German writer and director Christoph Hochhäusler (Milchwald, Till the End of the Night) enjoys diving into the female psyche, even if it is that of as hitwoman. His new film Le Mort Viendra (Death Will Come) had its world premiere at the Locarno Film Festival’s 77th edition on Thursday, the first full day of Locarno77 after its Wednesday opening night.
Belgian actress Sophie Verbeeck (All About Them) stars as Tez, a contract killer. “Charles Mahr, a legendary gangster, hires her to avenge the murder of one of his couriers,” reads a plot summary. “Once in Brussels, she gets caught up in the thicket of intrigue in which she herself becomes the prey. Tez has to decide whose instrument she wants to be.”
Produced by Heimatfilm, in collaboration with Amour Fou Luxembourg and Tarantula, the French-language film, part of Locarno’s international competition lineup whose jury is led by Austrian filmmaker Jessica Hausner,...
Belgian actress Sophie Verbeeck (All About Them) stars as Tez, a contract killer. “Charles Mahr, a legendary gangster, hires her to avenge the murder of one of his couriers,” reads a plot summary. “Once in Brussels, she gets caught up in the thicket of intrigue in which she herself becomes the prey. Tez has to decide whose instrument she wants to be.”
Produced by Heimatfilm, in collaboration with Amour Fou Luxembourg and Tarantula, the French-language film, part of Locarno’s international competition lineup whose jury is led by Austrian filmmaker Jessica Hausner,...
- 8/8/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Germany’s Christoph Hochhäusler, the acclaimed director of “Till The End of The Night” which premiered at the 2023 Berlin Film Festival, returns with his latest film, “Death Will Come.” The crime piece is set to debut at the Locarno Film Festival, produced by Heimatfilm in collaboration with Amour Fou Luxembourg and Tarantula.
Sold by Italy’s True Colors, the film sees Tez, a hitwoman played by Sophie Verbeeck, tasked to avenge the death of a crime boss’s courier. The boss (Louis-Do de Lencquesaing) who hired her has motives more nuanced than they seem.
Tez remains an enigma, with the story only scratching the surface of what makes her tick as she goes about her work. For Hochhäusler, the mystery is intentional. “I believe spectator and character must meet. As a spectator, I am usually willing to go to greater lengths, investing in the fiction so to speak, if the...
Sold by Italy’s True Colors, the film sees Tez, a hitwoman played by Sophie Verbeeck, tasked to avenge the death of a crime boss’s courier. The boss (Louis-Do de Lencquesaing) who hired her has motives more nuanced than they seem.
Tez remains an enigma, with the story only scratching the surface of what makes her tick as she goes about her work. For Hochhäusler, the mystery is intentional. “I believe spectator and character must meet. As a spectator, I am usually willing to go to greater lengths, investing in the fiction so to speak, if the...
- 7/30/2024
- by Callum McLennan
- Variety Film + TV
On the Adamant.Competition(Jury: Kristen Stewart, Golshifteh Farahani, Valeska Grisebach, Radu Jude, Francine Maisler, Carla Simón, Johnnie To)Golden BearOn the Adamant (Nicolas Philibert)Silver Bear — Grand Jury PrizeAfire (Christian Petzold) (read interview)Silver Bear — Jury PrizeBad Living (João Canijo)Silver Bear for Best DirectorPhilippe Garrel (The Plough) (read more)Silver Bear for Best Leading PerformanceSofía OteroSilver Bear for Best Supporting PerformanceThea Ehre (Till the End of the Night) (read more)Silver Bear for Best ScreenplayAngela Schanelec (Music) (read more)Silver Bear for Outstanding Artistic ContributionHélène Louvart (Disco Boy)HereENCOUNTERS(Jury: Dea Kulumbegashvili, Angeliki Papoulia, Paolo Moretti)Award for Best FilmHere (Bas Devos)Special Jury AwardOrlando, My Political Biography (Paul B. Preciado)Samsara (Lois Patiño)Award for Best DirectorTatiana Huezo (The Echo)Generation — Kplus(Jury: Venice Atienza, Alise Ģelze, Gudrun Sommer)Crystal BearSweet As (Jub Clerc)Special MentionSea Sparkle (Domien Huyghe)Best Short FilmQueenie (Lloyd Lee Choi)Special...
