- The director agrees to make a film with a mobile video phone and marries the failures of his sick kidneys and communication through the image. Vision of a cinema captured by itself - (Pocket Films Festival, Centre Pompidou).
- Since 1955, in feature and short films, in fictions and documentaries, in films about painters, theatre and about local festivities, Marcel Hanoun has always been exploring cinema. His diverse explorations range from the chronicle of a film in progress (Octobre à Madrid) -which offers, from a stranger's the point of view, an unusual and free depiction of censorship in Spain during Franco's Regime - to the reflection about his own trade using footage obtained with a mobile phone (Insaisissable Image). From Super 8 to 35 mm, from 16 mm to videotape, his works arise from "urgency and need": it is the oeuvre of a craftsman of cinema who works his own materials, the oeuvre of one of the most unknown artists in his field.—Xcèntric el cinema del CCCB (Centre de Cultura Contemporània de Barcelona)
- "I didn't want to make an extroverted film. Day by day, for about a month, I made an intimate but not immodest diary, showing the inevitable course of a chronic disease of which I suffer, but I also showed my companion, my taste for good wine and good food. I overheard sound moments during regular ambulance trips (a fiery speech by Ségolène Royal, some words of paramedics)... I don't know what else to say about this film except the pleasure I took and shared with Estelle, my accomplice, the pleasure of editing, done day by day, "in vivo" if I may say so".—(Marcel Hanoun about his film)
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