Directed by
Alison Parker |
Writing Credits
David B. Beleznay | ... | (story) & |
Alison Parker | ... | (story) |
David B. Beleznay | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Jennifer Barker | ... | associate producer |
Kenn Bearman | ... | associate producer: The Animal Store |
Ryan Gialames | ... | associate producer |
Andrea Goldthorpe | ... | executive producer |
Jeffery D. Jones | ... | associate producer (as Jeffery D.) |
Susan E. Jones | ... | associate producer |
Lorie Kapila | ... | producer |
Nadine L'Esperance | ... | associate producer |
Marious Morgan | ... | associate producer |
Brianna Morley | ... | associate producer |
Jess Morley | ... | associate producer |
Joyce Morley | ... | executive producer |
Martin Morley | ... | executive producer (as Martin) |
Alison Parker | ... | executive producer / producer |
Michael Peters | ... | producer (as Gord Peters) |
Jeanette Shin | ... | associate producer |
Christine J. Smith | ... | associate producer |
Richard P. Smith | ... | associate producer (as Dr. Richard P.) |
Michelle Sweet | ... | associate producer |
Lisa Watson | ... | associate producer: Wind & Willows Ferret Rescue |
Trish Webster | ... | associate producer |
Marylou Zarbock | ... | associate producer |
Music by
Henrik Åström |
Cinematography by
Brendan Uegama | ... | director of photography |
Editing by
Michael Peters |
Production Design by
Oshy Parasol |
Art Direction by
Kelsey Benning |
Set Decoration by
Natalie Elliot | ||
Ian Macdonald |
Costume Design by
Emily Hill |
Makeup Department
Kelsey Enegren | ... | makeup artist |
Tray Willis | ... | key makeup artist (as Tracy Lai) |
Production Management
Michael Peters | ... | unit production manager (as Gord Peters) |
Second Unit Director or Assistant Director
James Karvellas | ... | second assistant director |
Brie Koniczek | ... | first assistant director |
Art Department
Robert Bennett | ... | artist: comic book / storyboard artist |
Natalie Elliot | ... | props |
Ian Macdonald | ... | props |
Nick McLean | ... | graphic designer |
Sound Department
Kash | ... | dialogue editor / foley artist / re-recording mixer / sound designer / sound effects editor / supervising sound editor |
Alex Ma | ... | adr editor / dialogue editor / location sound |
Gwen Yuan | ... | adr recordist / re-recording dialogue mixer |
Camera and Electrical Department
Craig Benzan | ... | epk videographer |
Justin Bergler | ... | scorpio head technician |
Terry Boake | ... | lamp operator |
Luke T. Campbell | ... | digital imaging technician (as Luke Campbell) |
Lyle Contaoe | ... | technocrane technician |
Sean Cooke | ... | second assistant camera |
Tyler Dinwoodie | ... | first assistant camera: "b" camera |
Bob Glandon | ... | dolly grip / lamp operator |
Oliver Gläser | ... | camera operator: "b" camera / gaffer |
Jackson Harper | ... | second assistant camera |
Scott Keates | ... | scorpio head technician |
Gary Koay | ... | first assistant camera: "b" camera |
Nick Link | ... | grip |
Milton Loo | ... | camera operator: "b" camera |
Nick Malcolm | ... | first assistant camera: "a" camera |
Justin Powzy | ... | lamp operator |
Salomon Saade | ... | second assistant camera (as Salo Saade) |
Eva Siu | ... | still photography |
Rob Thom | ... | grip |
Werner Thomas | ... | digital imaging technician |
Mike Thorkilsen | ... | key grip |
Dianna Todosychuk | ... | lamp operator |
Ömer Çaglar Turhan | ... | lamp operator (as Chalar Turhan) |
Brendan Uegama | ... | camera operator: "a" camera |
Jesse Vance | ... | first assistant camera: "a" camera |
Scott Vere | ... | technocrane technician |
Costume and Wardrobe Department
Emily Hill | ... | set costumer |
Editorial Department
Craig Benzan | ... | epk editor |
Claudio Sepulveda | ... | colorist |
Location Management
Ken MacAlpine | ... | location manager |
Jennifer Vaughan | ... | assistant location manager |
Music Department
Henrik Åström | ... | orchestrator |
Eli Bennett | ... | composer: trailer music (uncredited) |
Script and Continuity Department
Jenny Wood | ... | script supervisor |
Additional Crew
David Ayllon | ... | web site designer |
Ashley Bains | ... | production assistant |
Terry Boake | ... | handler: ferret / production assistant |
Dana Dubé | ... | animal coordinator / handler: ferret / head trainer |
Dino Dubé | ... | assistant trainer |
Kat Englemann | ... | assistant trainer / handler: ferret |
Bonnie Faria | ... | production assistant |
Greg 'Digger' Hanson | ... | horse trainer |
Jackie Jones | ... | craft service |
Miho Kataoka | ... | production assistant |
Dawn-Marie Morgan | ... | craft service |
Alison Parker | ... | handler: ferret (as Silona Prekar) |
Melissa Spady | ... | handler: ferret / production assistant |
Mandy Stanhope | ... | craft service / handler: ferret |
Ryan Stanhope | ... | handler: ferret / production assistant |
William Wanstrom | ... | publicist |
Pamela Wasylyshen | ... | handler: ferret / production assistant |
Thanks
Robert Bennett | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
John Franco Braico | ... | special thanks: Matrix Production Services Ltd. (as John Braico) |
Kirsten Clarkson | ... | special thanks: Young Screen Actors Academy |
Barb Clay | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made, Rocky's Ferret Rescue & Shelter |
Linda Cope | ... | special thanks: Marshall Pet Products Inc. |
Cathy Danneberg | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Patricia Dawson | ... | special thanks: Crofton House School |
Chantal Drolet | ... | special thanks: Crofton House School |
Deb Graf | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Matt Hartfiel | ... | special thanks: Signal Systems |
C. Ernst Harth | ... | special thanks |
Leif Havdale | ... | special thanks: Falling Leif Stunts |
Joe Hotham | ... | financial contributor |
Sean Jackson | ... | special thanks: Pacific Backlot |
Spiro Karfakis | ... | special thanks: All Axis Remote Camera Systems |
Safana Ladak | ... | special thanks |
Corey Lambert | ... | special thanks: William F White International Inc. |
Ashley Lynch | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Bren Lynne | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Melanie Macinnes | ... | special thanks: JamesTown, Langley, BC |
Saied Marcondes | ... | special thanks: Talco Lighting Limited |
Carmen Mason | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made, FUEL House of Design |
Andrew Mulkani | ... | special thanks: Telescopic Camera Crane Ltd. |
Darlene Marie Newman | ... | in memory of: beloved mother and avid supporter for the legalization of ferrets in California 1962-2011 |
Blair Owens | ... | special thanks: Hansen Beverage Company |
David Parker | ... | special thanks (as David) |
Linda Parker | ... | special thanks |
Tracy Pitkin | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Pam Rowe | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Melissa Spady | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Bettina Strauss | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Ian Thompson | ... | special thanks: 911 Filmcars Inc. |
Lena Torluemke | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Brendan Uegama | ... | special thanks: Blacktree Pictures Inc. |
Andréa Vawda | ... | the director wishes to thank: for their generous contributions, without which this film could not have been made |
Nicholas Weigelt | ... | special thanks |
Barrie Wells | ... | special thanks: Telescopic Camera Crane Ltd. |