Dark but Full of Diamonds: Farhadi Incorporates Miller’s Tragic Theater for Gendered Revenge
In keeping with his string of tersely titled but searing domestic melodramas, Iranian auteur Asghar Farhadi charts an uneasy discourse with Arthur Miller’s iconic 1949 play Death of a Salesman for his latest, simply titled The Salesman.
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In keeping with his string of tersely titled but searing domestic melodramas, Iranian auteur Asghar Farhadi charts an uneasy discourse with Arthur Miller’s iconic 1949 play Death of a Salesman for his latest, simply titled The Salesman.
Continue reading...
- 2/4/2017
- by Nicholas Bell
- IONCINEMA.com
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