Jacky in the Kingdom of Women (2014) Poster

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7/10
A wonderfully inventive and hilarious farce
gregking422 August 2014
Warning: Spoilers
A wonderfully inventive and hilarious farce that offers an original take on the familiar Cinderella fairy tale, this French comedy also plays around with the usual gender roles. Imagine an Islamic like fundamentalist state in which the women hold the reins of power - they run the government and form the military - while the men are subjugated and have to wear clothing that covers them from head to toe. That's what's on offer in Bubunne, the fictional kingdom created by former graphic artist turned writer/director Riad Sattouf (the delightful coming of age tale The French Kissers, etc). The elderly general who rules the kingdom with an iron fist is ailing, and her eldest daughter, known as the Colonelle (played by Charlotte Gainsbourgh, recently seen in Nymphomaniac, etc), is set to take over the throne. But first she has to find a husband. A grand ball is planned, and all the men will attend in the hope that they will be picked. Jacky (played by Vincent Lacoste, from The French Kissers) is infatuated with the colonel, and has long dreamed of becoming her husband. But his cruel uncles and obnoxious cousins prevent him from attending the ball, until some unexpected help comes along. Sattouf keeps things moving along at a fast pace, with plenty of visual and verbal humour, and he has even created his own strange language for the kingdom. There is a nice surprise twist at the end, which will bemuse some. Lacoste brings plenty of energy to his role as the desperate, naive and virginal Jacky. Gainsborough seems drawn towards these offbeat, daring roles, and she is brave and game. The cast also includes Michel Hazanavicius, the Oscar winning director of The Artist, in a key role as a revolutionary, who becomes Jacky's unofficial "fairy godmother". Sattouf throws a lot of ideas at the screen and most of them work. This offbeat and satirical take on gender roles and politics is enjoyable and has the potential to be a real crowd pleaser.
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7/10
Grim, bitter satire
myriamlenys21 October 2021
Warning: Spoilers
The isolated country of Bubunne is ruled by women, who treat men like toys, possessions or beasts of burden. During one of her speeches, the aged military leader - a woman, of course ! - talks about her wish to see her daughter (and successor) married. The lucky groom is to be selected during a giant ball. This news gladdens the heart of Jacky, a simple and naive young man who has been adoring the said daughter from afar...

"Jacky au royaume des filles" is set in an imaginary country ruled by women, who oppress men with a fist of iron. That selfsame country is a tyranny thriving on violence, propaganda and nonsense : for instance, the citizens have been taught to venerate horses, especially little horses. The population is kept docile through quasi-starvation, while the elite indulges in a variety of forbidden luxuries. In other words, Bubunne is a hellhole of unrelenting bleakness. It says something about the state of our world that real-life equivalents past and present immediately spring to mind : North-Korea, Romania under Communism, to name but a few. Sadly enough, Afghanistan anno 2021 is sure to develop into a prime example, with inoffensive women getting savagely punished for the crime of daring to walk from point A to point B.

As you will have guessed by now, "Jacky" is a bitter riff on the Cinderella theme : here, hundreds of eligible young men flock to the palace, hoping to be chosen by the princess. (Not realizing, by the way, that the contest has been fixed from the beginning.) "Jacky" also shoots some welcome arrows at the "People's princess" phenomenon.

The movie ends with a giant twist, which is sure to turn out very badly for both Jacky and his beloved. You'll notice how the last word heard is a shout of "Blasphemy !!"...

The movie works well, on a variety of levels. Still, a word of criticism : while I'm sure that a society oppressed by women would be quite as unpleasant as a society oppressed by men, I'm not sure that it would be unpleasant in exactly the same way. The screenwriters could have shown more imagination on this point.
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4/10
Didn't live up to Sattouf's debut
christophe923006 November 2014
After Les Beaux gosses in 2009, everybody placed high hopes on Riad Sattouf's and was expecting his second movie to live up to his debut one but Jacky au royaume des filles turns out to be a complete disappointment. The scenario, to his credit, relies on an original and quirky background with lots of well thought out details but the plot could be summed up in one line and therefore runs out of steam very quickly. If the comic could compensate for the weakness of the script... but the few, contrived gags barely crack the viewer a smile. You finish this sloppy and endless (despite lasting only 1h30) movie in freewheel mode.
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8/10
Unique & crazy!
SamJ_300018 July 2014
Warning: Spoilers
I saw this movie at the Fantasia International Film Festival in Montreal last night. The first thing that comes to my mind is that this movie is totally unique and a bit disturbing. It is not disturbing in an uncomfortable way, but more in the sens that it get to our world perceptions, and plays with it. This is what, in my opinion, makes the movie unique and worth seeing.

