Abang Adik (2023) Poster

(2023)

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8/10
Don't Underestimate This Film!
twlbezalel14 January 2024
Brace yourself for an unexpectedly gripping, gritty, humorous, and tear-jerking Malaysian film with a Taiwanese twist. Prepare for a rollercoaster of heartbreaking twists and spectacular acting!

Don't underestimate this film! I was a newbie to Malaysian cinema and didn't know what to expect. But as they say, 'don't judge a book by its cover' (or in this case, 'a movie by its poster'). This film matched the quality and storytelling of Taiwanese cinema, so don't make the same mistake I did!

The story revolves around two brothers on a mission to secure their Malaysian ICs, crucial for employment and escaping a life of misery. However, their plan takes a 180-degree turn when a crime takes place.

This dilemma highlights a broader issue in Malaysia's management of their Identity Cards (ICs). The issue of illegal immigrants counterfeiting these ICs to secure employment is woven into the narrative, offering an insightful look into a significant societal challenge.

Amidst the central theme, the film weaves in subplots of romance and brotherhood, enriching its emotional tapestry.

The acting will leave you in tears... There are many parts of the film where my heart sank and tears welled up in my eyes.

There were many moments in the film where I silently exclaimed, 'WHAT THE HECK' and 'OH NO.' The movie provides subtle clues bit by bit, allowing you to piece together the plot yourself before it reveals the pivotal points that will make you go, 'OHH!' Whether some of the plot twists are justified remains questionable...

Wu Kang-ren, a Taiwanese actor portraying the deaf-mute brother, absolutely nailed the role of Abang. Although his character had no spoken lines, you could feel his pent-up frustration, misery, and sadness in the way he communicated through sign language.

For example, a line in the movie, 'Do you know how hard my life is?' wouldn't, in my opinion, have been as impactful if exclaimed rather than signed. Wu Kang-ren's performance was really superb.

If you appreciate stories that are driven by intricate plots and rich character development, this is a must-watch. A word of caution for the squeamish: while not overtly gory, the film does contain scenes with a fair amount of blood.
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7/10
It's a simple & slow movie, BUT it touches one's heart very much..!
ajleong-9872520 December 2023
The story is about the emotional journey between the two "stateless brothers" - Abang (a deaf-mute man) and adik (a teenager) - and their lives. Through their lives, it reveals a lot of local social justice issues, e.g. Public servants' attitudes, illegal foreign workers hiding from immigration operations, taking on odd jobs for a living... and so on.

The pace is rather slow at times, which appears to be a common style among most new Malaysian directors, who love to bring out the typical Malaysian street scenes, building conditions, and local values, which can be overly deliberate and extra to some extent.

The character development between the two brothers is good. They are very well developed and engaging! However, it's weak on the supporting characters, e.g. The Myanmar girl, her scene is very touch-n-go and left unaddressed! Of all the supporting characters, I love "MONEY SISTER"! Although 'she' plays a small role in the movie, "she" is outstanding, and she seems to have a lot of untold stories that are worth exploring (perhaps in another solo movie??!!)

I love the communication scene in the prison, which carries so much emotional weight and struggle. Abang lives well in life day-by-day, but from the scene, audiences could realise that deep inside his heart, he has a lot of voices of unfairness, despair, anger... that wish to be heard and understood! No doubt, Wu Kang Ren's acting is superb! You feel him all the way, from his eye-contact, tears, emotion, and body language... He deserved the BEST ACTOR AWARD!!!

There are a few pitfalls in the movie, e.g. Some scenes are rather shaky, and the storyline is very much one-dimensional. Besides, the last scene of Abang meeting Adik in the prison is NOT well managed. It can be more touching and much better than that, yet the angles and build-up motions do not achieve the optimum outcomes.

