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8/10
HK Neo Reviews: GF*BF 女朋友。男朋友
webmaster-301722 August 2012
"GF*BF" is one of those tragic life experiences disguised within layers of a coming of age kind of youthful romance, but really it is a deep and complicated emotional turmoil about three tragic souls growing up in Taiwan during the 80s period of immense social change.

"GF*BF" is an immensely difficult film to review, as it is one of those films that is impossible to dislike. It is well directed, stylishly filmed, complicatedly and originally scripted, filled with some truly wonderful and convincing performances, but somehow, it doesn't totally go the distance. In saying so, director Yang Ya-che does a wonderful job in bringing such a complicated and layered script to life and almost pulled it off convincingly. In fact, there are times when I was almost overwhelmed by the volume of feelings and emotions on display, but somehow the film lacks a resonance emotional connection with the audience that could have propel the film to reach its lofty ambitions. Not unlike 2006′s Taiwanese youth romance "Eternal Summer" (also starring lead actor Joseph Chang), the film deals with similar issues and situated during a testing period of time in Taiwan and for youth growing up in general.

In many ways the film attempts to say too much, striving to be far too complex and by the end of it, the film itself is caught within its own web. There is just so much potential that director Yang could've explored, but somehow fails to fully capitalize on it. In fact, some scenes are so powerful and notable, namely the intense confrontation scene at the karaoke room, the simple good bye gesture from Gwei Lun Mei looking on by the bedroom window and the brilliant scene at the airport near the end. At times, the quality from these scenes feels as though it came from a different movie all together. However, a few scenes do not make a movie and instead of uplifting the audience to the ultimate emotional connection, the film decides to cut and chop to another time period.

Joseph Chang ("Eternal Summer") at times is able to even outshine the always brilliant Gwei Lun Mei ("Secret"). Chang is quietly wonderful in the conflicted role and carries the film with the most difficult character on hand. Rhydian Vaughan ("Love 2012") tries hard, but is given far too little material to work with, other than being a total jerk. In a way, Gwei Lun Mei is fast becoming the Taiwanese's version of Zhou Xun and that's the highest order of compliment an Asian actress can receive in this day and age. Her chemistry with Chang is undeniable and the subtle moments between the two are best left in the unspoken scenes of early tiny touches, wandering eyes and some stirring emotions. What director Yang is able to achieve is being able to create and allow the audience to focus on the two main characters (Gwei Lun Mei and Joseph Chang) that in more than one ways or another are clearly two complete mirror images of each other.

At the end of the day, Yang tries extremely hard to convince the audience about the subject matter that he is trying to say. While there are notions of life, love and friendship that one can possibly learn from or even relate, the film seems more occupy with the twists and turns of complexity into the dynamics of the trio relationships than actual cinematic experience for the audience. With that being said, "GF*BF" is easily a good film, filled with some truly wonderful performances, helmed by an ambitious director and illuminated by a difficult period of change in Taiwanese history. One just cannot help compare the similarities with 2006's "Eternal Summer", but of the two films, there is no doubt that Yang takes it much further. A good film that comes up short of its lofty ambitions (Neo 2012)

I rate it 8/10
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8/10
30 years of comforting suffering
Kicino11 September 2012
Warning: Spoilers
A sad but beautiful triangular love story with Taiwan's student movement as backdrop. How much are you willing to suffer/sacrifice for the person you love? How long are you willing to love even if your love is not requited? What would you do for a friend who loves you but you do not love as much? How close would you like to be with someone you love but were afraid to tell?

These are all questions I kept asking myself as the movie went along. Like the tag in its trailer, perhaps everyone has two lovers: one who loves me and one I love. Life would be perfect if these two persons are the same. But life is never perfect. And in this case, the best and the saddest love stories are muddled and linger on for three decades, making it beautiful and sad at the same time.

Mabel (Lunmei Kwai) loves Liam (Hsiao-chuan Chang) who loves Aaron (Rhydian Vaughan) who loves Mabel. Only Aaron expresses his love for Mabel after Liam tells him that he and Mabel are not a couple. Both Mabel and Liam did not have the courage to confess their feelings until years later when Mabel found out she was betrayed by Aaron. However, their tragic confessions make both of them even sadder and pave way for their stronger friendship.

