A pity this production has not respected the original movie format of the old black and white footage distorting the images shown. It's a shame that a documentary about cinema doesn't take care of something so obvious. The photography of the interviews is really good but the director and the editor choice for filling the screen compromising the format of the old footage is a shame. Some of the images are from Leni Riefenstahl's "The Triumph of the Will" (1935). An extremely professional and perfectionist woman like Leni Riefensthal would not have liked it at all. In any case an interesting documentary to be watched despite this conception mistake.
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