10 things I love about this short: 1. Screenplay. (this short follows the very fundamental rule of storytelling. "Its not what you say but its how you say that really matters!") 2. Genre-Fantasy. (Cos' we are all bored watching regular and mundane sci-fi, abstract and amateur shorts. The element "what if?" makes this interesting.) 3. Style. (Instead of borrowing or stealing someone's style, the team came up with its own tone and look which makes this a pebble among stones. example, the way the performer pulls and wears his shirt from the washing machine. Look at those jump cuts! fabulous, i say. Apt use of slow- mo.) 4. Cinematography. (Come on! they have filmed this entirely on an IPhone? look at the angles, inside the washing machine, Side Snorri-cam while the lead actor is running.) 5. Visuals (opening close up of the gold fish and the paintings) 6. Production design (the way the director made use of every single object in the frame. A perfect Hitchcock!) 7. Color (a greenish-brown-gold tone of its own) 8. Lead actor's Performance (as subtle it is, as enough it is!) Now comes the killer parts! 9. Scoring (that's so haunting! the pace of the music was the backbone in most of the scenes) 10. Editing (Now this needs some special mentions. Most beautiful application of jump cuts after Aronofsky and Edgar wright. You won't be able to pluck out a single scene. The number of shots put together are unlike any short i have ever seen. And the use of symbolism was perfectly placed.)
And i am a graduate at NYFA. Found this very fortunately while browsing "IPhone short films". And i've never imagined someone from the so called country India making such a great use of technology with his/her debut effort. Well there may be mistakes. But what is art without mistakes? Every filmmaker makes them. Thats the way you iron your wrinkles. Great job Phanindra Narsetti. keep 'em coming!
And i am a graduate at NYFA. Found this very fortunately while browsing "IPhone short films". And i've never imagined someone from the so called country India making such a great use of technology with his/her debut effort. Well there may be mistakes. But what is art without mistakes? Every filmmaker makes them. Thats the way you iron your wrinkles. Great job Phanindra Narsetti. keep 'em coming!