Another few years pass when they all graduate from college and start working. Liam's love to Aaron and Mabel's love to Liam still linger but Aaron is married, to someone outside this triangle. Their friendship is spoiled when an affair is involved. Perhaps Mabel is involved with Aaron because that would be the closest she can get to Liam: if Liam cannot get close to Aaron, maybe she can do it for him. The sad part is that she finally realizes that Aaron would/could never love her as much as he has promised – ironically he is just like the Pinocchio he tells his son. So Mabel chooses to back off, again.

For Liam, no matter it is Aaron or other man or being loved by Mabel, life is painful. Like he said, many sufferings are self-inflicted. Liam finally makes a painful decision to stop loving Aaron after a confrontation following prolonged repression: he has been suffering all his life but he stopped because he saw a mirror image. Mabel could have a choice and so could he. The scene of them in the supermarket is moving as they finally realize they are still very close friends after all these years – and they care for each other no matter what happens. Although his love for Aaron subsides and their friendship spoiled, his love for Mabel exists which sublimes into parental love for her kids whom he treats as his own.

This is such a tragic story but you cannot help but like it. It could never have happened without the three outstanding actors and actress where everyone is caught between two forces. Kwai is amazing in playing Mabel, who is caught between Aaron and Liam. She evolves from a bold Tomboy, a daring college student and finally a mature but sad woman. When you see her sad eyes, you want to cry with her.

Hsiao-chuan Chang plays the loving yet introvert Liam who spends his whole life suppressing his passion but taking care of his close friend. You will feel so sorry for him and his predicament that you want to hug him tightly.

Rhydian Vaughan plays the outgoing, daring and rebellious Aaron. Extremely handsome, Aaron at college resembles a young Tom Cruise and is very pleasant to watch.

A very important character is Sean (Bryan Shu-hao Chang) who, opposite to Liam, is honest and open about his sexual orientation. A rational observer of life, he is well aware of what's going on between the trios and is doing everything he can to help his friends. An honest and sincere person, Sean finally finds the happiness he deserves. Bryan is brilliant: he does not appear often but whenever he appears, the character shines.

This movie uses very strong film language to express the rich emotions. All details are related to pave way for later development or reflect the character's emotions. Produced with immense sincerity, excellent direction, great script and superb cast, this is worth watching again and again because there are such complex emotions going on. On the one hand, our protagonists seem to be happy and fulfilled; on the other hand, there is always a sad note and painful compromise somewhere. But then if you look from another angle, it may be sad but it is comforting after all. An excellent production. Must see.
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7/10
A coming-of-age love story tangled in life's complexities
twentywo8 October 2012
Those clued in to Taiwan's much-hyped cinematic wave and new generation of auteurs will find Ya-che Yang's new work familiar ground.

A blend of coming-of-age realities and a fair dose of human drama, it's a formula that has been shown to work wonders.

Moderation, however, is often shown to be the achilles heel when following such proved plot formulas. And while the film touches many a raw soul rooted in the conundrums of unrequited love, it is also perhaps where Girlfriend Boyfriend flatters to deceive.

Set against Taiwan's political wave of student uprisings in 1985, Girlfriend Boyfriend is a film about three school students coming to grips with their sexualities and self-consciousness.

Sean (Shu-Hao Chang), Liam (Hsiao-chuan Chang) and Mabel (Lunmei Kwai) are best friends who are bonded by the anti-establishment ideology of the time.

Each brings a different element and perspective but all three pieces fit into a perfect team picture of revolutionary prodigies staking their places in society.

Of course, the adrenalin-charging environment of the times can only raise the levels of raging teenage hormones, and the viewer is slowly thrown to question whether their friendship is defined by bonds, or by their own love agendas.

In giving each of his three leading characters a distinctive unyielding persona, Ya-che Yang sets the development of his characters in a natural motion as the years pass.

While the consistency helps the viewer take a liking to them and their unconventional ideologies, it also surfaces a rigidity that extends to their love interests. And that, while stemmed in the film's main theme, is also what this critic felt was overscripted to the point of tiresome blabber.