- 3/14/2023
- MUBI
The 2023 edition of the Berlin International Film Festival has come and gone (we got plenty more to insert here), but here are some of the reviews and future interviews for a huge swath of films from the prestigious film fest.
20,000 Species of Bees (read review)
Afire (Roter Himmel) (read review)
Bad Living (read review)
The Beast in the Jungle (read review)
BlackBerry (read review)
Disco Boy (read review)
Le grand chariot (The Plough) (read review)
Ingeborg Bachmann – Journey into the Desert (read review)
Limbo (read review)
Living Bad (Viver Mal) (read review)
Manodrome (read review)
Music (read review)
Past Lives (read review)
The Shadowless Tower (read review)
She Came to Me (read review)
Silver Haze (read review)
Someday We’ll Tell Each Other Everything (read review)
The Survival of Kindness (read review)
The Teachers’ Lounge (read review)
Till the End of the Night (read review)
Tótem (read review)…
Continue reading.
20,000 Species of Bees (read review)
Afire (Roter Himmel) (read review)
Bad Living (read review)
The Beast in the Jungle (read review)
BlackBerry (read review)
Disco Boy (read review)
Le grand chariot (The Plough) (read review)
Ingeborg Bachmann – Journey into the Desert (read review)
Limbo (read review)
Living Bad (Viver Mal) (read review)
Manodrome (read review)
Music (read review)
Past Lives (read review)
The Shadowless Tower (read review)
She Came to Me (read review)
Silver Haze (read review)
Someday We’ll Tell Each Other Everything (read review)
The Survival of Kindness (read review)
The Teachers’ Lounge (read review)
Till the End of the Night (read review)
Tótem (read review)…
Continue reading.
- 3/1/2023
- by Eric Lavallée
- IONCINEMA.com
With the delicacy of a bee probing a flower for pollen, Basque director Estibaliz Urresola Solaguren picks her way through the tensions and dilemmas within a family where the youngest member, an 8-year-old boy called Aitor, is feeling his way toward a new identity as a girl. Sofia Otero, who deservedly won the Silver Bear for a lead performer at the Berlinale’s awards night Saturday, shows an instinctive, unforced and generous understanding of how difficult her character’s life must be. As Coco – the between-stools nickname the family has devised to avoid anything too specifically gendered – Otero is alternately obstinate, tearful, mischievous and withdrawn. She craves her mother’s comprehension but pushes her away when she tries to talk to her about why she doesn’t want to go to school.
Related Story Berlin Film Festival Winners: French Documentary ‘On The Adamant’ By Nicolas Philibert Wins Golden Bear Related...
Related Story Berlin Film Festival Winners: French Documentary ‘On The Adamant’ By Nicolas Philibert Wins Golden Bear Related...
- 2/28/2023
- by Stephanie Bunbury
- Deadline Film + TV
The 73rd Berlin International Film Festival came to a close this past weekend, and despite speculation that Sundance import “Past Lives” or Lila Avilés’ “Tótem” would take the Golden Bear, the jury, led this year by Kristen Stewart, awarded it to the French documentary “On the Adamant.” Directed by Nicolas Philibert, the movie follows operations at the Parisian Centre de jour l’Adamant, a floating medical facility on the Seine that offers its patients innovative forms of art therapy.
Jordan Mintzer (The Hollywood Reporter) writes, “While documenting the daily routine of a small clinic that most Parisians walk by without ever noticing, ‘On the Adamant’ ultimately becomes a moving testament to what people are capable of, if they could just find the right place to do it.” Guy Lodge (Variety) compares the film to Philibert’s “To Be and To Have,” which is set inside a single-room schoolhouse in rural France,...
