Berlin-based X Filme Creative Pool will adapt one of the most successful German-language podcasts, “Zeit Crime” (“Zeit Verbrechen”) into an anthology series for Paramount +.
Awarded the German Podcast Prize, “Zeit Crime” is based on the criminal investigations of Sabine Rückert and Andreas Sentker. According to producer Jorgo Narjes, it currently boasts 5 million streams per month and an average of 1.5 million listeners per episode, “most of them female and in their late twenties.” So far, the podcast consists of more than 100 episodes.
Filming started this month and will continue until the end of June 2023.
The show is helmed by four directors, making four separate 60-minute-long films, each one inspired by a specific story from the podcast. Faraz Shariat, also behind HBO/Sky show “The Baby,” Helene Hegemann (“Axolotl Overkill”), Jan Bonny (Netflix’s “King of Stonks”) and Mariko Minoguchi, who recently brought sci-fi “Element” to Locarno Pro’s Alliance 4 Development,...
Awarded the German Podcast Prize, “Zeit Crime” is based on the criminal investigations of Sabine Rückert and Andreas Sentker. According to producer Jorgo Narjes, it currently boasts 5 million streams per month and an average of 1.5 million listeners per episode, “most of them female and in their late twenties.” So far, the podcast consists of more than 100 episodes.
Filming started this month and will continue until the end of June 2023.
The show is helmed by four directors, making four separate 60-minute-long films, each one inspired by a specific story from the podcast. Faraz Shariat, also behind HBO/Sky show “The Baby,” Helene Hegemann (“Axolotl Overkill”), Jan Bonny (Netflix’s “King of Stonks”) and Mariko Minoguchi, who recently brought sci-fi “Element” to Locarno Pro’s Alliance 4 Development,...
- 2/21/2023
- by Marta Balaga
- Variety Film + TV
“There is a new studio Star System…but instead of focusing on acting talent (as it did in the 1930s), it prioritizes those with the skills to create new stories, produce new shows and manage the evolution of new character IP…in other words, to make content that will succeed by the measures important in the new world order,” Ampere Analysis’ Guy Bisson announced at MipTV in a presentation.
By that measure, few figures were as important at this month’s buoyant French TV festival Canneseries than German author Ferdinand von Schirach and Constantin TV’s Oliver Berben.
Broadcast on Zdf and produced by Berben, 2013’s ”Crime Stories” and 2015’s “Shades of Guilt,” both based on von Schirach best-selling short story anthologies, scored up to 5 million viewers per episode and exceptional market shares of 17-18.
Inspired by a von Schirach stage play ”The Verdict” punched almost 7 million viewers and a...
By that measure, few figures were as important at this month’s buoyant French TV festival Canneseries than German author Ferdinand von Schirach and Constantin TV’s Oliver Berben.
Broadcast on Zdf and produced by Berben, 2013’s ”Crime Stories” and 2015’s “Shades of Guilt,” both based on von Schirach best-selling short story anthologies, scored up to 5 million viewers per episode and exceptional market shares of 17-18.
Inspired by a von Schirach stage play ”The Verdict” punched almost 7 million viewers and a...
- 4/27/2022
- by John Hopewell
- Variety Film + TV
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Atomic Blonde (David Leitch)
There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the conventions of generic spy fare. The film is, by definition, “cool” in every sense. Despite some wonky plotting best described as Diet John le Carré and a heavy-handed soundtrack that occasionally gets in its own way, Charlize Theron plows full...
Atomic Blonde (David Leitch)
There’s a bargain underlying the whole of Atomic Blonde, wherein director David Leitch wavers between its more cheeky qualities and its adherence to the conventions of generic spy fare. The film is, by definition, “cool” in every sense. Despite some wonky plotting best described as Diet John le Carré and a heavy-handed soundtrack that occasionally gets in its own way, Charlize Theron plows full...