All in all, the viewer leaves the theatre sharing the sense of resignation to life's conundrums the film's three lead characters convey through their complicated characters at some time or another.

The great Oscar Wilde penned "Life imitates Art far more than Art imitates Life"

If it was pertaining to Girlfriend Boyfriend (2012), it might make sense to put away the tissue box readied for Hollywood-esque heart-rending moments, and bring a state of human consciousness into the theatre.
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6/10
ménage-à-trois goes bitter
lasttimeisaw11 August 2014
Warning: Spoilers
Ten years after Chih-yen Yee's BLUE GATE CROSSING (2002, 9/10), which is a powerhouse debut for Lun Mei Gwei, who plays a schoolgirl harbors a secretive lesbian love to her best friend, but is also pursued by the boy who is her best friend's object of unrequited admiration. In Ya-che Yang's second feature after the box office dark-horse ORZ BOYZ (2008), GF*BF remoulds the love triangle with a girl and two boys, and ambitiously tracks their life orbit from late 1980s to the present, however, an unerring selling point is the all-the-rage queer leitmotif.

From their high school days in 1980s, Mabel (Gwei), Liam (Hsiao-chuan Chang) and Aaron (Vaughan) are three close schoolmates and rebellious to the militarized education of their school, discernibly Mabel has feelings for the introvert but kindhearted Liam, but the latter never make an initiative to chase after her, instead, a more exuberant and hot-blooded Aaron woos her and they become lovers.

In 1990, Liam and Aaron are college flatmates, at the heat of a critical social change which demands democracy in Taiwan, the ambitious Aaron is an avid adherent of student movement, and the three reunite as protestants in a sit-down in front of the Sun Yat-sen Memorial Hall, but little as they know, their future is never how they can imagine. When wine is in, truth is out, during an after-party, Liam finally reveals to Mabel his affection towards Aaron, and Mabel is also devastated to realize she and Aaron can never be together.

7 years later, out of the ivory tower, Aaron marries into a rich family and Mabel is his mistress; Liam, also is a lover of a closet man with a family, they meet again, friendship forever, is just a hollow slogan to save the face, Aaron's attempt to elope with Mabel foils at the last minute in the airport, again Mabel heartbreakingly braces herself to be the bravest one. Liam is the one who knows her best, their train of thought clings to the remembrance of the past, but a malignant tumor will make things easier for them. In the coda set in 2012, a middle-age Liam is the custodian of Mabel's twin daughters, an unheralded Mr. nice guy sacrifices his life to raise the offspring of his best friends one of whom he is in love with and another he is unable to love.

A box-office success, and grabbed 7 Golden Horse Awards nominations (encompasses the big 5 with cinematography and a Supporting Actor nomination for the transformative Bryan Shu-Hao Chang as a silver-tongued sissy queen) and won Gwei a coveted BEST ACTRESS trophy for her transfixing performance, who again and again deservingly salvages the film from its dullest and most arbitrary moments, Mabel's tribulations are poignantly presented with a force of impact so powerful and destructive, wonderfully contrasts to Hsiao-chuan Chang's repressed implosion, which is also painful to watch, and it heralds Hsiao-chuan's rosy effort to venture into a wider spectrum as a mature actor instead of a brawny pretty boy who leaves an indelible impression in Leste Chen's ETERNAL SUMMER (2006, 7/10), another ménage-à-trois teen-spirit love confusion. Vaughan, the red-hot British-and-Taiwanese mixed-blooded jock from MONGA (2010) and TINY TIMES series (2013-2014), is a fresh-air but fails to lift the momentum under his belt, his Aaron is the most ambiguous one among the trinity, his comeuppance is never mentioned, but we can conjure up from the context, he is the most pathetic one.

One cannot overlook the ambition from Ya-che Yang, who tries to conjoin politics with a youth culture of repression and rebellion extending almost 25 years, but never quite hits the bull's- eye, utilizing conspicuously emotive songs to amp up an atmosphere of grandeur and upsurging emotions also falls contrived and wanting. It is a beautifully shot film nevertheless and the performances are highly recommendable, Lun Mei Gwei and Hsiao-chuan Chang are among my Top 10 lists of 2012 so far.
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10/10
Casey's Movie Mania: GF*BF (2012)
caseymoviemania26 November 2012
A well-made, coming-of-age drama that explores friendship, romance, sexuality and politics, Yang Ya-Che's GF*BF (alternatively titled as GIRLFRIEND BOYFRIEND) is one of the best Taiwanese movies I've ever come across. No wonder the movie is well-deserved to earn 7 nominations at the 49th Golden Horse Awards (which later won Gwei Lun-Mei a Best Actress award as well as Audience Choice Award).

