Cameraperson's Kirsten Johnson on Jacques Derrida: "He is present." Photo: Anne-Katrin Titze
Abigail Disney, director of The Armor Of Light and executive producer of Cameraperson with Gini Reticker, director of Pray The Devil Back To Hell, hosted an intimate, cosy and warm reception for Kirsten Johnson. Kirsten as cinematographer has filmed Laura Poitras's Citizenfour, Risk, and The Oath; Dawn Porter's Trapped; Kirby Dick's The Invisible War and This Film Is Not Yet Rated; Linda Hoaglund's The Wound And The Gift with Vanessa Redgrave; Amy Ziering and Dick's Derrida; Leah Wolchok's Very Semi-Serious; Johanna Hamilton's 1971; Christy Turlington's No Woman, No Cry; Catherine Gund's Born To Fly: Elizabeth Streb Vs. Gravity; Katy Chevigny's Election Day and Deadline co-directed by Kirsten.
Election Day director Katy Chevigny and Deadline co-director with Kirsten Johnson Photo: Anne-Katrin Titze
Cameraperson, which was featured in Doc NYC's Short List programme,...
Abigail Disney, director of The Armor Of Light and executive producer of Cameraperson with Gini Reticker, director of Pray The Devil Back To Hell, hosted an intimate, cosy and warm reception for Kirsten Johnson. Kirsten as cinematographer has filmed Laura Poitras's Citizenfour, Risk, and The Oath; Dawn Porter's Trapped; Kirby Dick's The Invisible War and This Film Is Not Yet Rated; Linda Hoaglund's The Wound And The Gift with Vanessa Redgrave; Amy Ziering and Dick's Derrida; Leah Wolchok's Very Semi-Serious; Johanna Hamilton's 1971; Christy Turlington's No Woman, No Cry; Catherine Gund's Born To Fly: Elizabeth Streb Vs. Gravity; Katy Chevigny's Election Day and Deadline co-directed by Kirsten.
Election Day director Katy Chevigny and Deadline co-director with Kirsten Johnson Photo: Anne-Katrin Titze
Cameraperson, which was featured in Doc NYC's Short List programme,...
- 12/18/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The phrase "animal rescue" suggests that humans are the rescuers, but The Wound And The Gift sets out to demonstrate, through gorgeous animation and exquisite cinematography, how this anthropocentric bias fails to capture the uniqueness, complexity, and reciprocity of relationships that form between humans and animals. Documentary director Linda Hoaglund has assembled a world class team of collaborators to explore such relationships, and in so doing reveals a startling individuality that transforms these creatures into characters. The Wound And The Gift takes it's title from an old Japanese fable, which suggests that human actions inevitably betray the trust between Man and Nature. Hoaglund uses an animated telling of this tale to parse beautiful documentary footage, guiding us from the familiar sense of responsibility we take...
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- 2/19/2015
- Screen Anarchy
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