"The Crown" Windsor (TV Episode 2016) Poster

(TV Series)

(2016)

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9/10
The politics take centre stage as conflicts brew and tensions rise,
TouchTheGarlicProduction4 November 2016
With Elizabeth now Queen, the show starts to dive into what I can only assume will remain a large focus going forward; the politics of her power, particularly her relationship with Churchill. In this episode she is the protagonist more than ever, as we see through her eyes what it is like to become Queen. The viewer feels the sudden pressure and responsibility thrust upon her. The episode really serves as a fish-out-of-water story about Elizabeth adjusting to being Queen. At first she is completely out of her depth, but by the end of the episode she shows she has learned some manner of control. However, we also see the sacrifices she must make. I really must congratulate this episode for flowing together with the other episodes while still having a complete self-contained character arc of its own.

I know that I have commented on the show's cinematography before, but this episode took it to a whole new level. The shots of the boat that Edward arrives on were particularly memorable for their gorgeousness. Edward's re-emergence for his brother's funeral is the other main conflict of the episode. He is hated by many of the characters due to his previous actions and his questionable motives for them and his current ones. The actor does a good job of keeping you guessing whether or not he is as sleazy as some think he is.

This episode is in my opinion the best one yet. It is a great broth of various conflicts all simmering to a boil. I hope the rest is like this.
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7/10
What's In a Name?
lavatch26 December 2017
Warning: Spoilers
Episode 3 of "The Crown" begins with a flashback to a public address on December 10, 1936, delivered by the former king Edward VIII (known in the royal family as "David," one of his middle names). David had abdicated the throne in order to marry an American divorcée, Wallis Simpson. After handing over power to his younger brother, David accepted the title of Duke of Windsor. The name Windsor is theme of this program.

The most surprising choice on the part of the filmmakers is to invest the disgraced Edward VIII with great dignity and sympathy when he returns to England for his brother's funeral. David is shunned by his mother, the formidable Queen Mary, who believes that David's abdication resulted in the death of her beloved son George VI, who overcame his stuttering and forced himself into the role of monarch through sheer will power. David spends his time lobbying both Churchill and the new queen Elizabeth II to maintain his 10,000-pound annual pension. To the court at large, David is described as a monster. But as depicted in the program, he receives adulation from the public and is treated virtually like a saint.

In one of the best scenes in the program, David meets with Churchill and agrees to use his influence on Elizabeth to renounce the Clarence House and move into the traditional home of the royal family in Buckingham Palace. In turn, David asks Churchill for a favor in exerting influence on the cabinet to restore David's pension and to lobby for granting a title to Wallis Simpson.

The filmmakers portray two warring sides in the interior life of the British royals. On the one hand, they live to the point of absurdity a pampered life with servants, special amenities, and the finest living accommodations in the British Empire. On the other hand, the unwritten rules demand a level of asceticism that approaches the strictures of a medieval monastery. David is scapegoated for reneging on his duties, leading to the long-suffering reign of his stuttering brother. Even Elizabeth confronts David by demanding an apology for indirectly forcing her into the role of England's monarch. There is no mention that as Edward VIII, David was a Nazi sympathizer during his one year as king. The filmmakers reserve that story for Season 2. But this facet of Edward VIII needs to be established here in program #3 of Season 1.

