Directed by
| Jonathan Romney | ||
Writing Credits (in alphabetical order)
| Jonathan Romney | ||
Cast
Produced by
| Nicky Bentham | ... | executive producer |
| Carey Born | ... | producer |
| Becca Ellson | ... | Development Producer |
| Lizzie Francke | ... | executive producer |
| Darren Heath | ... | executive producer |
| Emily Kyriakides | ... | executive producer |
Cinematography by
| Nicholas D. Knowland | ||
| Tim Sidell | ||
Editing by
| Adam Finch | ||
Casting By
| Liora Reich | ||
Production Design by
| Kate Evenden | ||
Art Direction by
| Mark Sutherland | ||
Set Decoration by
| Pete Dorman | ||
| Matt Noble | ... | (set carpenter) |
Costume Design by
| Nat Turner | ||
Makeup Department
| Ligia Costa | ... | assistant makeup artist |
| Catharine Edwards | ... | assistant makeup artist |
| Patrick Forini | ... | assistant makeup artist |
| Jennifer Harty | ... | makeup designer |
| Chloe Newman | ... | assistant makeup artist |
| Sarah-Jane Pirie | ... | assistant makeup artist |
| Bethany Swan | ... | assistant makeup artist |
| Anna Thompson | ... | assistant makeup artist |
Production Management
| Bryony Chaplin | ... | production manager |
| Claire McGrane | ... | post-production supervisor |
| Carolina Sganzerla | ... | Pre production Manager |
Second Unit Director or Assistant Director
| Darren Crisp | ... | first assistant director |
| Daniel Parslow | ... | third assistant director |
| Aden Turner | ... | first assistant director |
Art Department
| Rose Acres | ... | set dresser |
| Neil Alexander | ... | dressing props |
| Carol Dean | ... | graphic design |
| Douglas Ingram | ... | storyboard artist |
| Kate Jewitt | ... | set dresser |
Sound Department
| Per Boström | ... | re-recording mixer |
| Alejandro Cid | ... | boom operator |
| Linda Forsén | ... | dialogue editor |
| Paul Frost | ... | adr re-recordist |
| Lois Jones | ... | sound recordist |
| Heikki Kossi | ... | foley artist |
| Christer Melén | ... | sound effects editor |
| Xan Márquez Caneda | ... | sound recordist |
| Mark Paterson | ... | re-recording mixer |
| Joakim Sundström | ... | supervising sound editor |
| Robert Weatherall | ... | mix technician |
| Mark Williams | ... | boom operator |
Visual Effects by
| Jo Amery | ... | visual effects artist |
| Ifor Ashton | ... | visual effects producer |
| Erik Ellefsen | ... | visual effects supervisor |
| Shadowjack | ... | visual effects |
| Aviv Yaron | ... | technical supervision |
Camera and Electrical Department
| Marc Bénoliel | ... | steadicam operator |
| Daniel Chaytor | ... | gaffer |
| Vini Curtis | ... | camera operator |
| Matthew Davies | ... | camera operator (as Matt Davies) |
| John Heald | ... | grip |
| Iain Mackay | ... | steadicam operator |
| Manuel Sa | ... | electrician |
| Ed Sinclair | ... | grip |
| Peter Tainty | ... | electrician |
| Jonathan Tomlin | ... | electrician |
| Michal Wesolowski | ... | focus puller |
| Fiona Yaron-Field | ... | still photographer |
Casting Department
| Theo Barry-Born | ... | casting assistant |
Costume and Wardrobe Department
| Mariem Bey | ... | costume assistant |
| Irene Guiotto | ... | costume assistant |
| Nat Turner | ... | costumer |
Editorial Department
| John Claude | ... | colorist |
| Feidhlim Deady | ... | assistant editor |
| Jateen Patel | ... | digital colourist |
| Liz Pearson | ... | post-production manager |
Script and Continuity Department
| Becca Ellson | ... | script editor |
| Gladys San Juan | ... | script supervisor |
Additional Crew
| Nicoletta Comand | ... | translator |
| Mariana Gonzalez | ... | researcher |
| Jack James | ... | digital interface technician |
| Cottia Thorowgood | ... | production coordinator |
| Aviv Yaron | ... | technical consultant |
Thanks
| Moira Brophy | ... | special thanks: Goldcrest |
| Peter Bryant | ... | special thanks: camera and grip equipment - ICE films |
| Mark Greaves | ... | special thanks: lighting equipment - Panalux |
| Ole Mienert | ... | special thanks: lighting equipment - Panalux |
| Ben Perry | ... | special thanks: Codex |
