Director and cinematographer Nina Hedenius started out in 1962 as one of the first students at Christer Strömholm's school of photography. She dropped out after six months. Diverging greatly from contemporary ideals about the creative collective, she decided to make movies on her own, about life in meekness and intense moments. Fredrik Wenzel draws a tender and personal portrait of one of our time's greatest filmmakers, through a year of shifting seasons at her cottage in Bergslagen.