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The Command (2018)

Kursk (original title)
PG-13 | | Action, Drama, History | 21 June 2019 (USA)
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1:39 | Trailer
The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.

Director:

Thomas Vinterberg

Writers:

Robert Rodat, Robert Moore (based on Robert Moore's book "A Time to Die")
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1,234 ( 1,562)

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Cast

Cast overview, first billed only:
Matthias Schoenaerts ... Mikhail Averin
Léa Seydoux ... Tanya Averina
Peter Simonischek ... Admiral Vyacheslav Grudzinsky
August Diehl ... Anton Markov
Max von Sydow ... Vladimir Petrenko
Colin Firth ... Commodore David Russell
Bjarne Henriksen ... Russian Rescue Ship Captain
Magnus Millang ... Oleg Lebedev
Artemiy Spiridonov ... Misha Averin
Joel Basman ... Leo
Pit Bukowski ... Maxim
Matthias Schweighöfer ... Pavel Sonin
Tom Hudson ... Roman
Chris Pascal Chris Pascal ... Niko
Kristof Coenen ... Sasha
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Storyline

The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.

Plot Summary | Add Synopsis

Taglines:

A true story.


Motion Picture Rating (MPAA)

Rated PG-13 for some intense disaster-related peril and disturbing images, and for brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook Hong Kong

Country:

Belgium | Luxembourg | France

Language:

English | Russian

Release Date:

21 June 2019 (USA) See more »

Also Known As:

The Command See more »

Filming Locations:

Norway See more »

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Box Office

Budget:

$20,000,000 (estimated)

Cumulative Worldwide Gross:

$6,926,443
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Thomas Vinterberg had to move away from reality on certain points in order to bring a dramatic breath to his film. See more »

Goofs

On 31st minute, we see small, compared to water above, submarine. Actually Kursk was lying at 108 meters deep, what is less, than its length (154 meters). See more »

Quotes

Oleg Lebedev: [breaking the tension] So... this little polar bear goes to his mother and says, "I'm a polar bear, right?" And she says, "Yes, of course." And the little polar bear says, "Okay, thanks."
Oleg Lebedev: The next day the little polar bear goes to his mother again and says, "Let me see if I got this right. You're a polar bear, right?" And she says, "Yes, of course." And the little polar bear says, "And Dad's a polar bear too, right?" And she says, "Yes, of course." And the little polar bear says, "Okay. Fine, ...
[...]
See more »


Soundtracks

Enter Sandman
Written by James Hetfield, Lars Ulrich and Kirk Hammett
Performed by Metallica
Published by Creeping Death Music (GMR)
Courtesy of Blackened Recordings, Inc.
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Frequently Asked Questions

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User Reviews

 
A true attempt at humanity
8 March 2019 | by gelf-46258See all my reviews

Above all this film is very human. It appears both a criticism on humanity (society - at one point or another) and human frailty, and an uplifting story at the same time to show the best of humanity and humans as a whole. Their fears, courage, anger, hope, et cetera. On the whole it seems to follow the best of classic Russian literature in its themes.

Factual this film is not. Up to a point. The happenings aboard ship are mostly speculative. In this sense it follows other sea-disaster films such as Titanic. Politically sensitive perhaps, given the current Russian political climate, in relation to the west. But this film does not deserve to become a political tool for any side in the new cold war (more tepid, if you ask me, anyway). At worst, or best, this film is a single insight into how the Russia of today became the Russia it is today.

What will stay with me is the 90 year old Max von Sydow in his semi- villain role. He truly embodies his part. With only two Academy Award nominations to his name, I do hope he receives a lifetime achievement award before he leaves us (hopefully many years from now). Regretfully one of the last greats. Best wishes and high regards.

As a film, this seems to be a mostly Wallonian production (?), this film rises above its station. It makes me wonder what influence Luc Besson had?


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