Told over the span of three decades (1985, 1997 and 2012), the movie begins with a brief prologue set in the present day before it goes back in time in 1985, where we are introduced to three Taiwan high-schoolers Mabel (Gwei Lun-Mei), Liam (Joseph Chang) and Aaron (Rhydian Vaughan). All of them are activists rebelling against the martial law during the turbulent period of 1980s Taiwan. On the personal side, Mabel loves Liam a lot, but Liam doesn't really have a feeling for her. So she ends up falling in love with Aaron instead. Liam, in the meantime, is actually a closeted homosexual who's been longing for Aaron. This is one complicated love triangle which will make your head spin upon watching the movie.

Which is why the trio's love triangle is one of the unique selling points in GF*BF. All three actors delivered top-notch and remarkably convincing performances where you'll feel emotionally involved with them. Gwei Lun-Mei is particularly excellent in what would be her best performance to date as a spunky girl with hidden vulnerability. Joseph Chang is equally captivating as a silent-type individual who loves to bottle up his emotion, and he's especially good when he communicates his character through his expressive eyes. Rhydian Vaughan is perfectly cast as a playful and sweet-talking Aaron.

Yang's direction is well-calculated and more than often, he successfully delivers a roller-coaster ride of varied emotions ranging from happiness to heartbreak with such genuine affection. On the other hand, Yang's keen observation over the multiple themes he's been exploring throughout his movie is passionately told, yet thought-provoking enough at the same time. Even the political aspect depicted earlier in the movie, which is actually served as a mere backdrop, has a certain impact served in his storyline.

The 1985 segment is easily the most memorable moment of all as Yang captures the sheer exuberance of what it's like to be a rebellious youth during that particular era where rules don't apply and freedom of speech is crucial for living a life to the fullest.

If there's a flaw in the movie, I must say that Vaughan's performance can be a bit underwhelming at times. Other than that, Yang's complicated storyline can be a little convoluted.

Production values are ace, while the soundtrack hits all the right notes in term of capturing the essence of the three different eras as well as the overall context of the movie.
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10/10
A Nutshell Review: gf*bf
DICK STEEL3 October 2012
Taiwanese films are becoming sexy again, and this probably is due in part of its crop of up and coming directors who are now holding their own against the art-house veterans, with their box office success being indication of their connecting with the audience at large, both local and overseas. Writer-director Yang Ya-Che's second feature film gf*bf shows the kind of appeal that's attractive to the general audience with its themes of romance starring a good looking cast, but in essence has a powerful story as gravitas to back it up.

Told over three decades from the martial law of the 80s, to the free spirited 90s and of today, the story revolves around three students, rebellious in their own right during their school days, but forming firm relations and friendship during their formative years. The brilliance in the scripting is in how Yang managed to craft really complex relationships between these three primary characters alone that worked on multiple levels, and showed a very fine and keen observation of the human condition, in the way we allow ourselves to be influenced by society at large, whether to conform or rebel against it, and how such decisions affect and change our behaviours, attitudes, and perhaps personality as well.

It's about how people change over time due to events and ever growing experience, whether jaded ones or otherwise, and how these changes affect the people around us, especially those whom we care about most. For Mabel (Gwei Lun-Mei), Liam (Chang Hsiao-Chuan) and Aaron (Rhydian Vaughan), life in school meant plenty of opportunities to work against the uniformed establishment, to try and break free from restrictive, and sometimes inexplicable rules. The impetuousness of youth continues into the 90s where the student movement got larger and more proactively vocal, before life in the present requires a lot more responsibility and level- headedness, with a surprise in the twist of narrative thrown in for good measure.