For a local production, I gave 3.25 out of 5.0. It's a nice cameo, but NOT up to an excellent movie, without pitfalls or weaknesses. The storyline is rather simple and thin. What makes it good is the emotional depth of the silent communications of Abang that carry us away! If it is without it, it can be a very pale and plain movie. (Gosh~~ I burst into tears badly in the cinema!!)
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8/10
I almost fell in love with this movie
tckeong22 December 2023
The story depicts the lives of the lowest strata of society in the city of Pudu KL. It seems the editors and directors went to extremes in portraying the most tragic stories to create a sense of being oppressed by life-a deaf-mute, an undocumented person, someone deprived of love, socially ostracized, and misunderstood. Despite all this, living in such an environment, the protagonist continues to offer unconditional love to those around him, caring for everyone. However, I'd like to say this story didn't convey the proper moral values. I must commend the male lead actor who played the deaf-mute. His portrayal, the numbness to express love, and inner struggles in his acting were impeccable, he did excellently well. The second person I loved was the actor portraying the one who raised the two brothers. His performance was incredibly natural. Kudos to these two actors. As for the second male lead, his overacting was a bit too much, suddenly sentimental, the next scene he was abruptly irritable. Sometimes silent and chill, while other times playfully happy and easy-going. I couldn't have a full grasp the character that he was to portray, not sure if this was intended act required by the director, or an underperformance by the actor. All in all, acting for the male lead, a solid 10/10. Overall acting, 8/10. Storyline, it's weak, there were loopholes here and there, so I'd give it a 5/10. This movie deserves a modest 8/10. I wasn't moved, just left sighing, thinking it could have been better.
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10/10
To whom we belong
flcntk3-856-9860175 December 2023
Given the tsunami of film entertainment out there, new and old combined, to find such a rare and exquisite gem of mastery is extraordinary and delightful. Akin to how I imagine Sir Richard Attenborough might have felt when he discovered a new and beautiful life form. This film tops my chart and I saw it twice in a week just to sustain that satisfying glow. It is masterful not because it has a high concept, which requires an out of the box view on things and that is hard to do, but it is even harder in my book to explore something that is utterly common and do it exceptionally well. In this case the word to describe this film is a mild and gentile one from the English language. That word is: "belong", and "belong" is the theme of the film. The idea of belonging, however benign it is as a word, actually underscores the foundation of our humanity, gives meaning to our existence and rewards us with happiness. The film is set in Malaysia, a multicultural world in which if you have not been properly assigned, accepted and therefore belonged, you become an underclass and an outcast, and this is the story of two brothers who in their utmost try to belong, to be included within the mainstream as a necessity for survival. But beyond that, there is an even closer and more intimate circle of belonging and that is one of kinship. Brother to brother and father to son. This is where the story hits the hardest and explores the deepest. But an idea alone does not make a great film. It is the execution of that by way of the medium and this is where the mastery of the artistry lies. This one has it all. The three names to remember from this film are Lay Jin Ong the director, Kang Ren Wu who played the elder brother Abang and Jack Tan who played the younger brother Adik. That said, the entire cast is also magnificent. Last but not least, special honor should also be given to the actor who played "Auntie Money" but whose name escaped me. Given how well-crafted this is, how deeply it touches, I predict this will be an Oscar contender and I certainly hope I am right in my prediction.
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9/10
A Film You Won't Be Regretting Watching
whitneyhoeywen14 December 2023
Kang Ren Wu's portrayal of deaf & dumb Ah Bang is superb, and as the one & only non-Malaysian among the whole cast & production team, I must say his localization of blending in is undeniably jaw dropping, His performance is always beyond expectation.

The brotherhood in between the elder brother - Ah Bang and his younger brother - Ah Di is really touching. The chemistry in between these two sctors are there. Although I might not really agree with the performance/acting skills of Jack Tan.

To be concluded, the overall plot is culturally fit to Pudu, an old township of Kuala Lumpur, Malaysia. Kudos to the director & screenwriter as well.
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9/10
Love and Resilience unveiled in the Heart of Pudu, Malaysia.
wwk-9127429 December 2023
Warning: Spoilers
"Abang Adik": A poignant cinematic journey through love and resilience in Kuala Lumpur's Pudu district. This emotionally charged film explores the struggles of foreign laborers, the universal need for love, and the dark side of urban development. It delves into marginalized lives, concealing hidden messages for the culturally attuned. The controversial yet inspiring dialogues between a prisoner and a monk provide a powerful commentary on the human experience. An emotional odyssey transcending boundaries, "Abang Adik" leaves an indelible mark on hearts. Bring along tissue papers when watching it.
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8/10
A SIMPLE STORY YET VERY EMOTIONAL
afiqjiwastudio21 January 2024
This film managed to collect RM5.2 million within 24 days of screening in Malaysia and made history as the first Malaysian film to break the screening record in Taiwan by collecting more than RM13.5 million.

A local Malaysian film that, for me, almost reached the level of a local masterpiece.

The movie started off really well that it gave me high expectations throughout, coupled with the quality cinematography and soundtracks.

