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7.4/10
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Investigative journalist Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars.Investigative journalist Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars.Investigative journalist Jeremy Scahill is pulled into an unexpected journey as he chases down the hidden truth behind America's expanding covert wars.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 10 wins & 8 nominations total
Saleh Bin Fareed
- Self - Interviewee
- (as Sheikh Saleh Bin Fareed)
John McCain
- Self
- (archive footage)
William McRaven
- Self
- (archive footage)
- (as Adm. William McRaven)
Barack Obama
- Self
- (archive footage)
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I am writing this review on the documentary Dirty Wars created by Jeremy Scahill. For me the purpose of this documentary was to show awareness and spread the word about this unbelievable secret group that is killing innocent people for really no reason at all. I did not expect to see that much shocking information about our own US government. Jeremy Scahill did and actually finished what some people couldn't. I was really surprised to see Barack Obama involved with the problem. For the US government to actually kill U.S. CITIZENS was very shocking to me. But overall I really enjoyed the documentary and strongly recommend it for everyone. This documentary is a message everyone needs to see.
Investigative journalist Jeremy Scahill was on Real Time With Bill Maher a few months ago and when he was explaining to Maher how baffled he was that President Barack Obama could "sell" conservative ideas of drones to liberals is when I knew I wanted to know more about his methods and his thinking. He perfectly articulates a point that is worth questioning on why Obama would claim to want the people to have a transparent government when methods and legislation on things like drones are so shady and gray. But Scahill's documentary Dirty Wars doesn't explore this idea but puts a magnifying glass on the ambiguous term the "War on Terror," which Americans are constantly told is the third war they are fighting. It's hard to follow the wars in Afghanistan and Iraq with the abundance of confusion, misinformation, and disorganization that has come in the way of reporting them, so how difficult is it to follow one that really doesn't have a specific enemy.
A little footnote: my generation has lived two-thirds where war, conflict, and high-level recruitment are prominent aspects of our society. With the War on Terror, however, Scahill illustrates how the United States has effectively worked themselves into a war that may never end. It has gotten to the point where there is no such thing as "declaring war" anymore, at least for the United States. We simply act with impunity, utilize unmanned drones to spy and attack suspicious countries, and act with a deplorable sense of recklessness. The War on Terror element of American foreign policy is the equivalent of a knee-jerk reaction and placing a lever that can launch bombs, deploy drones, and attack countries in the hand of someone with a violent and unpredictable arm-spasm.
What happened? How did it get like this? How did the United States, the country that believes it should be looked up to by other countries, get like this and become this controlling and involved? Scahill attempts to provide not really answers but temporary responses to these questions as he explores the land of Kabul, Afghanistan, investigating a raid in a village known as Khataba where five innocent civilians, two of them pregnant women, were killed by the Joint Special Operations Command (JSOC). Scahill talks with JSOC, who have been given an immense amount of power under Obama, and is even lucky enough to speak with a specific member of the command who's voice and image is disguised to obviously protect identity. When Scahill asks if they were given more power Obama, for confirmation of his beliefs, the man replies, "we were permitted to attack harder, faster, and quicker with the full support of the White House." Also attempted to piece together is the reason President Obama authorized the killing of American citizen Anwar al-Awlaki in Yemen, which also prompted attacks on a poor village in Yemen, as if skipping the step of declaring and diving right in to the act of war.
Dirty Wars is only eighty-two minutes long, but stuffs so much information, details, and insider information into its time-frame that it could almost be an hour longer. In efforts to try and coherently illustrate how the War on Terror effects other countries, Scahill sort of takes us on the exhausting and tireless journey of what it means to be an investigative journalists. Not only is it about asking tough questions, but it's about piecing the information together yourself. We see long stretches of day and night are spent with Scahill, by himself, drawing a cohesive timeline of events and piecing together exactly what it means to be on the frontlines of danger.
Because of this, Dirty Wars is edited together to be reminiscent of an espionage or a large-scale thriller, with familiar music cues, scenes capturing the intensity of a certain situations, and the globe-trotting aspect conducted with dramatic effect. This would be an issue if working in Afghanistan and traveling to countries like Iraq, Somalia, and Yemen weren't so similar to that of a thriller. The slickness of the editing and the espionage-undertones work in the films favor because they are only making the sequences out to be a bit more suspenseful than they already are. The scenes are inherently suspenseful and to capture them in this way doesn't seem so much as an attempt to sensationalize that but just provide a touch of emphasis on their behalf. Even early on, Scahill tells us through narration that the roads in Afghanistan are marked by color. Green is a safe zone, red is a danger zone, and with black, "don't even try it," he states. Going on to say how "the Taliban rule the night in Afghanistan," you tell me, is it so bad that Dirty Wars plays itself a bit like a thriller? Dirty Wars is a strong work of investigative journalism not because it focuses on a person with the title but because in addition to shedding light (or at least trying to erase some of the grayness) on the War on Terror aspect of American foreign policy it shows the methods investigative journalists take in order to get their information released to the public. It's a constant grind from beginning-to-end, that comes with the soul-crushing and frustrating conclusion that you can work for years and still never get a clear answer or even an explanation as to why this kind of thing happens.