- 10/27/2017
- by Jordan Raup
- The Film Stage
A young dad-to-be’s feelings of inadequacy lead him down the path of bodybuilding and steroids in Goliath, the impressive sophomore feature from Swiss-German director Dominik Locher. While the narrative might be quite familiar, there is a sincere and lived-in quality to the story and the characters that elevates it above similar material, with young actors Sven Schelker (The Circle) and Jasna Fritzi Bauer (Axolotl Overkill), as the working-class future parents, delivering subtle and sensitive work even when their characters are anything but. After its premiere in the international competition in Locarno, this should see interest from other major festivals as...
- 8/13/2017
- by Boyd van Hoeij
- The Hollywood Reporter - Movie News
Mike Goodridge, Karel Och and Bero Beyer discuss the importance of festivals and distribution initiatives.
Click here to read Screen’s full Think Fest coverage from Jerusalem
The distribution role of festivals and the changing arthouse ecosystem was discussed in Think Fest’s second panel. Mike Goodridge, outgoing CEO of UK sales agent Protagonist Pictures and future artistic director at International Film Festival and Awards Macao, was bullish about the continued importance of festivals to sales agents.
“The distribution system is so dire that these tentpole festivals are becoming incredibly important as the only places you can see films,” he said. “We’ve had many films that haven’t sold widely at all – that’s where festivals kick in, they help to get the film seen.”
Goodridge added that smaller festivals faced a greater challenge as the impetus was normally placed on securing a high-profile world premiere slot, and the assumption that sales would follow then after...
Click here to read Screen’s full Think Fest coverage from Jerusalem
The distribution role of festivals and the changing arthouse ecosystem was discussed in Think Fest’s second panel. Mike Goodridge, outgoing CEO of UK sales agent Protagonist Pictures and future artistic director at International Film Festival and Awards Macao, was bullish about the continued importance of festivals to sales agents.
“The distribution system is so dire that these tentpole festivals are becoming incredibly important as the only places you can see films,” he said. “We’ve had many films that haven’t sold widely at all – that’s where festivals kick in, they help to get the film seen.”
Goodridge added that smaller festivals faced a greater challenge as the impetus was normally placed on securing a high-profile world premiere slot, and the assumption that sales would follow then after...
- 7/15/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
What is like to grow up as a teen without any limits in modern Berlin? Axolotl Overkill shows us exactly what that life is like, and it's as wild and crazy and totally nonchalant as you might expect. Adapted from a book by Helene Hegemann, Axolotl Overkill follows 16-year-old Mifti around Berlin, as she goes to clubs and parties, drinking and smoking and doing drugs, sleeping wherever, and whenever, with whomever she wants. The film is written and directed by Helene Hegemann, adapting her own novel, and stars German native Jasna Fritzi Bauer as the carefree teen. As aimless as the film is, I couldn't help find it thoroughly engaging and impressively entertaining. Not all of it makes sense, but then again, neither does life anyway. Axolotl Overkill is about Mifti, who is self-diagnosed with post-traumatic stress disorder after the death of her mother, with whom she was very close to.
- 7/7/2017
- by Alex Billington
- firstshowing.net
10 directors will be presented at Sydney Film Festival.
European Film Promotion (Efp) has announced the line-up for its second year of Europe! Voices of Women in Film at the Sydney Film Festival.
The selection includes both new and established female European directors, with the aim being to introduce them to Australian audiences, industry and the press.
Among those selected this year are Shahrbanoo Sadat, whose 2011 film Vice Versa One earned her a residence at Cinéfondation in Cannes 2011. She presents her feature debut Wolf And Sheep, which is among five features in this cohort.
Hope Dickson Leach, one of Screen’s former Stars of Tomorrow, has also been selected with her feature debut The Levelling.
Amanda Kernell is also among the selection, her film Sami Blood having been shown at Berlin, Venice, Toronto, Sundance and Rotterdam.
The Sydney Film Festival takes place June 7-18, 2017.
Full Europe! Voices of Women 2017 selection:Tizza Covi, Rainer Frimmel, [link...
European Film Promotion (Efp) has announced the line-up for its second year of Europe! Voices of Women in Film at the Sydney Film Festival.
