This is a new media/experimental quarantine series episode filmed in 9:16/vertical with tasteful voice over, effective subtle acting and a soothing piano music in the background.
This short approaches quarantine from a somewhat hopeful perspective, yet, understandably so, covered in a bit of new normal routine. The subtle facial reactions of Markus Montage (well played by Ken Holmes), coupled with the black and white touch (appropriate for the mood of the quarantine situation), deliver 3 entertaining minutes with a well conveyed message = "I am me, me and myself" opening the door to a better outcome, but focusing on today, because tomorrow may become today again. Can changing today, mood-wise, affect tomorrow's shine? Would be awesome to find out (good series potential here).
Another aspect I love, other than the use of iPhone as the main capturing device for this production, is the fact that this quarantine short distances itself--no pun intended, from the more tragic/violent formats I have personally seen quite often in this genre. Subtle touches, tasteful music, good facial reactions, well paced voice over work (Audrey Seybold delivers well in this area) can elevate a short, as is the case here.
I have not watched the entire season of Old Hearts Cafe, but I would love to take a look at it in the near future.
Freddy M. (MLC Productions)
This short approaches quarantine from a somewhat hopeful perspective, yet, understandably so, covered in a bit of new normal routine. The subtle facial reactions of Markus Montage (well played by Ken Holmes), coupled with the black and white touch (appropriate for the mood of the quarantine situation), deliver 3 entertaining minutes with a well conveyed message = "I am me, me and myself" opening the door to a better outcome, but focusing on today, because tomorrow may become today again. Can changing today, mood-wise, affect tomorrow's shine? Would be awesome to find out (good series potential here).
Another aspect I love, other than the use of iPhone as the main capturing device for this production, is the fact that this quarantine short distances itself--no pun intended, from the more tragic/violent formats I have personally seen quite often in this genre. Subtle touches, tasteful music, good facial reactions, well paced voice over work (Audrey Seybold delivers well in this area) can elevate a short, as is the case here.
I have not watched the entire season of Old Hearts Cafe, but I would love to take a look at it in the near future.
Freddy M. (MLC Productions)