Jordan Mintzer (The Hollywood Reporter) writes, “While documenting the daily routine of a small clinic that most Parisians walk by without ever noticing, ‘On the Adamant’ ultimately becomes a moving testament to what people are capable of, if they could just find the right place to do it.” Guy Lodge (Variety) compares the film to Philibert’s “To Be and To Have,” which is set inside a single-room schoolhouse in rural France,...
- 2/28/2023
- by Ronald Meyer
- Gold Derby
Christoph Hochhäusler’s slow-burn urban noir Till the End of the Night starts with time-lapse footage of the film’s first set, a well-to-do and apparently lived-in apartment flat, being built from scratch out of an empty room. Sadly, what looks to be challenging piece of Brechtian deconstruction is literally a plot point, as well as a not-so-subtle metaphor for the layers of deceit in the story that follows.
Perhaps because it was elevated to the Berlinale competition, where it won one of the festival’s gender-neutral supporting actor prizes for Thea Ehre, or perhaps because it seems like it’s going to break new ground in the genre with the central pairing of a gay male cop and a trans female convict. But whatever it is that might bring undue scrutiny to a serviceable piece of pulp entertainment, Till the End of the Night disappoints not because of what...
Perhaps because it was elevated to the Berlinale competition, where it won one of the festival’s gender-neutral supporting actor prizes for Thea Ehre, or perhaps because it seems like it’s going to break new ground in the genre with the central pairing of a gay male cop and a trans female convict. But whatever it is that might bring undue scrutiny to a serviceable piece of pulp entertainment, Till the End of the Night disappoints not because of what...
- 2/27/2023
- by Damon Wise
- Deadline Film + TV
The gender-neutral acting prize was won by Spain’s Sofía Otero for ’20,000 Species of Bees’.
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
Nicolas Philibert’s documentary On The Adamant, about a floating care centre in Paris, was awarded Golden Bear for best film at the Berlin International Film Festival tonight (February 25).
The film, which is being handled internationally by Les Films du Losange, is the fourth documentary to take top honours at the Berlinale.
German films found particular favour with the jury, presided over by Kristen Stewart, with no less than three of the Bear statuettes going to local productions: the Silver Bear Grand Jury award for Christian Petzold’s Afire,...
- 2/26/2023
- by Martin Blaney
- ScreenDaily
The documentary “On the Adamant” has been named the best film of the 2023 Berlin International Film Festival, Berlin organizers announced on Saturday.
The film from director Nicolas Philibert follows life in a daycare center located on the Seine in Paris for adults with mental disorders. It is the first documentary to win the festival’s top prize since “Fire at Sea” in 2016.
German director Christian Petzold won the Silver Bear Grand Jury Prize, essentially the runner-up award, for his drama “Afire,” while Philippe Garrel won the directing award for “The Plough.” The gender-neutral acting prizes went to Sofia Otero for “20,000 Species of Bees” in the leading performance category and Thea Ehre for “Till the End of the Night” in the supporting category.
The jury president was actress Kristen Stewart. The other jurors were actress Goldshifteh Farahani, directors Valeska Grisebach, Radu Jude and Carla Simón and Johnnie To and casting director Francine Maisler.
The film from director Nicolas Philibert follows life in a daycare center located on the Seine in Paris for adults with mental disorders. It is the first documentary to win the festival’s top prize since “Fire at Sea” in 2016.
German director Christian Petzold won the Silver Bear Grand Jury Prize, essentially the runner-up award, for his drama “Afire,” while Philippe Garrel won the directing award for “The Plough.” The gender-neutral acting prizes went to Sofia Otero for “20,000 Species of Bees” in the leading performance category and Thea Ehre for “Till the End of the Night” in the supporting category.
The jury president was actress Kristen Stewart. The other jurors were actress Goldshifteh Farahani, directors Valeska Grisebach, Radu Jude and Carla Simón and Johnnie To and casting director Francine Maisler.
