23 user 4 critic

The A Word 

0:41 | Trailer
The Hughes family work and love and fight like every other family. Then, their youngest son is diagnosed with autism and they don't feel like every other family anymore.


Peter Bowker
2,942 ( 67)




3   2   1  
2020   2017   2016  
3 nominations. See more awards »





Series cast summary:
Max Vento ...  Joe Hughes 18 episodes, 2016-2020
Lee Ingleby ...  Paul Hughes 18 episodes, 2016-2020
Morven Christie ...  Alison Hughes 18 episodes, 2016-2020
Christopher Eccleston ...  Maurice Scott 18 episodes, 2016-2020
Molly Wright ...  Rebecca Hughes 18 episodes, 2016-2020
Pooky Quesnel ...  Louise Wilson 18 episodes, 2016-2020
Leon Harrop Leon Harrop ...  Ralph Wilson 17 episodes, 2016-2020
Greg McHugh ...  Eddie Scott 16 episodes, 2016-2020
Vinette Robinson ...  Nicola Daniels 12 episodes, 2016-2017
Matt Greenwood ...  Tom Clarke 12 episodes, 2016-2020
Adam Wittek ...  David Nowak 10 episodes, 2016-2017
Tommie Grabiec ...  Pavel Kaminski 10 episodes, 2016-2017
Ibrahim Ismail Ibrahim Ismail ...  Ramesh 10 episodes, 2016-2020
Daniel Cerqueira Daniel Cerqueira ...  Dr. Graves 9 episodes, 2016-2020
Travis Smith Travis Smith ...  Mark Berwick 9 episodes, 2017-2020
Harrison Newell-Parker Harrison Newell-Parker ...  Bill Hibbs 8 episodes, 2016-2020


In this moving BBC drama, the Hughes family living in the Lake District are like any other family; when their young son Joe is diagnosed as autistic, their lives are changed forever, and the family members must pull together to better learn their son's condition. Written by Tom Daly

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Did You Know?


The A Word is based on the 2010 Israeli TV Series "Pilpelim Tsehubim" (Yellow Peppers) which was created and written by Keren Margalit. See more »


Featured in Too Much TV: Episode #1.17 (2016) See more »

User Reviews

Stunning writing, the stuff of real life
21 May 2020 | by themarpleleafSee all my reviews

No-one does TV drama like the BBC. The Americans do it very well, but not in the same way. But no-one gets it so annoyingly, irritating, piously and awkwardly wrong like the BBC either.

Let's get the good one out of the way first - the writing by Peter Bowker in The A Word is stunning. It brings to life the complexities of a family challenged by the sinking realism that their beautiful son has autism. The direction and photography and sense of place is spot on. Sometimes it's the little touches that make a difference. I'm sure a continuity anorak like me, but with more detailed knowledge of the English Lakes, will tell you what's wrong, but I liked the fact that they nip to Lancaster. You do, when you live up there. A lazier writer would have looked at a map and sent them to Penrith.

Apart from poor Joe, the 5 year old at the centre of the story, but always on the edge of it, the characters all drive you mad. Well, families do, don't they? Sometimes they work it out and sometimes they can't.

I hesitated before watching it, so I've binged on it this week. I don't need a TV drama to know what effect a child with profound special educational and emotional needs has on a family. It's uncomfortable, the shock, the stages of comprehension and the allowances you make are all there. But more than anything is the love, protective sometimes,irrational, confused and flawed, but real love. There are times I've hid behind the sofa in a way I haven't since Doctor Who, as there are reactions and emotions on display that ring too true. I read somewhere that it didn't speak a truth about one reviewer's autistic brother. Maybe so, but that's not the point. It didn't try to be the last word on autism any more than it is about the tensions of succession in family businesses.

The real skill is that actually, really, nothing much is happening. It's just the stuff of life. I don't crave realism - I'm addicted to the Walking Dead afterall - but this is where The A Word is bang on. I've sat at a bus stop in a rural Northern village with my schoolfriends and then watched a scene in The A Word and gone, yes, that works for me. I've seen teachers tip-toe around issues and I know how hard it is to fight for extra support. Yes, all good.

At the end of it all though it's the writing. You can create the most fantastic high concept of a story but without character you can believe in, then it's sunk.

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Release Date:

13 July 2016 (USA) See more »

Also Known As:

Poika joka katosi musiikkiin See more »

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