Starring: Jeremy Scahill. Directed by: Richard Rowley.
A little footnote: my generation has lived two-thirds where war, conflict, and high-level recruitment are prominent aspects of our society. With the War on Terror, however, Scahill illustrates how the United States has effectively worked themselves into a war that may never end. It has gotten to the point where there is no such thing as "declaring war" anymore, at least for the United States. We simply act with impunity, utilize unmanned drones to spy and attack suspicious countries, and act with a deplorable sense of recklessness. The War on Terror element of American foreign policy is the equivalent of a knee-jerk reaction and placing a lever that can launch bombs, deploy drones, and attack countries in the hand of someone with a violent and unpredictable arm-spasm.
What happened? How did it get like this? How did the United States, the country that believes it should be looked up to by other countries, get like this and become this controlling and involved? Scahill attempts to provide not really answers but temporary responses to these questions as he explores the land of Kabul, Afghanistan, investigating a raid in a village known as Khataba where five innocent civilians, two of them pregnant women, were killed by the Joint Special Operations Command (JSOC). Scahill talks with JSOC, who have been given an immense amount of power under Obama, and is even lucky enough to speak with a specific member of the command who's voice and image is disguised to obviously protect identity. When Scahill asks if they were given more power Obama, for confirmation of his beliefs, the man replies, "we were permitted to attack harder, faster, and quicker with the full support of the White House." Also attempted to piece together is the reason President Obama authorized the killing of American citizen Anwar al-Awlaki in Yemen, which also prompted attacks on a poor village in Yemen, as if skipping the step of declaring and diving right in to the act of war.
Dirty Wars is only eighty-two minutes long, but stuffs so much information, details, and insider information into its time-frame that it could almost be an hour longer. In efforts to try and coherently illustrate how the War on Terror effects other countries, Scahill sort of takes us on the exhausting and tireless journey of what it means to be an investigative journalists. Not only is it about asking tough questions, but it's about piecing the information together yourself. We see long stretches of day and night are spent with Scahill, by himself, drawing a cohesive timeline of events and piecing together exactly what it means to be on the frontlines of danger.
Because of this, Dirty Wars is edited together to be reminiscent of an espionage or a large-scale thriller, with familiar music cues, scenes capturing the intensity of a certain situations, and the globe-trotting aspect conducted with dramatic effect. This would be an issue if working in Afghanistan and traveling to countries like Iraq, Somalia, and Yemen weren't so similar to that of a thriller. The slickness of the editing and the espionage-undertones work in the films favor because they are only making the sequences out to be a bit more suspenseful than they already are. The scenes are inherently suspenseful and to capture them in this way doesn't seem so much as an attempt to sensationalize that but just provide a touch of emphasis on their behalf. Even early on, Scahill tells us through narration that the roads in Afghanistan are marked by color. Green is a safe zone, red is a danger zone, and with black, "don't even try it," he states. Going on to say how "the Taliban rule the night in Afghanistan," you tell me, is it so bad that Dirty Wars plays itself a bit like a thriller? Dirty Wars is a strong work of investigative journalism not because it focuses on a person with the title but because in addition to shedding light (or at least trying to erase some of the grayness) on the War on Terror aspect of American foreign policy it shows the methods investigative journalists take in order to get their information released to the public. It's a constant grind from beginning-to-end, that comes with the soul-crushing and frustrating conclusion that you can work for years and still never get a clear answer or even an explanation as to why this kind of thing happens.
Starring: Jeremy Scahill. Directed by: Richard Rowley.
Add "Dirty Wars" to the list of movies that make me depressed to be an American.
Investigative reporter Jeremy Scahill plunges into the shadowy world of American strategic ops initiatives around the world, and the results, while not exactly surprising, are certainly chilling. What he finds are instances of American forces randomly going into obscure parts of the world and carrying out attacks that are as likely to kill innocent women and children as they are any people actively trying to do America any harm. At the center of these operations is a mysterious military unit about which virtually nothing used to be known, until this same unit carried out the assassination of Osama Bin Laden and elevated itself to hero status in the eyes of the American people.
Movies like "Dirty Wars" seem like a necessary evil to me. They bring to light topics that need to be addressed, but at the same time leave me impotently frustrated at my inability to do anything about it.
Grade: A-
Investigative reporter Jeremy Scahill plunges into the shadowy world of American strategic ops initiatives around the world, and the results, while not exactly surprising, are certainly chilling. What he finds are instances of American forces randomly going into obscure parts of the world and carrying out attacks that are as likely to kill innocent women and children as they are any people actively trying to do America any harm. At the center of these operations is a mysterious military unit about which virtually nothing used to be known, until this same unit carried out the assassination of Osama Bin Laden and elevated itself to hero status in the eyes of the American people.
