Directed by
| Charlie Fink | ||
Writing Credits (in alphabetical order)
| Charlotte Colbert | ... | (writer) |
| Charlie Fink | ... | (co-writer) |
| Charlie Fink | ... | (story) |
Cast (in credits order)
Produced by
| Michael S. Constable | ... | line producer |
| Olivier Kaempfer | ... | producer |
Cinematography by
| Jean-Louis Schuller | ||
Editing by
| Maya Maffioli | ||
Production Design by
| Miren Marañón | ||
Art Direction by
| Bennett Bowerman | ||
Set Decoration by
| Augusta Akerman | ||
Costume Design by
| Sophie Howard | ||
Makeup Department
| Lisa Halstead | ... | makeup artist |
| Mags Pattinson | ... | assistant makeup artist |
| Nadia Stacey | ... | makeup designer |
Production Management
| Amy Cooke | ... | assistant production manager |
| Filiz-Theres Erel | ... | production manager |
Second Unit Director or Assistant Director
| Alexander Szygowski | ... | third assistant director |
| George Taylor | ... | second assistant director |
| Andrew Vanneck | ... | first assistant director |
Art Department
| Brock Horning | ... | art department runner |
| Fabian Nyblom | ... | assistant art director |
| Evannia Paine | ... | props |
| Hannah Rowan | ... | art department assistant |
| Ed Tizer | ... | storyboard artist |
| Lorenzo Vitturi | ... | storyboard artist |
Sound Department
| Frank Barlow | ... | boom operator |
| Dominic Fitzgerald | ... | sound designer |
| Greg Hagen | ... | sound recordist |
| Amelia Hashemi | ... | casting director |
| Kieron Teather | ... | sound mixer |
| Christopher Wilson | ... | re-recording mixer |
Visual Effects by
| Michael Crusz | ... | data management |
| Todd Kleparski | ... | visual effects producer |
| Katie Mc Cullough | ... | visual effects coordinator |
| Dominic Thomson | ... | visual effects |
| Matt Watson | ... | digital compositor |
Camera and Electrical Department
| David Agha-Rafei | ... | focus puller |
| Chris Belcher | ... | second assistant camera |
| Rik Burnell | ... | best boy |
| Emmet Cahill | ... | grip |
| Richard Harrowing | ... | spark |
| Stephanie Kennedy | ... | clapper loader |
| Felix Milburn-Foster | ... | grip |
| Adam Slater | ... | gaffer |
| Darren Stuart-Neal | ... | sparks assistant |
| Harry Wheeler | ... | camera trainee |
| Angus Young | ... | still photographer |
Casting Department
| Laura Venables | ... | casting assistant |
Costume and Wardrobe Department
| Isadora Darke | ... | costume assistant |
| Klaire Jamsworth | ... | assistant costume designer (as Klaire Jamin) |
| Sarah Mercade | ... | costume assistant |
Editorial Department
| Alanna Miejluk | ... | assistant editor |
| Matt Watson | ... | colorist |
Location Management
| Hazel Falck | ... | location manager |
| Louise Malin | ... | location coordinator |
| Robbie Spiegel | ... | assistant location manager |
Script and Continuity Department
| Siobhan Callas | ... | script supervisor |
Transportation Department
| Barnes Van Hire | ... | transportation |
Additional Crew
| Rob Hill | ... | titles |
| Abby Martin | ... | floor runner |
| Nicola Wake | ... | production buyer |
Thanks
| Matt Adams | ... | thanks |
| Gemma Batters | ... | thanks |
| Andy Cooper | ... | thanks |
| Eddie Dias | ... | thanks |
| Julia Harnischfeger | ... | thanks |
| Richard Lander | ... | thanks |
| Jonathan Mabey | ... | thanks |
| Lee Richardson | ... | thanks |
| Peter Richardson | ... | thanks |
| Phil Riley | ... | thanks |
