Not in the slightest. It's fair to assume this as this film has a similar style of Timothy David Mitchell's previous film 'The Waiting Game' (2012), which tries to follow most of the conventions of the Dogme 95 Manifesto. However, just like 'The Waiting Game', 'Four Kinds Of Love' brakes way too many of the conventions for it to be classed as a Dogme film. While 'The Waiting Game' took inspiration from this filmmaking manifesto and tried to be a Dogme film (and ultimately not succeed), 'Four Kinds Of Love' makes no attempt to be a Dogme film at all. The only things that remain from the Dogme genre that are evident in this film are jump cuts, handheld cinematography and natural lighting, but these are standard procedures for a Timothy David Mitchell film. Mitchell has stated that 'The Waiting Game' and 'Four Kinds Of Love' are two completely different films
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