The story is actually very simple. The 'Abang' and 'Adik' wishes to live like ordinary citizens in Malaysia but the lack of citizenship status and Identity Card (IC) prevents that, showcasing how hard it is to live like them.

One thing that I disliked and which I think can be improved is the second act of the movie where the accident happened. The writing is not strong and convincing enough, Abang seems to be acting out of character, the story feels rushed and there were scenes that are too 'draggy'.

Despite that, the film managed to build a good emotional connection with the main characters from the beginning of the story and the strong performance by Wu Kang Ren and Jack Tan easily made it happen. So when I got to the end of the movie, I really teared up and cried, trying to understand Abang's feelings.

I like movies that touch on the aspects of society like this. Although it is not perfect, it gives a small picture of life in Malaysia that some people may not know. We need more local Malaysian films like this. No need for fancy effects, just solid writing.
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10/10
A Breakthrough in Malaysian Film
cqsw-2296628 December 2023
Director and writer Jin Ong does a spectacular job at weaving a Malaysian tapestry of untold stories of undocumented citizens.

The cinematography and lighting of every scene was immaculate, perfectly capturing the essence of every moment.

I notice other reviews commenting about the poor pacing of the movie but I beg to differ. Firstly, I felt it was needed to leave questions in the audience's minds, and the pacing reflected the pace of Malaysian life in Pudu well. I personally appreciated those "slow" scenes because it's the little things and nuances that made the film so Malaysian and kept Malaysians like myself and my family enthralled and immersed into those scenes.

To the team, thank you for putting Malaysia on the map globally. For all the good and right reasons. To Jin Ong if you ever read this, thank you. For your vision, hope, and relentless pursuit in making this movie come to life. We Malaysians appreciate you from the bottom of our hearts.
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2/10
Unpopular Opinion
jianzi-535821 January 2024
Warning: Spoilers
While Kang-Ren's skillful performance is commendable, the film overall doesn't quite hit the mark and comes across as overrated.

The main issue lies in its storyline, which is melodramatic and borders on the unrealistic.

To elaborate on the point, the climax of the story centers around Adik accidentally slapping Jia En too hard in the face, causing her to hit the wall and bleed excessively. Instead of seeking help, Adik went to inform Abang. Contrary to what one might expect from Abang's established personality, he calmly approached the house to find Jia En nearly dying. In a critical moment, when Jia En attempted to scream for help, Abang covered her mouth until someone outside had left, but by then, Jia En had died. This is problematic because, based on Abang's behavior in other scenes, it would be more believable if his reaction had been to rush Jia En to the hospital instead of leaving her in such a state

There are a few problems with this storyline: 1. The climax, centred around an accidental slap leading to tragic consequences, is contrived and lacks believability. It can be described as naive and excessively romanticized. If Adik's love for Abang was so profound, his decision to leave Abang to face a death sentence alone strikes as inconsistent and unconvincing. Also, in this pivotal scene, Abang's character acts in a manner that is unrealistically and foolishly sentimental, particularly in how he dealt with Adik's situation. The narrative is shallow and overly reliant on this incident to create a tragic aftermath.

2. Besides the lack of depth, the film's attempt to manipulate emotions comes across as forced and superficial. The portrayal of the tragic aftermath, emphasizing Abang's great sacrifice, seems intended to evoke tears. However, the ludicrousness of the events leading up to this climax often elicits laughter rather than sadness, leaving the audience to exclaim in disbelief. The nuanced storytelling required to engage an insightful audience is notably absent.

Additionally, I imagine lawyers watching this film would be flabbergasted and speechless. The portrayal of Malaysian police as credulous is far from reality. In actuality, they wouldn't just accept a guilty plea without investigation. They'd question the circumstances: How did it happen? Why would Abang want to kill Jia En? Was it intentional or an act of ignorance? It's also likely that Adik, living in the house where the death happened, would be interrogated for statements. Moreover, killing someone doesn't necessarily result in a death sentence. Malaysia has a sophisticated legal system; we don't arbitrarily execute people.

A more realistic storyline could be: Adik, out of love for Abang, confesses to the crime. However, Abang insists that he was the one responsible. The legal consequences could be: 1. Adik charged under Penal Code s.325 for voluntarily causing grievous bodily harm to Jia En, potentially facing seven years in prison and a fine.

2. Abang charged under Penal Code s.304A for causing death by a negligent act, risking two years in prison, a fine, or both.