The trio's love triangle is what made this film come alive, and that's all that should be mentioned about it. While the title may be that little giveaway, suffice to say the romance in the film, amongst the characters, prove to be the best thing about the movie. All three actors gave convincing performances, that you'll feel every heart break, every heart wrench, and share in their little moments of happiness and warmth when things go their way, albeit not most of the time. Yang Ya-Che shows off some incredible sensitivity in making all of them multi-faceted, and multi-dimensional, and each of the actors did brilliantly to flesh their characters, making all of them pretty much endearing as we chart their ups and downs in life, especially their luck in love, or lack thereof.

Gwei Lun-Mei anchors the film, being the female amongst the two male leads, probably put in the best performance to date in a role that has plenty of spunk, yet filled with girly vulnerability when she gets her heart open and prone to heartbreak. There's a little sub plot involving her getai performing mom, and that provided a little bit of a distraction from the main narrative. While Rhydian Vaughan will likely set hearts aflutter with his good looks, playing the brash and sweet talking Aaron, Chang Hsiao-Chuan puts in a performance that's completely opposite as if to starkly contrast in broad terms, two different categories of men, and excelled in playing the strong, silent type who had too much bottled within him. For a reason of course.

gf*bf hardly put in a wrong foot in its story telling, and makes the audience work for their reward. There are films which make it easy to understand from the onset no thanks to having everything told in verbatim fashion, but this one allows some piecing together of facts and information, with a little bit of cultural and historical significance put on the side, that makes it unique, moving, and a masterful piece of filmmaking.
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10/10
bitter sweetness
zeleehom-446-84135311 August 2012
You should really go with your Asian friend.

This is the best Taiwanese movie i have ever seen, which talks about love.

The way it presents the story is so romantic, that you will literally fall in love with the movie.

Main actors and actress are so cute, their acting is natural, sentimental, and tear-alluring.

I really hope more and more MADE IN TAIWAN can find its market in the U.S., there are so many people here who appreciates Taiwanese products, especially their amazing movies.

Love it
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10/10
The end of youth, we are not free
clinluo9 May 2020
She loves him! he loves him! If the relationship is not established when time is not established, we are not willing to endure hardships for anyone, we are just asking for hardship. No matter how much we fall in love, we can't stand the most primitive cold of the world. Love is bigger than being loved, we are all Meibao, we are all Ah Liang, we believe in love and suffering for love, and later surrendered to become a good medicine. Magnolia floated by, things have changed.
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3/10
Over-ambition leads to failure on all fronts.
Jonathon_Natsis24 November 2012
Of all topics, who would have thought the concept of Taiwanese nationalism would have been such a difficult one to convey on screen? Last year, the ambitious but bloated Warriors of the Rainbow made a respectable attempt to tell the story of the Taiwanese Indigenous and their battle to keep their land against the invading Japanese. In 2012, director Ya-Che Yang travels down a more contemporary path, as Girlfriend Boyfriend recounts the changing lives and persistent love triangle between three close friends against the backdrop of social upheaval, as Taiwan breaks free of its martial law rule and attempts to forge a new identity.

Admittedly, this film's political agenda plays a secondary role to the interplay between its three main characters (Lun Mei Gwei, Hsiao-Chuan Chang and Fon Yuen Vaughan), for which it should be commended, but that is where the applause ends. Because for all its promise, Girlfriend Boyfriend simply cannot decide what sort of film it wants to be, and the result is a disjointed cluster of unnecessary side plots and generally melodramatic fare.

For a film that classifies itself as a comedy, it facilitates no laughs beyond the opening act, instead gradually descending into a miserable soap opera. That is not to say that its attempt at humour was off the mark; an impossibility due to the total lack of humour in the first place.

The film's attempt to deepen the story by throwing in new themes for the characters to intermittently deal with (including adultery, homosexuality and self-inflicted disconnectedness) actually has the opposite effect, as the plot becomes needlessly convoluted. It closes on an ending intending to justify the struggles each character has endured, but the fact that it completely overlooks the fate of Aaron, arguably the film's most relatable character, leaves the viewer wanting more, but also glad that the ordeal is over.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*
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8/10
Nice
tpsn7 October 2018
I don't speak Mandarin but thoroughly enjoys this film. High recommended for anyone who is interested in foreign film!
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