The selection includes both new and established female European directors, with the aim being to introduce them to Australian audiences, industry and the press.
Among those selected this year are Shahrbanoo Sadat, whose 2011 film Vice Versa One earned her a residence at Cinéfondation in Cannes 2011. She presents her feature debut Wolf And Sheep, which is among five features in this cohort.
Hope Dickson Leach, one of Screen’s former Stars of Tomorrow, has also been selected with her feature debut The Levelling.
Amanda Kernell is also among the selection, her film Sami Blood having been shown at Berlin, Venice, Toronto, Sundance and Rotterdam.
The Sydney Film Festival takes place June 7-18, 2017.
Full Europe! Voices of Women 2017 selection:Tizza Covi, Rainer Frimmel, [link...
- 5/11/2017
- ScreenDaily
Exclusive: Festival winners sell to Europe, Asia, Australia and South America.
Art-house stalwart The Match Factory has secured a slew of deals on its Berlinale and Efm slate, including on the three films which won awards for the company at the festival.
Aki Kaurismäki’s The Other Side Of Hope, winner of the Silver Bear for best director, sold out in Europe during the Efm and has additionally been snapped up for Japan (Eurospace), Brazil (Imovision), Cis (Russian Report) Hong Kong (Edko), Mexico (Mantarraya) Turkey (Filmarti) and China (Time-in-Portrait).
Deals for other key markets are understood to be in the works while deals for the digitally remastered Kaurismäki Classics collection have been closed for China (Time-in-Portrait) and Hong Kong (Edko).
German comedy Bye Bye Germany, the Berlinale special title starring Moritz Bleibtreu, went to Australia/Nz (Jiff), Brazil (Mares), Bulgaria (Bulgarian Film Vision), China (Time-in-Portait), Cis (Russian Report), Greece (Feelgood), Turkey (Filmarti), Hong Kong (Edko), Hungary (Cirko...
Art-house stalwart The Match Factory has secured a slew of deals on its Berlinale and Efm slate, including on the three films which won awards for the company at the festival.
Aki Kaurismäki’s The Other Side Of Hope, winner of the Silver Bear for best director, sold out in Europe during the Efm and has additionally been snapped up for Japan (Eurospace), Brazil (Imovision), Cis (Russian Report) Hong Kong (Edko), Mexico (Mantarraya) Turkey (Filmarti) and China (Time-in-Portrait).
Deals for other key markets are understood to be in the works while deals for the digitally remastered Kaurismäki Classics collection have been closed for China (Time-in-Portrait) and Hong Kong (Edko).
German comedy Bye Bye Germany, the Berlinale special title starring Moritz Bleibtreu, went to Australia/Nz (Jiff), Brazil (Mares), Bulgaria (Bulgarian Film Vision), China (Time-in-Portait), Cis (Russian Report), Greece (Feelgood), Turkey (Filmarti), Hong Kong (Edko), Hungary (Cirko...
- 2/24/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Why Sundance Goers, and Audiences at Every Festival, Should Embrace World Cinema Over Popular Main-Slate Titles“God’s Own Country”
Eager to brave the extreme amounts of snow piling on every sidewalk and road in Park City, scores of freezing, malnourished, and often overworked film journalists and industry professionals line up hours in advance in order to secure a satisfying seat to that star-studded, Oscar-friendly, English-language stunner people have been raving about at every party or bus top around town. It’s understandable, they are desperate to become conquerors and be the first to plant their flag on the year’s big discovery. Trendsetting is a currency that in film criticism, like in many other occupations, is vital to acquire a certain level of recognition and validation.
However, even though being able to predict the future and to see the merits of a film before the crowd has sunk their...
Eager to brave the extreme amounts of snow piling on every sidewalk and road in Park City, scores of freezing, malnourished, and often overworked film journalists and industry professionals line up hours in advance in order to secure a satisfying seat to that star-studded, Oscar-friendly, English-language stunner people have been raving about at every party or bus top around town. It’s understandable, they are desperate to become conquerors and be the first to plant their flag on the year’s big discovery. Trendsetting is a currency that in film criticism, like in many other occupations, is vital to acquire a certain level of recognition and validation.
