Directed by
Gerald Gordon |
Writing Credits (in alphabetical order)
Gerald Gordon | ... | (writer) |
Cast (in credits order)
Produced by
Christopher Boeres Hipp | ... | associate producer |
Gerald Gordon | ... | producer |
Jeff Jay | ... | associate producer |
Janet Russ | ... | associate producer |
Music by
Bruce Buckingham | ... | (original film score by) |
Cinematography by
Michael Sweeney |
Editing by
Bruce Buckingham |
Production Design by
Monte Wilson | ||
Roger Julian Cross | ... | (uncredited) |
Costume Design by
Sandy Sax Scheller |
Makeup Department
Camille Berglund-Staunton | ... | hair stylist / makeup artist |
Kelsi Charles | ... | makeup artist |
Tina Haro | ... | makeup artist |
Justine Pyne Mua | ... | makeup artist |
Ann O'Neal | ... | makeup artist |
Sue Pyne | ... | makeup artist |
Second Unit Director or Assistant Director
Christopher Boeres Hipp | ... | first assistant director |
Monica Isles | ... | assistant director |
Dertrez Pressley | ... | second assistant director |
Sound Department
Nick Kelling | ... | sound |
Visual Effects by
Nick Kelling | ... | visual effects |
Camera and Electrical Department
Shane Hemmati | ... | grip |
Dominic López | ... | camera operator |
Alex Miller | ... | grip |
Randall Robinson | ... | grip |
Max Scheller | ... | grip |
Courtney Tait | ... | key grip |
Buddy Wayne | ... | best boy |
Costume and Wardrobe Department
Sandy Sax Scheller | ... | costume supervisor |
Script and Continuity Department
Windy Madiedo | ... | script supervisor |
Additional Crew
Isaac Brooks | ... | production assistant |
Gerald Gordon | ... | choreographer |
Jason Kalish | ... | choreographer |
Vera Miranda | ... | choreography: Good Girl (as Vera Petrychenka) |
Scott Watanabe | ... | dialogue and speech coach |
Thanks
Gary Cooper | ... | thanks for lending us his 1924 Ford Model T |
Joy Demain | ... | thanks for the use of theatre |
Jeff Jay | ... | thanks for the loan of his valuable RED camera |
Pam Passman | ... | thanks for Elizabeth the Donkey |