- 2/25/2023
- by Steve Pond
- The Wrap
After the misery of the 2022 Berlin Film Festival, held toward the tail-end of the pandemic and with strict social distancing and Covid testing regulations still in place, it was back to normal at this year’s 73rd edition.
Festivalgoers were so pleased to return to a proper, physical event that they were remarkably tolerant toward a competition programme that was very patchy, at least by comparison with those found in rival events like Cannes and Venice.
The Berlinale launched with Rebecca Miller’s quirky new romantic comedy, She Came to Me, starring Peter Dinklage as an opera composer with writer’s block, Anne Hathaway as his neurotic therapist wife, and the scene-stealing Marisa Tomei as a salty, seafaring but very amorous tugboat captain. This was a film with such oddball charm that it was easy to overlook its self-indulgence. Festivals can take themselves far too seriously. She Came to Me...
Festivalgoers were so pleased to return to a proper, physical event that they were remarkably tolerant toward a competition programme that was very patchy, at least by comparison with those found in rival events like Cannes and Venice.
The Berlinale launched with Rebecca Miller’s quirky new romantic comedy, She Came to Me, starring Peter Dinklage as an opera composer with writer’s block, Anne Hathaway as his neurotic therapist wife, and the scene-stealing Marisa Tomei as a salty, seafaring but very amorous tugboat captain. This was a film with such oddball charm that it was easy to overlook its self-indulgence. Festivals can take themselves far too seriously. She Came to Me...
- 2/25/2023
- by Geoffrey Macnab
- The Independent - Film
Winners have been announced at the 73rd Berlin Film Festival, with On the Adamant by Nicolas Philibert scooping the coveted Golden Bear prize as the best film of the festival’s International Competition. Scroll down for the full list of winners, which were revealed Saturday evening at the Berlinale Palast.
The film chronicles a unique day-care center in the heart of Paris that welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits.
Introducing the film, jury head Kristen Stewart said the pic is “masterfully crafted” and acts as “cinematic proof of the vital necessity of human expression.”
Other winners in the International Competition included Philippe Garrel, who picked up the Silver Bear for Best Director for his latest pic Le grand chariot (The Plough). Garrel dedicated the award to the late filmmaker Jean-Luc Godard.
The film chronicles a unique day-care center in the heart of Paris that welcomes adults suffering from mental disorders, offering the kind of care that grounds them in time and space and helps them to recover or keep up their spirits.
Introducing the film, jury head Kristen Stewart said the pic is “masterfully crafted” and acts as “cinematic proof of the vital necessity of human expression.”
Other winners in the International Competition included Philippe Garrel, who picked up the Silver Bear for Best Director for his latest pic Le grand chariot (The Plough). Garrel dedicated the award to the late filmmaker Jean-Luc Godard.
- 2/25/2023
- by Zac Ntim
- Deadline Film + TV
On the Adamant, a documentary by French director Nicolas Philibert that gives an intimate look at the patients and caregivers in a mental health center located on the Seine River in the heart of Paris, has won the 2023 Berlin International Film Festival’s Golden Bear for best film.
For his 11th feature, the 72-year-old Philibert spent months aboard a barge anchored on the Seine in Paris, chronicling a mental health care facility that caters specifically to its patients’ creative needs. His documentary explores issues of creativity and art, of sanity and madness, but does so without applying labels or clear-cut distinctions.
“I don’t like partitions or labels,” Philibert said. “In this film on psychiatry, we were always [careful] to not always distinguish very clearly between patients and carers. I tried to reverse the image we always have of mad people [which I see] as discriminating and stigmatizing. I wanted us to be able,...
For his 11th feature, the 72-year-old Philibert spent months aboard a barge anchored on the Seine in Paris, chronicling a mental health care facility that caters specifically to its patients’ creative needs. His documentary explores issues of creativity and art, of sanity and madness, but does so without applying labels or clear-cut distinctions.
