...seems that the other members like comedies or did not have enough exposure to great classical films; anyway, in my opinion, this movie is a bit long. The start is very good, settle all what s going with a good pace and the computer generated effects are well done not over done like with Hollywood movies. Colors are very nice; photography is OK; so the production have enough budget to make it possible. The plot takes some historical characters and facts but then goes it s ways, so it s not truly faithful of whats really occurred. It s kind of a comedy so the "lightness" of some dialogues and acting is there; but in reality you never know how really people was Centuries ago... we use to put or let modern society aspects (moods, expressions, protocols, etc) to these recreated movies and for me that s an error. Also there s a nod to the great Mifune by the side of one of the main characters and to Morricone s music and others. Most actors are recognized ones.
3 Reviews
Comical way to explain complicated Japanese history and personality
Kicino3 February 2014
Kiyosu Conference is a pleasant surprise as I generally dread Japanese period drama which is usually heavy, serious and filled with difficult dialogue or lengthy action scenes; but Kiyosu Conference is so funny and easy to understand while helping us realize what went on during that time. It also sheds some insight on the collective Japanese personality – that the inner and outer self can be quite different, so much so that it reminds me of "The Age of Innocence." The script is tightly written with very interesting plot development. Never underestimate any detail!
As demonstrated by director Koki Mitani's previous work "The Ghost of a Chance," "The Magic Hour," "The University of Laughs," and "Welcome Back, Mr McDonald," Mitani is very good at using a tightly-organized script with witty lines and a strong cast to make his work classic and funny at the same time. The bonus is that it also has some positive social message.
The basic theme of Kiyosu Conference is leadership succession before the unification of Japan in the 1500s. The political power struggle, like many of those in present time, is backed by two schools of supporters which has complicated relationships. The web-like character relationships are concisely presented by narration and comical portrayal by an excellent cast who add lots of substance to the story, although some only have very brief appearance. The plot is laid out in such a logical and systematically way that it is very easy to follow.
The main characters, especially Hideyoshi Hashiba (Yo Oizumi) and Katsuie Shibata (Koji Yakusho) portray their personalities vividly with clashes against each other, hence causing lots of laughter, not to mention the beautiful princess Oichi (Kyoka Suzuki) and Matsuhima (Ayame Goriki). It is not until the end that we finally begin to understand each character's motivation and have more respect for this important character of Hashiba in Japanese history despite his humble beginning. By then all the hints and details previously and meticulously dropped in the first half of the movie all make sense. It also resonates the Japanese culture, and language for that matter, that you have to stay until the end to understand what is really going on.
The costumes are also beautifully crafted thus very pleasant to look at. Coupled with the interesting soundtrack, the whole movie viewing experience is quite entertaining. No previously knowledge of Japanese history required. Just go and enjoy the comical power struggle and calculated alliance.
As demonstrated by director Koki Mitani's previous work "The Ghost of a Chance," "The Magic Hour," "The University of Laughs," and "Welcome Back, Mr McDonald," Mitani is very good at using a tightly-organized script with witty lines and a strong cast to make his work classic and funny at the same time. The bonus is that it also has some positive social message.
The basic theme of Kiyosu Conference is leadership succession before the unification of Japan in the 1500s. The political power struggle, like many of those in present time, is backed by two schools of supporters which has complicated relationships. The web-like character relationships are concisely presented by narration and comical portrayal by an excellent cast who add lots of substance to the story, although some only have very brief appearance. The plot is laid out in such a logical and systematically way that it is very easy to follow.
The main characters, especially Hideyoshi Hashiba (Yo Oizumi) and Katsuie Shibata (Koji Yakusho) portray their personalities vividly with clashes against each other, hence causing lots of laughter, not to mention the beautiful princess Oichi (Kyoka Suzuki) and Matsuhima (Ayame Goriki). It is not until the end that we finally begin to understand each character's motivation and have more respect for this important character of Hashiba in Japanese history despite his humble beginning. By then all the hints and details previously and meticulously dropped in the first half of the movie all make sense. It also resonates the Japanese culture, and language for that matter, that you have to stay until the end to understand what is really going on.
The costumes are also beautifully crafted thus very pleasant to look at. Coupled with the interesting soundtrack, the whole movie viewing experience is quite entertaining. No previously knowledge of Japanese history required. Just go and enjoy the comical power struggle and calculated alliance.
Brilliant
harry_tk_yung28 January 2014
Warning: Spoilers
Kôki Mitani, master of comedy at home with both stage play and motion picture, brings to the silver screen a point in the epic history of feudal power struggle with a comic twist. Just as a powerful family was at the verge of unifying Japan, their strong leader was assassinated. Two powerful lords each support a different successor but harbored secret ambitions of their own. The Kiyosu Conference was an attempt at a compromise by democratic vote cast by the 5 most powerful lords to determine the legitimate successor. Of the three besides the two vying forces, one is in a mad rush across the country hoping to arrive in time for the vote. Of the two remaining, one is wavering every minute while the other is not really is sure as he wanted to appear to be. The movie depicts these events through convoluted diplomacy and side-splitting hilarity (one of the candidates was an absolutely adorable moron).
Kôji Yakusho plays one of the two vying powerful lords, abandoning his well known gentleman persona for a he-man of a warrior. Less known to the global cinematic scene but equally brilliant is Yo Oizumi, portraying the rival nicknamed "monkey" who, behind all the clowning, has subtleties aplenty and the ambition of Alexandra the Great. Watching these two will put you in absolute cinematic ecstasy. Supporting them is a huge cast of men and women, each and everyone top-notch.
This is a movie that should be watched not just once, but two, or maybe three times.
Kôji Yakusho plays one of the two vying powerful lords, abandoning his well known gentleman persona for a he-man of a warrior. Less known to the global cinematic scene but equally brilliant is Yo Oizumi, portraying the rival nicknamed "monkey" who, behind all the clowning, has subtleties aplenty and the ambition of Alexandra the Great. Watching these two will put you in absolute cinematic ecstasy. Supporting them is a huge cast of men and women, each and everyone top-notch.
This is a movie that should be watched not just once, but two, or maybe three times.
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