis Roinsard, the director of this movie, just wanted to make Déborah look as cute and fashionable as possible in this movie, and he was successful.
Although this movie has many shortcomings that audience can point out, it doesn't matter at all. For example, the plot of this movie is quite stereotyped, but it is better to make audience concentrated in the heroin Déborah.
I love Kabuki, whose plots are usually dubious. The audience of Kabuki mainly wants to be fascinated with the beauty of Kabuki actors, and a deep plot would disturb the entertainment of Kabuki.
Of course, Déborah François herself is very attractive. She shows a variety of expressions, smile, anger, tears, envy, and love, and all of them are charming.
If you thought that she was cute in the trailer, it would be worth seeing this movie.
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