“I don’t like partitions or labels,” Philibert said. “In this film on psychiatry, we were always [careful] to not always distinguish very clearly between patients and carers. I tried to reverse the image we always have of mad people [which I see] as discriminating and stigmatizing. I wanted us to be able,...
- 2/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
As the 2023 Berlin International Film Festival drew to a close, the first of the three major international film festivals began giving out its awards. This year’s Berlin jury was headed by Kristen Stewart, and the selections promised to reflect the actress’ famously good taste in movies. But a strong lineup featuring a variety of innovative films from the world’s top directors ensured that their job was never going to be easy. From a timely documentary about the war in Ukraine to a variety of dramas about men trapped in small spaces (see: “Inside” and “Manhole”), the eclectic collection of films had something for everyone.
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
At last year’s festival, Carla Simon’s Spanish Drama “Alcarras” won the coveted Golden Bear. Several of the biggest names in global cinema also walked away with big prizes, as Claire Denis won the Silver Bear for Best Director for “Both Sides of the Blade...
- 2/25/2023
- by Christian Zilko
- Indiewire
“Till the End of the Night” opens with what initially seems a Brechtian flourish: a nifty time-lapse shot of a bare shell of an apartment being painted, fitted, decorated and accessorized to an apparently lived-in state, as a vintage German torch song by Heidi Brühl crackles over the soundtrack. It’s not a film set being dressed, however, but a police one — the home base for an elaborate undercover investigation. It’s not the first time Christoph Hochhäusler’s romantic detective thriller will hint at subversive ambitions that turn out, upon closer investigation, to be rather conventional. Tossing a fraught transgender love story in the middle of an otherwise standard cop procedural, the film doesn’t much satisfy on either level, with superficial sexual politics and slack suspense. Despite a Berlinale competition slot, prospects beyond home turf appear limited.
What interest and ambiguity “Till the End of the Night” does...
What interest and ambiguity “Till the End of the Night” does...
- 2/25/2023
- by Guy Lodge
- Variety Film + TV
For a film that hinges on deceptions, betrayals and unexpected allegiances, Till the End of the Night is alarmingly low on intrigue. Christoph Hochhäusler’s crime drama revolves around an undercover cop paired with a trans woman on early prison release to infiltrate an online drug distribution network, their smokescreen relationship tested by his lingering feelings for the person she was before transitioning. That would seem to provide a promising foundation to explore the tricky lines of gender identity and the twisty byways of love. But this unpersuasive mishmash of melodrama and suspense never builds any steam, meaning it doesn’t work in either mode.
Hochhäusler comes from the Berlin School, the new German cinema movement of the mid-1990s and early 2000s that spawned arthouse directors including Christian Petzold and Angela Schanelec, both of whom also have new films in the Berlinale’s main competition this year. The filmmakers...
Hochhäusler comes from the Berlin School, the new German cinema movement of the mid-1990s and early 2000s that spawned arthouse directors including Christian Petzold and Angela Schanelec, both of whom also have new films in the Berlinale’s main competition this year. The filmmakers...
- 2/24/2023
- by David Rooney
- The Hollywood Reporter - Movie News
‘Music’, ‘The Plough’, ‘20,000 Species Of Bees’ and ‘Bad Living’ have also been scored.
Christian Petzold’s Afire has landed second on Screen’s 2023 Berlin jury grid with a strong 3.4 average.
The German drama received a mix of four-star and three-star ratings from the critics and is just behind Celine Song’s Past Lives which remains leader of the pack on 3.6.
Petzold’s fifth entry at Berlinale’s competition follows a group of friends holidaying by the Baltic Sea.
Next in line for the new titles is Estibaliz Urresola Solaguren’s 20,000 Species Of Bees which received a 2.6 average from critics.
Christian Petzold’s Afire has landed second on Screen’s 2023 Berlin jury grid with a strong 3.4 average.
The German drama received a mix of four-star and three-star ratings from the critics and is just behind Celine Song’s Past Lives which remains leader of the pack on 3.6.
