David Schaal says his new movie 'Bermondsey Tales: Fall of the Roman Empire' is inspired by Guy Ritchie and Quentin Tarantino films.The British gangster movie is the feature film directorial debut of Michael Head and the 60-year-old actor is part of a stellar cast that includes John Hannah, Alan Ford, Maisie Smith, Adam Deacon, Linda Robson, Charlotte Kirk, Gary Webster, Charlie Clapham and more.David - who is best known for playing Jay's dad Terry Cartwright in comedy series 'The Inbetweeners' and warehouse manager Taffy in Ricky Gervais' mockumentary 'The Office' - says the gritty crime drama has the hallmarks of Ritchie's gangster films 'Snatch' and 'Lock, Stock and Two Smoking Barrels' as well as the flashbacks and time jumping storytelling devices of Tarantino's 'Pulp Fiction' with a nod to Jonathan Glazer's 'Sexy Beast' as well.Speaking to Bang Showbiz,...
- 5/21/2024
- by Philip Hamilton
- Bang Showbiz
Disney’s “Kingdom of The Planet of the Apes” debuted atop the U.K. and Ireland box office with £3.8 million ($4.7 million), according to numbers from Comscore.
Universal’s “The Fall Guy” dropped down to second place with £948,970 and now has a running total of £6.7 million. In third place, in its third weekend, Warner Bros.’ “Challengers” collected £333,281 for a total of £4.7 million.
In fourth position, in its fifth weekend, Studiocanal’s “Back to Black” earned £211,408 for a total of £11.2 million. Rounding off the top five was Sony’s “Tarot,” which read the cards to the tune of £140,983 in its second weekend and now has a total of £923,013.
The only other debut in the Top 10 was Trafalgar Releasing’s opera recording “Madama Butterfly,” which bowed in ninth place with £96,727.
The mid-week releases coming up include Trafalgar’s “Transformers: 40th Anniversary Event,” where episodes of the animated 1984 series will be screened alongside original voice-over talent,...
Universal’s “The Fall Guy” dropped down to second place with £948,970 and now has a running total of £6.7 million. In third place, in its third weekend, Warner Bros.’ “Challengers” collected £333,281 for a total of £4.7 million.
In fourth position, in its fifth weekend, Studiocanal’s “Back to Black” earned £211,408 for a total of £11.2 million. Rounding off the top five was Sony’s “Tarot,” which read the cards to the tune of £140,983 in its second weekend and now has a total of £923,013.
The only other debut in the Top 10 was Trafalgar Releasing’s opera recording “Madama Butterfly,” which bowed in ninth place with £96,727.
The mid-week releases coming up include Trafalgar’s “Transformers: 40th Anniversary Event,” where episodes of the animated 1984 series will be screened alongside original voice-over talent,...
- 5/14/2024
- by Naman Ramachandran
- Variety Film + TV
Michael Head stars in this less than convincing story of a London crime lord and his associates
There was a period in the Cool Britannia days when you couldn’t throw a brick at a cinema in the UK without hitting a British gangster movie with a castful full of dodgy geezers blagging their way around an underground scene full of drugs and farfetched capers. Some were ludicrously entertaining creations of actual working-class talent, such as Nick Love’s The Business, others transcended genre pigeonholing to work their way into various top critics’ lists (such as Jonathan Glazer’s Sexy Beast), and still others were Guy Ritchie movies. There were hundreds of less high-profile efforts too, destined for VHS or DVD, but each having somehow found funding.
These days the British gangster flick is no longer flavour of the week, or month, and there’s something appealingly bullish about attempts to make these films now.
There was a period in the Cool Britannia days when you couldn’t throw a brick at a cinema in the UK without hitting a British gangster movie with a castful full of dodgy geezers blagging their way around an underground scene full of drugs and farfetched capers. Some were ludicrously entertaining creations of actual working-class talent, such as Nick Love’s The Business, others transcended genre pigeonholing to work their way into various top critics’ lists (such as Jonathan Glazer’s Sexy Beast), and still others were Guy Ritchie movies. There were hundreds of less high-profile efforts too, destined for VHS or DVD, but each having somehow found funding.
These days the British gangster flick is no longer flavour of the week, or month, and there’s something appealingly bullish about attempts to make these films now.
- 5/14/2024
- by Catherine Bray
- The Guardian - Film News
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