However, even though being able to predict the future and to see the merits of a film before the crowd has sunk their...
- 2/17/2017
- by Carlos Aguilar
- Sydney's Buzz
The distributor has acquired North American rights to Helene Hegemann’s recent Sundance premiere, winner of the World Cinema Dramatic Competition special jury award for cinematography.
Axolotl Overkill is based on Hegemann’s event-filled novel Axolotl Roadkill and stars Jasna Fritzi Bauer as a troubled 16-year-old in Berlin looking for love and meaning.
The film will be available to stream on Amazon Prime Video later this year after FilmRise opted in to Amazon Video Direct’s Film Festival Stars programme, designed to support festival films.
FilmRise will receive an upfront cash bonus which may be applied towards marketing or other activities in support of the upcoming release and will earn double the standard Amazon Video Direct per-hour royalty rate starting with the very first stream.
“We’re so excited to announce our acquisition of Helene Hegemann’s compelling Sundance drama,” FilmRise CEO Danny Fisher said. “Axolotl Overkill is an intimate coming-of-age film that viewers everywhere are certain...
Axolotl Overkill is based on Hegemann’s event-filled novel Axolotl Roadkill and stars Jasna Fritzi Bauer as a troubled 16-year-old in Berlin looking for love and meaning.
The film will be available to stream on Amazon Prime Video later this year after FilmRise opted in to Amazon Video Direct’s Film Festival Stars programme, designed to support festival films.
FilmRise will receive an upfront cash bonus which may be applied towards marketing or other activities in support of the upcoming release and will earn double the standard Amazon Video Direct per-hour royalty rate starting with the very first stream.
“We’re so excited to announce our acquisition of Helene Hegemann’s compelling Sundance drama,” FilmRise CEO Danny Fisher said. “Axolotl Overkill is an intimate coming-of-age film that viewers everywhere are certain...
- 2/15/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
With over 50 films reviewed, a number of interviews conducted, and more coverage coming from the Sundance Film Festival, it’s time to wrap up the first major cinema event in 2017. We already got the official jury and audience winners (here), and now it’s time to highlight our favorites, as well as complete coverage from the festival.
One will find our favorites (in alphabetical order), followed by the rest of our reviews (from best to worst, including previously premiered features), then interviews as they are published. Check out everything below and stay tuned to our site, and specifically Twitter, for acquisition and release-date news on the below films in the coming months.
Axolotl Overkill (Helene Hegemann)
Playwright, author, screenwriter, and director Helene Hegemann has said (through her publisher) that, “There’s no such thing as originality anyway, just authenticity.” The words were spoken after her debut novel Axolotl Roadkill earned critical praise,...
One will find our favorites (in alphabetical order), followed by the rest of our reviews (from best to worst, including previously premiered features), then interviews as they are published. Check out everything below and stay tuned to our site, and specifically Twitter, for acquisition and release-date news on the below films in the coming months.
Axolotl Overkill (Helene Hegemann)
Playwright, author, screenwriter, and director Helene Hegemann has said (through her publisher) that, “There’s no such thing as originality anyway, just authenticity.” The words were spoken after her debut novel Axolotl Roadkill earned critical praise,...
- 1/30/2017
- by The Film Stage
- The Film Stage
The Sundance 2017 juries and audiences unveiled their picks on Saturday night.
In the grand jury prizes, Macon Blair’s I Don’t Feel At Home In This World Anymore claimed the Us dramatic award and Dina by Dan Sickles and Antonio Santini won U.S. documentary.
Tarik Saleh’s The Nile Hilton Incident won world dramatic and Last Men In Aleppo by Feras Fayyad and Steen Johannessen prevailed in the world documentary category.
In the audience awards, Matt Ruski’s Crown Heights and Jeff Orlowski’s Chasing Coral were the favourites in the Us dramatic and documentary strands.
World cinema selections I Dream In Another Language by Ernesto Contreras and Joe Piscatella’s Joshua: Teenager vs. Superpower emerged victorious in the dramatic and documentary sections.