Movies like "Dirty Wars" seem like a necessary evil to me. They bring to light topics that need to be addressed, but at the same time leave me impotently frustrated at my inability to do anything about it.
Grade: A-
Dirty Wars is a startling documentary that would most likely have (most) Americans up in arms in disgust over the senseless victims depicted in the film weren't they Muslims half a world away.
The Nation journalist Jeremy Scahill dives into the murky waters of American counter-terrorism efforts after 9/11 and discovers that drone attacks and targeted kills might actually be turning the tide in a war we believe ourselves to be winning ... as each new death creates tens to hundreds of new anti-American citizens in the world who view us as the new axis of evil as most of the deaths are collateral damage of innocent women and children. Scahill doesn't highlight the fact that we have enemies in the world that have caused us to increase these attacks; but he is simply making note/drawing attention to how "dirty" this "war" has become (war in nations we have never declared war upon). In places that once embraced Americans and our way of life, our continued use of drones and brutal attacks makes the survivors question who we are and wonder what our goals have become.
Some Americans and former military question this same thing -- what are we doing?!? When answers no longer make sense and lack logic, it is time to step back and re-evaluate what we are doing ... but the powers-that-be don't and won't. Began under President George W. Bush and continued heavily under our current President Obama, Dirty Wars exposes the acts of a super-secret branch of the military (JSOC - Joint Special Operations Command) who answers solely to our president. Their covert villainy (not always bad and villainous I must point out) can be easily re-written and members can become heroes at the drop of a hat -- or the execution of a major power player in the world of terror (Osama).
The doc is eye-opening and it actually made my eyes tear up a time or two over the deaths of innocent people (it isn't for the faint of heart as we see many graphic photos of the dead -- many of whom are children)... who happened to be Muslim. Oh ... the horror of THAT (my tears)! No ... oh the horror, period.
The Nation journalist Jeremy Scahill dives into the murky waters of American counter-terrorism efforts after 9/11 and discovers that drone attacks and targeted kills might actually be turning the tide in a war we believe ourselves to be winning ... as each new death creates tens to hundreds of new anti-American citizens in the world who view us as the new axis of evil as most of the deaths are collateral damage of innocent women and children. Scahill doesn't highlight the fact that we have enemies in the world that have caused us to increase these attacks; but he is simply making note/drawing attention to how "dirty" this "war" has become (war in nations we have never declared war upon). In places that once embraced Americans and our way of life, our continued use of drones and brutal attacks makes the survivors question who we are and wonder what our goals have become.
Some Americans and former military question this same thing -- what are we doing?!? When answers no longer make sense and lack logic, it is time to step back and re-evaluate what we are doing ... but the powers-that-be don't and won't. Began under President George W. Bush and continued heavily under our current President Obama, Dirty Wars exposes the acts of a super-secret branch of the military (JSOC - Joint Special Operations Command) who answers solely to our president. Their covert villainy (not always bad and villainous I must point out) can be easily re-written and members can become heroes at the drop of a hat -- or the execution of a major power player in the world of terror (Osama).
The doc is eye-opening and it actually made my eyes tear up a time or two over the deaths of innocent people (it isn't for the faint of heart as we see many graphic photos of the dead -- many of whom are children)... who happened to be Muslim. Oh ... the horror of THAT (my tears)! No ... oh the horror, period.
The documentary covers the story of Jeremy Scahill's discovery of a secret war, without bounds, which the US government has been waging in the name of fighting terrorism.
We see Scahill travel the world interviewing families in Iraq, Jordan, Yemin and Samalia who have had family members killed when they were declared to be suspected terrorists.
I left the theatre feeling that it is one of the best documentaries I have ever seen.
I was lucky enough to catch a screening of this at the Seattle International Film Festival, where Scahill did a Q+A afterwards. He was extremely eloquent answering every question.
We see Scahill travel the world interviewing families in Iraq, Jordan, Yemin and Samalia who have had family members killed when they were declared to be suspected terrorists.
I left the theatre feeling that it is one of the best documentaries I have ever seen.
I was lucky enough to catch a screening of this at the Seattle International Film Festival, where Scahill did a Q+A afterwards. He was extremely eloquent answering every question.
Did you know
- GoofsThe clock on the wall of the home video was earlier during the party, NOT at the moment the house was attacked.
- Quotes
Muqbal Al Kazemi - Interviewee: If children are terrorists then we are all terrorists.
- ConnectionsFeatured in De wereld draait door: Episode #8.145 (2013)
- SoundtracksTashweesh (Interference)
Ramallah Underground
Performed by Kronos Quartet
Courtesy of Nonesuch Records Inc.
- How long is Dirty Wars?Powered by Alexa
Details
Box office
- Gross US & Canada
- $384,473
- Opening weekend US & Canada
- $63,504
- Jun 9, 2013
- Gross worldwide
- $416,853
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.85 : 1
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