Perhaps the story could then follow Abang committing suicide, overwhelmed by guilt and perceiving his sentence as too lenient. Overcome with regret, Adik, after serving his sentence, resolves to turn over a new leaf. In a twist of fate, he meets his estranged father, obtains his identification card, and embarks on a journey to do good for society. This transformation is his way of honouring both Abang and Jia En.

Despite these shortcomings, the director and cast deliver commendable performances, showcasing their talents even within the constraints of a limited script. This aspect alone earns the film two stars. However, the writing needs significant improvement to match the quality of the acting and direction.

**Please note that the following review reflects only the author's personal opinions and is not intended as professional advice. Any comments on legal issues should not be rely upon as legal advice.
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8/10
Moving Malaysian drama
alain-kapel51 April 2024
Social realism meets crime drama in Abang Adik, an impressively gritty Malaysian indie flick.

The two titular brothers live in a poor Kuala Lumpur district with no identity cards and basically no stable income. Abang is a deaf mute who tries to live as honestly as he can, while his younger brother Adik dabbles in the underworld and is prone to impulsive behavior. Both are understanding of each other and share a strong brotherly love, despite not actually being brothers by blood (they adopted each other, in a way). A terrible incident suddenly upends their lives and complicates them even further.

Essentially a simple story about two orphan brothers and their mutual struggle to eke out a living, the film takes a well-worn premise and extends it into a terrific showcase for director Jin Ong, its naturalistic actors, and generally the whole production crew. This is a quietly powerful work that lingers long after being seen, avoiding sensationalism and violence in favor of a bleak, despairing mood and character building. It has a slice-of-life feel, but lightly mixed with genre elements in order to accentuate the hardship of the brothers' lives. Indeed, these people are decent, driven to tough choices by circumstances out of their control, Abang Adik argues. And they are easy to sympathize with even when you can't quite understand them.

The cinematography here is pretty great, with its strong camerawork and vibrant colors. When the very pretty soundtrack joins in, it becomes obvious a lot of care has gone into creating this indie film. It's a testament to strong filmmaking coming from a country that's prone to heavily censoring its artists. And I must not forget to mention Jack Tan and Wu Kang-ren, who play their roles to near perfection. The latter, especially, delivers a moving monologue that won't leave people untouched, and in sign language no less!

Definitely recommended for fans of gritty dramas.
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8/10
Brothers without identity
Genkinchan26 December 2023
Warning: Spoilers
This is one of the best local Malaysian made movie which able to capture local and foreign audience alike

The theme is a fresh take on life of both brothers as an orphans grew up together although we did not find it till later in the movie

We can see a different perspective of KL through the lens of the cinematography, acting wise was superb the script and dialogue was well written.. everything took a turn with the social worker demise...

The thing I dislike was the pacing of this movie... it was a drag to begin with first half of the movie needs to adjust the speed

A lot of characters created was a waste of time ei money Sister totally created to fill the gap of the movie timeline..the brother of the social worker was another fill in the gap.. we still got extra time

Although it was on a shoe string budget the script and the actors make it worth your while

Go watch it in a cinema support local movie.. kudos to the director and producer and congratulations for wiping the golden horse awards.
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4/10
Just a Few polishing
xiaohei-8011214 January 2024
Warning: Spoilers
Wu Kang Ren deliver a impact performance that will move u to tears. Support cast motive and story not well explain like a tools to force the story going on. It repeat the same mistake as most of the movie make for example The last of Us part 2. .I already want to go out of the cinema when social worker was killed by unexpected turn and the causes was done in a foolish act. I have no empathy for what the brother done. Some part is confusing ,not sure it want to portray as brotherhood love or LGBT. It a perfect movie with a few polishing but too bad it seems to in a rush to take part in 2023 golden horse award.
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2/10
The pace of the movie scenes are slows & story lines need to improve
lktan-5628324 December 2023
The movie's actors & actresses acting well. Unfortunately the pace & the focus of every movie scene are too long. Too much suspense & guessing on story line. The story line can be improved with positive ending on forgiving instead of depicting the guilt & suffering of family relationship. On the plus side, the movie does highlight the issues of many foreigners here in Malaysia without proper entry pass resulting many being take advantage of. The movie did indirectly suggesting to government authority why allows many enter to Malaysia, then conduct raiding later. Anyway, look forward for next improvement movie👍
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