“This has been one of the wildest, wackiest and most rewarding festivals in recent memory,” said festival director John Cooper. “From a new government to the independently organised Women’s March On Main...
In the grand jury prizes, Macon Blair’s I Don’t Feel At Home In This World Anymore claimed the Us dramatic award and Dina by Dan Sickles and Antonio Santini won U.S. documentary.
Tarik Saleh’s The Nile Hilton Incident won world dramatic and Last Men In Aleppo by Feras Fayyad and Steen Johannessen prevailed in the world documentary category.
In the audience awards, Matt Ruski’s Crown Heights and Jeff Orlowski’s Chasing Coral were the favourites in the Us dramatic and documentary strands.
World cinema selections I Dream In Another Language by Ernesto Contreras and Joe Piscatella’s Joshua: Teenager vs. Superpower emerged victorious in the dramatic and documentary sections.
“This has been one of the wildest, wackiest and most rewarding festivals in recent memory,” said festival director John Cooper. “From a new government to the independently organised Women’s March On Main...
- 1/29/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The 2017 Sundance Film Festival is coming to a close with tonight’s awards ceremony. While we’ll have our personal favorites coming early this week, the jury and audience have responded with theirs, topped by Macon Blair‘s I don’t feel at home in this world anymore., which will arrive on Netflix in late February, and the documentary Dina. Check out the full list of winners below see our complete coverage here.
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to:
Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to:
I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she...
The U.S. Grand Jury Prize: Documentary was presented by Larry Wilmore to:
Dina / U.S.A. (Directors: Dan Sickles, Antonio Santini) — An eccentric suburban woman and a Walmart door-greeter navigate their evolving relationship in this unconventional love story.
The U.S. Grand Jury Prize: Dramatic was presented by Peter Dinklage to:
I don’t feel at home in this world anymore. / U.S.A. (Director and screenwriter: Macon Blair) — When a depressed woman is burglarized, she...
- 1/29/2017
- by Jordan Raup
- The Film Stage
24-year-old German filmmaker Helene Hegemann might be a little obsessed with her own life, the blissed-out teenage years of drugs, sex, night club escapades, strung-out mornings and all forms of her cathartic excess. Yet the writer/director is also a little fixated on magical beasts; a unicorn here, some llamas there, a cute little waddling penguin appearing out of nowhere and of course, the strange little axolotl.
The central metaphor of “Axolotl Overkill” is a little too on the nose, or perhaps too on the tail of the weird, translucent-looking creature.
Continue reading ‘Axolotl Overkill’ Is A Stylish, Striking Flame Of Youth In Revolt [Sundance Review] at The Playlist.
The central metaphor of “Axolotl Overkill” is a little too on the nose, or perhaps too on the tail of the weird, translucent-looking creature.
Continue reading ‘Axolotl Overkill’ Is A Stylish, Striking Flame Of Youth In Revolt [Sundance Review] at The Playlist.
- 1/26/2017
- by Rodrigo Perez
- The Playlist
Playwright, author, screenwriter, and director Helene Hegemann has said (through her publisher) that, “There’s no such thing as originality anyway, just authenticity.” The words were spoken after her debut novel Axolotl Roadkill earned critical praise, a spot as a finalist for a major book award, and multiple, potentially damning plagiarism claims. Hegemann was seventeen when it published and admitted to the cribbing as soon as it was brought to light. She blamed her generation’s penchant for mixing and sampling, for taking what’s bouncing around the æther and making it her own with newfound honesty and meaning. Say what you will, the book sold and kept selling. This German phenom hit upon the zeitgeist with her tale of drug-addled excess and mental instability — in subject matter and process.
Considering she had a play staged at fifteen and a short film released to acclaim, it was only a matter...
Considering she had a play staged at fifteen and a short film released to acclaim, it was only a matter...
