A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Juan José Campanella
A well-ordered hardware store owner in Buenos Aires will see his life turn upside down when he helps a stranded Chinese man who doesn't speak a word of Spanish find his uncle in the bustling city. But can this coexistence bear fruit?
Muriel Santa Ana,
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
The film is divided into six segments. (1) "Pasternak": While being on a plane, a model and a music critic realise they have a common acquaintance called Pasternak. Soon they discover that every passenger and crew member on board know Pasternak. Is this coincidence? (2) "The Rats": A waitress recognizes her client - it's the loan shark who caused a tragedy in her family. The cook suggests mixing rat poison with his food, but the waitress refuses. The stubborn cook, however, decides to proceed with her plan. (3) "The Strongest": Two drivers on a lone highway have an argument with tragic consequences. (4) "Little Bomb": A demolition engineer has his car towed by a truck for parking in a wrong place and he has an argument with the employee of the towing company. This event destroys his private and professional life, and he plots revenge against the corrupt towing company and the city hall. (5) "The Proposal": A reckless son of a wealthy family has an overnight hit-and-run accident, in ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film's original screenplay is 84 pages long and some of the six tales are featured in different order. It also includes a seventh tale, pretty much shorter than the other ones, called Bonus Track. See more »
Where Simon parks the car (Parera 25), parking is allowed, but it's not the same place that the tow truck takes the car from (Juncal 1311). These two places are 2 blocks from each other- ("Bombita" segment) See more »
In the opening credits of the film, each actor is identified and accompanied by the image of a wild animal. In the case of the director (Szifrón), he chose a fox, the reason is not only because he is red haired: "The fox was an animal that my dad really liked, he always saw foxes documentaries, I think that's why I chose it..." See more »
Mixing modern rage with black comedy this collection of shorts rises above expectations to become one of the best and funniest movies from Argentina along with The Secret In Their Eyes and El Aura, and probably the most accessible for international audiences
Six unrelated stories that share a common theme of revenge are shown back to back, and not edited back and forward like it's usual with these kind of movie, some of them are better than others: the opener, the road rage incident, the hit and run, and the wedding stand out, while the more conventional and predictable "Bombita" and "The Rats" still entertain thanks to superb writing and directing
There's a few annoying problems with logical plot holes like why would the rich yuppie go out of his way to put the damaged spare tired in his trunk (and thus leaving it open) when running for his life and factual errors like on the wedding episode the bride's threats about this husband's companies are meaningless because in Argentina possessions are considered marriage goods ("bienes gananciales") only if the are acquire during the marriage and not before like the screen husband's companies, and like these are others but among such high quality stuff glaring mistakes like these are more evident
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