The story is simple, maybe too simple, and that is what I would criticize the most about the movie. What is great is the universe in which the characters evolve, and the choice to flip accepted and widely known real world concept upside down, which at the end makes them much more visible, and gives us the opportunity to see them in another angle. Men wear the burka and are totally dominated by women, which is an absurd situation which makes us laugh, but also makes us stop and think that in the end, it's the (sometime difficult and unwanted) reality of a lot of women in the real world. Humour in this movie always come with an realistic double sense that makes us feel weird, but also makes us think.

References to a lot of different totalitarian regimes in the real world are also interesting about the movie's universe, as are the references to different real world religions (Christianity is unfortunately not so much present).

The actors are good and the characters are credible. The images are well shot, and some strange places shot in the movie makes us wonder if they were incredibly real or fake.

I recommend watching the movie because it is special and unique, but I would probably not watch it again.

Vive les chevalins! :D
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1/10
cheap Ideas
Nikoloz_Gabedava24 January 2022
The film is fun at first look. However, when you are warmed up it becomes the UNION of Cheap Ideas.

Behind the caricature there is the only unpolished poor humor. All of this only recreate the unstructured, cheap, thoughts of the director iN the medium of film. It is a try of creating black humored interpretation of facts. But intellectually author is on the level of cheap sit coms. So what we get is waste of time.

The frame which involves Georgian map and the dialogue which sounds Georgian is absolute nonsense. As well as the whole caricature of muslim culture represented by production design of the film.

Riad Sattouf 1/10 that is what you get all the time.
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8/10
Fun parody of cinderella... in french.
ksf-22 September 2023
In this land, the women hold all power and offices, and the men are subservient. So when it's time for the daughter of the general to marry, they hold the grand bubennery ball to find a husband. Or in this case, the big dummy. Some funny features in this kingdom.. the state run television shows on screens all along the street. The men wear robes that cover everything except their face. There are only about three products available for purchase in the general store. It's a retelling of cinderella... or maybe cinderfella. It's all tongue in cheek. It's pretty funny. When men dress up as women, i.e. In military uniforms, the beggar men flirt with them and don't even notice they are men. At the ball, the men all wave their leashes at the daughter, hoping to be chosen as the big dummy. Very cute film, with a good sense of humor. Directed by riad sattouf. And starring vincent lacoste, who sattouf had directed in beaux gosses.
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2/10
Burka's Law
writers_reign26 October 2014
Warning: Spoilers
Riad Sattouf is a tough guy to second-guess. At the very moment - 2014 - when IS has proudly inherited and rejoices in flaunting the mantle of Ghenghis Khan, Attila The Hun, Vlad The Impaler, Josef Stalin and Adolf Hitler, Sattouf has chosen to launch his movie Jacky In The Kingdom Of Women on an indifferent world. It's difficult-to-impossible for a klutz like me to interpret the film as a satire of, an attack on, or an endorsement of IS as seen through the eyes of a pantomime character. To nutshell it we are in a mythical kingdom where women call the shots and men wear the burka and walk six paces behind. The head honcho, Anenome, is in failing health and, with shades of King Lear, desires to hand over to her daughter, Charlotte Gainsbourg, but first, Gainsbourg needs to be married. The solution is to hold a ball for would-be suitors, where Ginsbourg will select. Jacky has had eyes for Gainsbourg forever but his family attempt to prevent him staking his claim. That's it. For my money it's a crock of you know what but then what do I know.
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8/10
Smart, imaginative, & very well done - if weird, & imperfect
I_Ailurophile21 July 2023
It pointedly rides a line from the very start between satirical lampoonery and dubious or possibly offensive mockery, and even targeted, barbed criticism and commentary. In so doing it directs its variable yet piercing gaze toward cultures, religions, governments, relations and dynamics of power between genders, civil and human rights, and more - sometimes with a parallel so obvious it's all but brazen, and at other times with a more nuanced or at least generalized brushstroke that widens the scope to a wider array. At all times, however, and once again from the very start, I can only commend filmmaker Riad Sattouf, for there are countless tiny kernels of ingenuity that are simply delightful as the length advances, keeping the mood relatively light and jocular even as the film broaches real-life issues through thinly-veiled analogies. However closely the fictional country of Bubunne bears resemblance to This Or That in our reality, Sattouf presents us with a religion, a totalitarian regime, a culture, and even a language (or at least a dialect) that is both wholly unique and distinctly recognizable. I'd be lying if I said I entirely knew what to make of 'Jacky au royaume des filles,' or 'Jacky in the kingdom of women,' but this is superbly well done, not to mention smart, and is highly enjoyable all around.