In the course of the episode, we learn that David has coined nicknames for the British royals, including "Cookie" for Queen Mary, "Cry Baby" for Churchill, and "Shirley Temple" for Elizabeth. But in part due to the persuasiveness of David, Elizabeth agrees not to pursue a name change to Mountbatten, the family name of her husband Philip. By the end of the program, she has agreed move into Buckingham Palace and to embrace the traditional family name: Windsor.
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7/10
Casting for Winston Churchill
electraguard-5307019 March 2021
The casting of John Lithgow for Winston was terrible. Not realistic at all. I can'tbelieve that a British actor to play that part better could not be found.
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10/10
Even the Queen Gets the Blues
Hitchcoc23 November 2016
It's interesting how tradition rises above all else in a monarchy. Elizabeth, now the queen, is, on the one hand, the greatest cause celebre of her time, but, by the same token, a neophyte. King George never really trained her to be his successor, despite his awareness of bad health (or denial, if you will). This episode focuses greatly on a couple things. One the need for Phillip to make the family name, Mountbatten, his family, versus the House of Windsor (not normally give to a queen in succession). The second has to do with Edward, who abdicated to marry Wallace Simpson, but who wants to still be part of the royal family. The wife of George has no time for him and makes that known all the time. Edward has been living off an allowance and the is said to be diminished in the future, probably out of pique by the "cold hard" family. We see the tussles with Parliamanet and the crown, specifically with the aging Winston Churchill (played masterfully by John Lithgow), and his connection with the young Elizabeth. There is some drawing room intrigue going on, which, for me, is rather distracting, involving Princess Anne. Ultimately, it falls in the lap of the new queen, and her word goes. I also agree with a previous reviewer that the cinematography is masterful.
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10/10
Bearing the name of Windsor
TheLittleSongbird29 September 2020
The first episode of 'The Crown' "Wolferton Splash" was a great and extremely promising start to a (mostly) gem of a series, and quickly became a year highlight when premiered. The next episode "Hyde Park Corner" was even better, with everything being richer from the tension, storytelling and characterisation. Everything that is so great about 'The Crown', though wasn't generally as impressed with the most recent season, is present in those two episodes.

It is the same with the third episode "Windsor", which ratings-wise here is about equal with "Hyde Park Corner" but if there was a preference to me this was slightly superior. Showing that 'The Crown' at this very early stage was still going from strength to strength. It has all of the things that made "Hyde Park Corner" such a wonderful episode, but does all of that episode's great things even better with a good deal going on and a good deal of conflict.

"Windsor's" production values are wonderful. The production and costume design are both classy and sumptuous, but it's the photography that stands out in this regard. Much of it is quite stunning and some of the best of the whole of Season 1, the shots of the boat agreed are memorable and to me cinematic-worthy. The music is neither too intrusive or too low key, with beautiful use of Wagner's "Liebestod" in the affecting montage.

Once again the writing always intrigues and provokes a lot of thought, the meeting between David/Edward VIII and Churchill is brilliantly written, while the story shows further progression and has even more tension than "Hyde Park Corner". In namely the Churchill subplot and the characterisation of David (one that avoids being too one-dimensional yet one can see why he was hated). Really liked Elizabeth's character development here, she really grows and one can completely relate to her fish out of water scenario. The politics is emphasised a lot here with a lot of tension but it doesn't get too heavy or complicated.

All the acting is on point, Claire Foy is so expressive and dignified as Elizabeth and John Lithgow's Churchill is lively and crusty. Alex Jennings manages to be smarmy while not making David overly detestable.

In conclusion, outstanding. 10/10
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Elizabeth Prepares To Be Coronated
vivianla10 September 2020
Warning: Spoilers
Margaret looks stunning with her black funeral outfit. She is pleased to find out that Peter Townsend's wife has left him.

Elizabeth's mother refuses to forgive her late husband's brother who gave up the throne. She says he passed on the duties to her husband and being king took a toll on his health.

The funeral takes place and ashes are scattered by Elizabeth.

Philip's father tells Philip to make sure the royal house's name is Manbatten. He wants his last name to be passed to the royal house's descendants.

Elizabeth speaks with her husband in the bedroom as a female attendant unzips her out of the black funeral dress. Accessories are taken off.

Margaret looks for Townsend and they kiss.

Elizabeth tells Winston Churchill his intentions - the longer length to coronation is so he will continue to have power until the coronation.

Elizabeth's father's mother hears about the choosing of the last name situation. She says Windsor is her son's last name and to be passed on.

Elizabeth announces in front of a large crowd with her husband at the front the chosen last name to be passed on to the sons and the sons' children - Windsor.
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10/10
The problems start Warning: Spoilers
Elizabeth got a hard choice that involves her family and relatives, she has to think about her future reign and how can a princess can be became a Queen
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10/10
Wow
bevo-1367820 November 2020
Murder mystery backstabbing betrayal incest intrigue and lovely costumes.
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