Petzold’s fifth entry at Berlinale’s competition follows a group of friends holidaying by the Baltic Sea.
Next in line for the new titles is Estibaliz Urresola Solaguren’s 20,000 Species Of Bees which received a 2.6 average from critics.
- 2/23/2023
- by Ellie Calnan
- ScreenDaily
Writer, director and editor Angela Schanelec began making movies in the early nineties, building up a respectable body of work as one of the key members of the Berlin School of art house auteurs based out of Germany’s capital. But it wasn’t until her last feature, I Was at Home, But…, that the 61-year-old filmmaker finally received recognition in the U.S., including a full retrospective at Lincoln Center that took place in 2020.
Home was a difficult through rewarding watch, enigmatically telling the story of a family getting past the premature death of a father. Schanelec’s latest film, Music, may prove even more puzzling for audiences, although it’s filled with some of the director’s signature flourishes: beautifully composed long shots; an elliptical narrative that jumps ahead in time without warning; quietly contained performances that focus more on gesture than dialogue; and a surgically precise use of sound and music.
Home was a difficult through rewarding watch, enigmatically telling the story of a family getting past the premature death of a father. Schanelec’s latest film, Music, may prove even more puzzling for audiences, although it’s filled with some of the director’s signature flourishes: beautifully composed long shots; an elliptical narrative that jumps ahead in time without warning; quietly contained performances that focus more on gesture than dialogue; and a surgically precise use of sound and music.
- 2/21/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun.
The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest.
Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.
“Someday We’ll Tell Each Other Everything,” by Emily Atef (“More Than Ever”) and...
The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest.
Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.
“Someday We’ll Tell Each Other Everything,” by Emily Atef (“More Than Ever”) and...
- 2/19/2023
- by Ed Meza
- Variety Film + TV
Hochhäusler’s latest feature Till The End Of The Night is screening in Competition at the Berlinale.
German director Christoph Hochhäusler, whose latest feature Till The End Of The Night is screening in Competition at the Berlinale, is to make his first foray into French-language filmmaking with Death Will Come, a thriller starring Franco-Belgian actress Sophie Verbeeck and veteran French actor Louis-Do de Lencquesaing.
Principal photography on the thriller will begin in Brussels on March 1 before moving to Luxembourg and Cologne. It is being produced by Cologne-based Heimatfilm with Amour Fou Luxembourg and Tarantula Belgique.
Death Will Come centres on female contract killer Tez,...
German director Christoph Hochhäusler, whose latest feature Till The End Of The Night is screening in Competition at the Berlinale, is to make his first foray into French-language filmmaking with Death Will Come, a thriller starring Franco-Belgian actress Sophie Verbeeck and veteran French actor Louis-Do de Lencquesaing.
Principal photography on the thriller will begin in Brussels on March 1 before moving to Luxembourg and Cologne. It is being produced by Cologne-based Heimatfilm with Amour Fou Luxembourg and Tarantula Belgique.
Death Will Come centres on female contract killer Tez,...
- 2/17/2023
- by Martin Blaney
- ScreenDaily
Kirsten Stewart looked confident, and downright snazzy, as she strode to the platform for her first press conference as jury president of the 2023 Berlin International Festival.
But, stylishly-attired in a tweed Chanel pantsuit with wide trousers and jacket and no shirt underneath, the Twilight and Spencer star confessed that she was nervous of the task ahead.
“Full transparency, I’m kind of shaking,” she said. “I feel, not buckling under [the weight], but I can’t wait who we all ahead at the end of this experience. I’m just ready to be changed by all the films and by all the people around us.”
Stewart said it wasn’t her decision to come to Berlin. “I was shocked they called me,” she said. “[But] it is an enormous opportunity to highlight beautiful things at a time when that is hard to hold.”
Fellow Berlinale juror, actress Golshifteh Farahani, said, so much political upheaval in the world,...