Only rarely is this movie specifically funny, despite the wry cleverness; the serious subject matter is both too twisted as it presents and adjoined by too much relative levity to make an especially significant impression as dramatic material. This is true even as there are elements here of sitcoms, romantic comedies, and pure absurdist romps, and even more uncommonly, political thrillers. Yet there is a measure of earnest heart underneath it all, and the title is consistently amusing. Moreover, what Sattouf gives us is plainly fascinating, and his screenplay is outright brilliant. The dialogue alone is splendidly rich, and the characters as written take discernible notions and archetypes in outrageous new directions. The scene writing is fabulously sharp and engaging with each idea it presents while building the narrative of a fascist matriarchal society, and a young man torn between his modest hopes and aspirations within the world he knows and the cold reality that constantly confronts him. Ironically, there are some aspects of the feature that come close to being genuinely misogynist, reflective of patronizing, patriarchal attitudes, or possibly transphobic or homophobic; however, given the obvious intent, and the unmistakable objects of Sattouf's shrewd jest, the movie is saved from tripping over the edge of the precipice. The filmmaker's deft intelligence is undeniable.

Meanwhile, in all other meaningful capacities 'Jacky au royaume des filles' is fantastically well made. As director Sattouf illustrates a keen eye for shot composition, let alone orchestrating shots and scenes with skill and care to balance the comedic edge, the ruefully true-to-life plot ideas, and the more thriller-oriented facets. His direction, and particularly his eye for arranging shots, is all the more crucial to the title's success as those operating behind the scenes turn in such outstanding work. The production design and art direction are terrific, not to mention the costume design, hair, and makeup. Combine these contributions with Sattouf's vision, and at no few points we're greeted with tremendous sights that recalling the incredible visual aesthetics of works like Tarsem Singh's 'The fall,' or 'The cell,' embracing a certain otherworldly fancy. Or, short of that, the film just altogether looks great. And while I'm not terribly familiar with most of the cast, Charlotte Gainsbourg continues to be a source of joy and pleasure for we viewers wherever she shows up and whatever she does; Vincent Lacoste, leading the cast as the title character, is given a lot to do in his role yet navigates the varied space admirably. And this is hardly to count out anyone else on hand, for from one to the next all the actors do a fine job of helping this to be as gladly entertaining as it is.

If I have any concrete criticism to level it's that in some measure this bites off more than it can chew. Limited mostly to one scene and a few minutes collectively, a touch of science fiction is introduced; I don't mind the obvious sidelong nod to a famous preexisting title, but the very inclusion kind of breaks from what 'Jacky au royaume des filles' has otherwise been building. More concerning is that the last ten minutes or so are emphatically stretched very thin as they try to resolve the plot, provide a denouement and epilogue simultaneously, and worse yet, in the very last moments introduce another story idea that turns a lot of the preceding length on its head and complicates the entirety. I don't think any of these bits are bad ideas in and of themselves, but the movie begins to feel overly long, overfull, and overly busy as it crams in so much so quickly at the end. Had Sattouf applied a smidgen more mindfulness to the screenplay - perhaps shrinking the denouement/epilogue, and introducing the last story idea in a fashion that was more meaningful and less abrupt - then the final result could have only benefited.

Still, that this is as fun as it is, and obliquely provocative and thought-provoking, is a marvelous credit to Sattouf, Gainsbourg and Lacoste, the rest of the cast, and the crew. There's a lot going on here in every way, with so much to dissect and discuss that many more paragraphs could be devoted to exploring every angle. It's not perfect by any means, but I'm pleasantly surprised at just how good it is, for I admit I entered with mixed expectations. Given the themes and ideas on hand, and the more tawdry notions that are precariously approached, let alone content warnings for nudity and (exaggerated) sexual violence, this certainly won't appeal to everyone. Truthfully, I'm going to be turning it over in my head for awhile, too. Nonetheless, I'm happy to say that when all is said and done 'Jacky au royaume des filles' is a wonderful little curiosity that's well worth checking out whether one is a fan of those involved or just looking for something a tad off the beaten track. Watch with an open and ready mind, but do watch if you have the chance!
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