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Tamasha is about the journey of someone who has lost his edge in trying to follow socially acceptable conventions of society. The film is based on the central theme of abrasion and loss of ... See full summary »
This story explores love - the shapes it takes, the ways it changes us and the exhilarating and often terrifying ride it takes us on. It is the journey of two characters, Alizeh and Ayan, as they navigate life, love and heartbreak.
Aishwarya Rai Bachchan,
Four friends (Luke, Murgi, Joy and Pondy) wasted by youth and self destruction play together in a band along with a fifth female member (Shiuli). Luke the lead singer and self-imposed ... See full summary »
Kay Kay Menon,
Set against the backdrop of ambition, love, greed, and jazz - Bombay Velvet is the story of one ordinary man who goes against all odds and forges his destiny to become a 'Big Shot'. Jazz clubs, a passionate love story, a growing metropolis and a phenomenal hunger for a good life. Welcome to the City of Dreams. Welcome to Bombay Velvet.Written by
While a lot of reviews have talked about Bombay Velvet being a disappointment (it is considering Anurag Kashyap's stellar filmography), I want to discuss what it could have done to have fared better. The biggest problem - Romance, easily the weakest aspect of the film, the story of Bombay Velvet is overambitious and tries to do a lot of things and romance spoils the entire dish. There is good in Bombay Velvet, the story of a small time crook trying to rise up the ranks to become a "bigshot" is endearing but what's irritating is that while Johnny Balraj wants to be a bigshot he is illogical, falls in love with wrong woman and doesn't realize that it's bigshot or the girl. Romance plot between the wrong woman and the young crook rising up the ranks is so clichéd and badly done it leaves a bad taste in your mouth, you can't help but think that AK could have done better because HE HAS DONE BETTER. AK has done better gangster films than this (Gangs Of Wasseypur) and even better romance films (Dev D) how can such a master of both the genres fall so flat on his face while integrating romance into the gangster genre? Crime aspect often gets clumsy too but the romance is dead weight and should have been a side story not the entire film. I liked the corporate-crime aspect of the film it was interesting, I would like to mention that Johnny Balraj's awe while watching with the classic Roaring Twenties was easily the best scene of the film, the sets are gorgeous, JB's frustration at being nothing more than a hired goon is also well done, Karan Johar's gay villain would have been better if there was no Anushka Sharma and he was more blatant towards his attraction towards Blaraj that would have made him the romantic tension and the villain which would have led to a far better film. The actors are all decent, all do well but are let down by a messy almost borderline 1980's cheesy plot which was not too bad till the interval and then it takes a big nosedive in quality. This could have been a bigshot so much failed potential because there are scenes which are well done and show the brilliance of AK but the ludicrous and predictable plot let it down, while better than most Hindi movies it's not bad but it's still a disappointment. I think AK is more suited to non commercial cinema with smaller names I think there was pressure on him to turn BV into a romantic film first and a gangster film second which ultimately led to it's demise. Second Hindi period film after Detective Byomkesh Bakshy which was a letdown as far as I am concerned. P.S.- I was very angry with how they wasted Kay Kay Menon, easily the best actor in the entire cast and one of the best actors in the country and he gets such a small role.
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