56
Metascore
5 reviews · Provided by Metacritic.com
- 90The New York TimesNeil GenzlingerThe New York TimesNeil GenzlingerIt’s tantalizing, sublimely creepy stuff that keeps you guessing even after the credits roll.
- 70Village VoiceChuck WilsonVillage VoiceChuck WilsonThanks to Ashton's brilliant, career-defining performance, we're made to see that the only thing worse than doing evil deeds is being nice enough to feel guilty about them.
- 63Chicago TribuneMichael PhillipsChicago TribuneMichael PhillipsA fair amount of Uncle John puts us behind the wheel or alongside Ashton as he drives, preoccupied with his misdeeds, along country roads lined with cornfields. No dialogue needed; in these transitions, Ashton and his surroundings are enough.
- 50The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckWhile both plots work reasonably well separately, they're unnecessarily padded and don't tie together strongly. As a result, the film doesn't achieve its goal of its sum being bigger than its parts.
- 30Los Angeles TimesMartin TsaiLos Angeles TimesMartin TsaiPerhaps the vapid existence of millennials is precisely the point that co-writers Erik Crary and Steven Piet (who also directs) are driving at, but the film itself proves inarticulate and unsubstantial.