But, stylishly-attired in a tweed Chanel pantsuit with wide trousers and jacket and no shirt underneath, the Twilight and Spencer star confessed that she was nervous of the task ahead.
“Full transparency, I’m kind of shaking,” she said. “I feel, not buckling under [the weight], but I can’t wait who we all ahead at the end of this experience. I’m just ready to be changed by all the films and by all the people around us.”
Stewart said it wasn’t her decision to come to Berlin. “I was shocked they called me,” she said. “[But] it is an enormous opportunity to highlight beautiful things at a time when that is hard to hold.”
Fellow Berlinale juror, actress Golshifteh Farahani, said, so much political upheaval in the world,...
- 2/16/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Cologne-based sales company The Match Factory has expanded and restructured its acquisition and development team.
Former head of sales, Thania Dimitrakopoulou, has been promoted to vice president of acquisitions and sales. Claudia Solano comes on board as senior manager of acquisitions, and Cécile Tollu-Polonowski, a long-time partner with the company, has been appointed as head of development.
Dimitrakopoulou, who joined The Match Factory in 2007, will now be heading up all acquisitions activities and manage the sales team, reporting to Michael Weber, managing director.
Solano joins The Match Factory from the distributor Koch Media in Italy where she worked as sales and acquisitions manager. Solano has held various positions in acquisitions in companies such as Videa and Good Films. During her career, she has introduced several high profile directors to the Italian market, including Xavier Dolan and Yorgos Lanthimos.
The Match Factory has appointed long-standing partner Tollu-Polonowski to lead the development team for the company.
Former head of sales, Thania Dimitrakopoulou, has been promoted to vice president of acquisitions and sales. Claudia Solano comes on board as senior manager of acquisitions, and Cécile Tollu-Polonowski, a long-time partner with the company, has been appointed as head of development.
Dimitrakopoulou, who joined The Match Factory in 2007, will now be heading up all acquisitions activities and manage the sales team, reporting to Michael Weber, managing director.
Solano joins The Match Factory from the distributor Koch Media in Italy where she worked as sales and acquisitions manager. Solano has held various positions in acquisitions in companies such as Videa and Good Films. During her career, she has introduced several high profile directors to the Italian market, including Xavier Dolan and Yorgos Lanthimos.
The Match Factory has appointed long-standing partner Tollu-Polonowski to lead the development team for the company.
- 2/16/2023
- by Leo Barraclough
- Variety Film + TV
Romantic crime drama “Till the End of the Night,” which plays in competition at the Berlin Film Festival, has debuted its first clip (below) with Variety, and its poster, designed by the U.S. graphic designer Midnight Marauder.
The film, directed by Christoph Hochhäusler (“The City Below”), is a complex love story intertwined with crime and deception, starring Timocin Ziegler as gay cop Robert, and introducing newcomer Thea Ehre as trans woman Leni. The script is by Florian Plumeyer, and the producer is Bettina Brokemper at Heimatfilm. The Match Factory is handling international sales.
In order to gain the trust of a drugs dealer, undercover cop Robert has to pretend to be Leni’s lover. The police hope her ties with the felon will help him to infiltrate the organization. But while this part of the plan works relatively smoothly, their fake relationship is rocky from the start. Robert was once in love with Leni,...
The film, directed by Christoph Hochhäusler (“The City Below”), is a complex love story intertwined with crime and deception, starring Timocin Ziegler as gay cop Robert, and introducing newcomer Thea Ehre as trans woman Leni. The script is by Florian Plumeyer, and the producer is Bettina Brokemper at Heimatfilm. The Match Factory is handling international sales.
In order to gain the trust of a drugs dealer, undercover cop Robert has to pretend to be Leni’s lover. The police hope her ties with the felon will help him to infiltrate the organization. But while this part of the plan works relatively smoothly, their fake relationship is rocky from the start. Robert was once in love with Leni,...
- 2/14/2023
- by Leo Barraclough
- Variety Film + TV
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