Paul Bojack's aimless comedy/drama Reset wanly charts the travails of 30-year-old would-be writer Floyd (Edward Deraney), who returns anonymously to his Santa Monica hometown because, in his own unconvincing words, "there's something subversive about being back home and not telling your family." There's nothing especially pressing on Floyd's agenda, so he spends his time engaging in encounters in seedy motels with a string of sex workers alternately old enough to be his mother and young enough to be his daughter. Floyd's creepy antics are intermittently crosscut with two underdeveloped, almost surreally uninteresting subplots: one about his family's business activities; the other about casually misogynist dudebros squabbling over a girl. Bojack gives us no reason to care...
- 4/8/2015
- Village Voice
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