Downton Abbey (2010–2015)
8.4/10
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3 user 3 critic

Episode #4.8 

Rosamund comes up with a plan to help Edith, but Violet sees right through it; Isobel is the object of someone's attention, while Mary asks Gillingham for a very big favor.

Director:

Edward Hall

Writer:

Julian Fellowes (written and created by)
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Cast

Episode cast overview, first billed only:
Hugh Bonneville ... Robert Crawley, Earl of Grantham
Laura Carmichael ... Lady Edith Crawley
Jim Carter ... Charles Carson
Brendan Coyle ... John Bates
Michelle Dockery ... Lady Mary Crawley
Kevin Doyle ... Joseph Molesley
Joanne Froggatt ... Anna Bates
Lily James ... Lady Rose MacClare
Robert James-Collier ... Thomas Barrow (as Rob James-Collier)
Allen Leech ... Tom Branson
Phyllis Logan ... Mrs. Hughes
Elizabeth McGovern ... Cora Crawley, Countess of Grantham
Sophie McShera ... Daisy Mason
Matt Milne ... Alfred Nugent
Lesley Nicol ... Mrs. Patmore
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Storyline

Charles leaves, Mary having appointed Tim Drewe as pig-man, but when Anthony Gillingham's projected visit to Downton is announced Mary detects from Anna's reaction that something is wrong and learns the rapist's identity. The visit passes without incident, though Mary turns down a proposal from Anthony, who has broken off his engagement. Mary is alarmed when Rose tells her she is marrying Jack Ross and goes to see the singer. Lady Rosamund plans to take Edith to Switzerland to have her baby and put it up for adoption, but Violet is suspicious. Robert returns for the annual fete and Alfred comes back for a funeral, proposing to Ivy, who declines. Meanwhile, Isobel attracts the admiration of Lord Merton and Molesley forms a friendship with Baxter, though he is curious as to her relationship with Barrow. Written by don @ minifie-1

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

TV-14
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Details

Country:

USA

Language:

English

Release Date:

16 February 2014 (USA) See more »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

This is the second episode in a row where Hugh Bonneville has significantly less screen time due to his schedule. He was filming Monuments Men at the same time. See more »

Goofs

Daisy goes off to visit her Father in Law on the farm. They drive a tractor up into a field for a picnic. The tractor is parked close by and behind Daisy when they spread the blanket. A few scenes pass and they come back two Daisy and her FIL on the blanket. The camera changes angles a few time but the tractor is now missing from all shots. This is right around the 53 minute mark for their arrival and 54 minutes for the missing tractor. See more »

Quotes

Isobel Crawley: I'm a feeble substitute for the entire Crawley family.
Violet Crawley, Dowager Countess of Grantham: [sarastically] Mmm, yes, but you're better than nothing.
Isobel Crawley: [sarcastically] How warming you make that sound!
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Soundtracks

Downton Abbey The Suite
(uncredited)
Written by John Lunn
Performed by The Chamber Orchestra of London
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User Reviews

Very Much a Feeling pf Deja Vu
12 November 2013 | by l_rawjalaurenceSee all my reviews

I have to admit that this is the very first episode of DOWNTON ABBEY that I have ever seen. This is mostly due to the fact that I live most of my time in a country where it has not yet been broadcast. On first viewing, I have to admit a terrible feeling of déja vu. Having grown up on UPSTAIRS DOWNSTAIRS in the Seventies, I feel that DOWNTON ABBEY largely steals most of its ideas from that earlier series - especially its focus on the contrasting lives of masters and their servants. DOWNTON ABBEY has its plus points: a clutch of good performances led by Maggie Smith as the old dowager, Hugh Bonneville as the Earl of Grantham and Jim Carter as Carson the butler. The story-lines are the stuff of soap opera, where history matters less than personal issues; this is what renders the series so compelling. There are some irritating aspects: the script contains some unfortunate anachronisms (no one in the mid-twentieth century would have referred to their nearest and dearest as "loved ones"), and there are the obligatory heritage film shots of the family home with cars pulling up and driving away, and the rolling Yorkshire landscapes (this type of shot was clichéd even in the Eighties). But the characters are memorable, and the script contains sufficient hooks for viewers to keep watching week after week to see what happens. This is really what separates a good from an average historical drama series.


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