Directed by
| Benjamin Wigley | ||
Cast
 |
Joseph Ashong | ... | Self |
|
|
Jacob Tetteh-Ashong | ... | Self |
Produced by
| Paul Boateng | ... | associate producer |
| Constance Brinkley | ... | associate producer |
| Caroline Cooper Charles | ... | executive producer (as Caroline Cooper) |
| Stephen Etheridge | ... | associate producer |
| Anna Griffin | ... | producer |
| Brian Hill | ... | executive producer |
| Miles Morland | ... | executive producer |
Music by
| CJ Mirra | ... | (as John Sampson) |
Cinematography by
| Benjamin Wigley | ||
Editing by
| Benjamin Wigley | ||
Sound Department
| Kim Tae Hak | ... | dialogue editor |
| Dan Johnson | ... | re-recording mixer |
| CJ Mirra | ... | sound designer (as John Sampson) |
Visual Effects by
| Mark Pyper | ... | visual effects artist |
| Maria Stroka | ... | senior producer DI |
Camera and Electrical Department
| Mark Bushnell | ... | additional camera operator |
| Simon Ellis | ... | additional camera operator |
| Roger Knott-Fayle | ... | additional camera operator |
| Doug Smith | ... | additional camera operator |
| Jem Talbot | ... | assistant camera |
Editorial Department
| Drew Armstrong | ... | i/o co-ordinator |
| Gareth Bishop | ... | on-line editor |
| Tom Rogers | ... | sales executive: Molinare |
| Vanessa Taylor | ... | digital intermediate colorist |
Additional Crew
| Paul Hillier | ... | insurance |
| Jennifer Parker | ... | legal services |
| Benjamin Zephaniah | ... | narrator / original poetry and narration |
Thanks
| Alastair Clark | ... | special thanks |
| Rachel Robey | ... | special thanks |
| Tom Wood | ... | special thanks |
