Full Cast & Crew
Directed by
| Stephanie Argy | ... | (co-director) |
| Alec Boehm | ... | (co-director) |
Writing Credits (in alphabetical order)
| Stephanie Argy | ... | (screenplay) |
| Alec Boehm | ... | (screenplay) |
| Donal Thoms-Cappello | ... | (additional dialogue and development) |
Cast (in credits order)
Produced by
| Stephanie Argy | ... | producer |
| Alec Boehm | ... | producer |
| Alex Bruskin | ... | producer |
Cinematography by
| Alec Boehm | ||
Editing by
| Pansy Heritage | ||
Production Design by
| Stacy Aickin Sabella | ||
Art Direction by
| David Langley | ||
Costume Design by
| Erin McNamara | ||
Makeup Department
| Dawn Gately | ... | pre-shoot haircuts, shaves and tonsorial services |
| Jamie Scott | ... | hair stylist / makeup artist |
Production Management
| Erin Lamb | ... | production manager |
Second Unit Director or Assistant Director
| Alex Bruskin | ... | first assistant director |
Art Department
| Myong Doster | ... | historical penmanship and calligraphy: easterly's letter to his wife |
| Ken Doyle | ... | technical assistance on locks and lockpicking |
| R. John Drew | ... | art department crew |
| Jerry Harpole | ... | heavy lifting |
| Austin Krieg | ... | art department apprentice and antiquing specialist |
| Brian McLoughlin | ... | art department crew |
| Raynak | ... | additional art department assistance |
| Mark Sabella | ... | angel of mercy |
| Linda Schneider | ... | historical penmanship and calligraphy: the bank draft |
| Catherine Marie Simone | ... | illustrator |
| Will Stecher | ... | additional art department assistance |
Sound Department
| Mabel Echo | ... | sound design and end theme music |
| Mickey McMullen | ... | sound recordist |
| Joe Milner | ... | re-recording mixer |
| Kunal Rajan | ... | sound design consultant |
Stunts
| John McKenzie | ... | safety diver |
Camera and Electrical Department
| Roger Ainslie | ... | production stills and video |
| Mark L. Anderson | ... | first camera assistant |
| Michael Delagarza | ... | second camera assistant and media wrangler |
| Jim Ewing | ... | production stills and video |
| Ted Krysinski | ... | gaffer/key grip |
| Raymond Renaart | ... | griptrician |
| Peter Wiant | ... | production stills and video |
Costume and Wardrobe Department
| Sherry Jones | ... | wardrobe |
Editorial Department
| Leore Berris | ... | post supervisor |
| Tiffany Dixon | ... | conformist / on-line assistant editor |
| William B. Macomber | ... | digital intermediate supervisor |
| Michael Smollin | ... | colorist (as Mike Smollin) |
Music Department
| Joe Berardi | ... | end theme percussion |
| Helen Bilbert | ... | sea shanties performed by |
| Tugboat Bromberg | ... | sea shanties performed by |
| Cindi Dinan | ... | sea shanties performed by |
| L.E. Erickson | ... | sea shanties performed by |
| Val James | ... | sea shanties performed by |
| Mike James Phimister | ... | sea shanties performed by |
| Jack Reid | ... | sea shanties performed by |
| Donal Thoms-Cappello | ... | sea shanties performed by |
| Mark Wheaton | ... | end theme music recorded by |
Script and Continuity Department
| Jane Champion | ... | script supervisor and documentarian |
Additional Crew
| Jim Ewing | ... | strategic gnome |
| Monica Mick-Hager | ... | production coordinator |
Thanks
| Kathleen Balducci | ... | special thanks |
| Cindy Barret | ... | special thanks |
| Kymber Blake | ... | special thanks |
| Meg Brogan | ... | special thanks |
| Joanne Bussa | ... | special thanks |
| Marion Cataneda | ... | special thanks |
| Ted Christensen | ... | special thanks |
| Megan Claflin | ... | special thanks |
| Linda Cohen | ... | special thanks |
| Courtland Cox | ... | special thanks |
| Dave Cunningham | ... | special thanks |
| Carly Davies | ... | special thanks |
| Richard Davies | ... | special thanks |
| Jennifer Dempsey | ... | special thanks |
| Beth Diodene | ... | special thanks |
| Harry Dudley | ... | special thanks |
| Zoe Anne Dudley | ... | special thanks |
| Barbara Ewing | ... | special thanks |
| Janette Force | ... | special thanks |
| Robert Force | ... | special thanks |
| Ellen Frick | ... | special thanks |
| Rocky Friedman | ... | special thanks |
| Scott Froschauer | ... | special thanks |
| Agustin Fuentes | ... | special thanks |
| Victoria Gilligan | ... | special thanks |
| Kerri Hartman | ... | special thanks |
| Lynne Higby | ... | special thanks |
| Tim Hoffman | ... | special thanks |
| Jane Julian | ... | special thanks |
| Krys Karns | ... | special thanks |
| Bill Kemp | ... | special thanks |
| Jim Lamb | ... | special thanks |
| Paul Marashlian | ... | special thanks |
| Julie McCulloch | ... | special thanks |
| Jeremiah Morgan | ... | special thanks |
| Teresa Percy | ... | special thanks |
| Christina Pivarnik | ... | special thanks |
| Ted Rae | ... | special thanks |
| Devi Snively | ... | an extra special thank you for all the UALs |
| Greg Stupica | ... | special thanks |
| Jamie Thompson | ... | special thanks |
| Ann Welch | ... | special thanks |
| Mark Welch | ... | special thanks |
| Judith Weston | ... | special thanks |
| Denise Winter | ... | special thanks |