- 1/23/2017
- by Jared Mobarak
- The Film Stage
Overkill may indeed be the appropriate term to describe German author turned director Helene Hegemann’s feature debut, adapted from a bestselling novel she penned at the age of 16. Chronicling the wild nights and aimless days of a Berliner girl who just wants to have fun, and possibly find some real affection in the process, Axolotl Overkill vaguely follows in the footsteps of films by Larry Clark or Gus Van Sant, though its many scenes of decadence are portrayed with all the polish and deliberateness of an Urban Outfitters ad.
Premiering in Sundance’s World Dramatic competition and slated for summer...
Premiering in Sundance’s World Dramatic competition and slated for summer...
- 1/21/2017
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Exclusive: German filmmaker Helene Hegemann is just 24, but she already has written and published a bestselling novel (at age 17) and now touches down in Park City with the launch of her feature debut. Axolotl Overkill gets its world premiere tonight in Sundance's World Cinema Dramatic Competition section and, if the clip above is anything to go by, Hegemann knows a thing or two about confident and reckless teens. Story follows 16-year-old Mifti (Jasna Fritzi Bauer). Her…...
- 1/20/2017
- Deadline
Film historian B. Ruby Rich credits the 1992 Sundance Film Festival as the cradle of New Queer Cinema, and a quick survey of this year’s festival lineup confirms that Lgbt films stand an excellent chance of attracting audiences. Lesbian filmmaker Dee Rees’ “Mudbound” is one of the most talked about films of the year, trans director Yance Ford’s deeply personal “Strong Island” has been years in the making, and we may have the British “Brokeback Mountain” (but better) with Francis Lee’s “God’s Own Country.”
Perusing the slate of queer films, filmmakers, and performers at Sundance this year, 2017 is set to be the best year queer cinema has seen in a long time. Here’s 10 reasons why:
Read More: 10 Surprises and Hidden Gems from the 2017 Sundance Lineup
Dee Rees is About to Become the Most Successful Black Lesbian Director in Hollywood
Queer audiences have known Dee Rees since...
Perusing the slate of queer films, filmmakers, and performers at Sundance this year, 2017 is set to be the best year queer cinema has seen in a long time. Here’s 10 reasons why:
Read More: 10 Surprises and Hidden Gems from the 2017 Sundance Lineup
Dee Rees is About to Become the Most Successful Black Lesbian Director in Hollywood
Queer audiences have known Dee Rees since...
- 1/18/2017
- by Jude Dry
- Indiewire
Exclusive: Helene Hegemann’s debut feature will receive its world premiere in Park City on Friday in the World Cinema Dramatic Competition.
The Match Factory holds world rights excluding Germany to Axolotl Overkill, based on 24-year-old Hegemann’s German bestseller Axolotl Roadkill that she wrote and published aged 17.
The film stars Jasna Fritzi Bauer as a reckless 16-year-old who surrounds herself with adults of questionable character on the Berlin party scene following the death of her mother.
The Match Factory managing director Michael Weber and his team will commence sales at Sundance. Constantin Film will distribute in German-speaking territories.
“We are thrilled to be handling world sales on Helene’s debut feature,” said Weber. “I strongly believe in this powerful new voice in filmmaking and can’t wait to see audiences in Sundance discover her talent.”
Hanneke van der Tas of Vandertastic produced Axolotl Overkill with Alain de la Mata in co-production with Constantin Film Produktion, rbb and...
The Match Factory holds world rights excluding Germany to Axolotl Overkill, based on 24-year-old Hegemann’s German bestseller Axolotl Roadkill that she wrote and published aged 17.
The film stars Jasna Fritzi Bauer as a reckless 16-year-old who surrounds herself with adults of questionable character on the Berlin party scene following the death of her mother.
The Match Factory managing director Michael Weber and his team will commence sales at Sundance. Constantin Film will distribute in German-speaking territories.
“We are thrilled to be handling world sales on Helene’s debut feature,” said Weber. “I strongly believe in this powerful new voice in filmmaking and can’t wait to see audiences in Sundance discover her talent.”
Hanneke van der Tas of Vandertastic produced Axolotl Overkill with Alain de la Mata in co-production with Constantin Film Produktion, rbb and...
- 1/16/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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