Daddy's Big Boy 2
- Video
- 2015
- 1h 47m
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- ConnectionsFeatured in A Daddy's Love (2018)
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May/December romances: male division
That old Walter Huston hit "September Song" is the basis for the majority of what constitutes Lesbian Cinema: mature divas humping sweet young ladies. A veteran of the Sapphic wars herself, Nica Noelle wearing her new hat as doyenne of Hardcore Gay Romance adapts the formula to the world of boy/boy video in this second edition of a sure-fire formula.
Opening segment does take some chances, though I'm sure the right-wing censors out there have other fish to fry. Nica slips in rape (man-to-man, of course) as her subject matter, even though it's considered a no-no in today's timid porn climate. Her favorite mature actor Adam Russo is utterly convincing as a condescending realtor who is frankly insulting to his would-be client Wolf Hudson, after Wolf shows up late for an appointment and presents himself looking more like a homeless stiff than a wealthy house-hunter.
Russo has not kept up with the modern world, where most of those $1,000-plus bottles of wines listed on high-toned restaurant menus are consumed by rappers and other rock stars who might dress in hoodies or jump suits, rather than Armani-outfitted Masters of the Universe from Wall Street. Those days of the unlimited expense account are over.
So Wolf is none too happy with such treatment from a working stiff he can buy and sell ten times over, throws the older fellow up against the wall and humps him. Rape is rape, but in this porn context Nica finagles it as sort of consensual, as Adam is oohing and ahhing before long and definitely enjoying being the bottom to Wolf's top. As is her usual style, after both deliver money shots on Adam's convenient belly we get a fade-out rather than a denouement for the two at-odds characters.
The other three vignettes are romantic rather than violent. Most cryptic is bear Matt Stevens making love to younger (but not very young looking) Sean Cross. Though the DVD back liner mentions "forbidden romance" there's no concrete indication of what's wrong or problematic about their hooking up.
Nica's matinée idol Nick Capra makes love to a young worker at his house played by Hunter Page. The boy comes into the house having slammed his hand accidentally with a hammer -cue the "hurt paw" sentimentality. A kinder, gentler than usual Capra is not above taking advantage of the kid, and Nica milks the situation by having the kid fall asleep after ice is applied to his hand -with Nick unable to resist fondling and seducing Hunter. This is a sensual scene but I found its tongue-in-cheek overtones, including verbal double entendres, to be rather obvious.
Finale is a bit outrageous and absurd, but merely par for the course in the uncharted new world of romantic Gay XXX, for fans used to pure gonzo. Another bear, big Brad Kalvo is lying on his bed book-ended by his two very young lovers Kory Houston and Black actor Tayveon Martin. He's brought them together to "try and get along", when both of them are mad at him selfishly two-timing both of them. The subtext is clearly domination and submission, and by the time all three have shot their respective wads it's clear submission is the flavor of the day.
Kory's repeated purring of "Daddy, daddy" while the three hump is the giveaway that this Icon Male video's content and its title all refer to role-playing, in the "That's my boy!" generic form of paternalism. No, there's no moment of Tayveon getting riled and yelling "Don't call me boy!". Rather it's a happy little universe where solid humping overcomes jealousy and even healthy sense of self - the porn label's advocacy for what might be termed Sugar Daddyism is not Nica being subversive but rather what I would construe as a subconscious internalization by porn people of their status. To quote my all-time favorite director from a different context, Sam Peckinpah famously once said about his employment as a director: "I'm a whore - I go where I'm kicked". That's one memo Spielberg never received.
Opening segment does take some chances, though I'm sure the right-wing censors out there have other fish to fry. Nica slips in rape (man-to-man, of course) as her subject matter, even though it's considered a no-no in today's timid porn climate. Her favorite mature actor Adam Russo is utterly convincing as a condescending realtor who is frankly insulting to his would-be client Wolf Hudson, after Wolf shows up late for an appointment and presents himself looking more like a homeless stiff than a wealthy house-hunter.
Russo has not kept up with the modern world, where most of those $1,000-plus bottles of wines listed on high-toned restaurant menus are consumed by rappers and other rock stars who might dress in hoodies or jump suits, rather than Armani-outfitted Masters of the Universe from Wall Street. Those days of the unlimited expense account are over.
So Wolf is none too happy with such treatment from a working stiff he can buy and sell ten times over, throws the older fellow up against the wall and humps him. Rape is rape, but in this porn context Nica finagles it as sort of consensual, as Adam is oohing and ahhing before long and definitely enjoying being the bottom to Wolf's top. As is her usual style, after both deliver money shots on Adam's convenient belly we get a fade-out rather than a denouement for the two at-odds characters.
The other three vignettes are romantic rather than violent. Most cryptic is bear Matt Stevens making love to younger (but not very young looking) Sean Cross. Though the DVD back liner mentions "forbidden romance" there's no concrete indication of what's wrong or problematic about their hooking up.
Nica's matinée idol Nick Capra makes love to a young worker at his house played by Hunter Page. The boy comes into the house having slammed his hand accidentally with a hammer -cue the "hurt paw" sentimentality. A kinder, gentler than usual Capra is not above taking advantage of the kid, and Nica milks the situation by having the kid fall asleep after ice is applied to his hand -with Nick unable to resist fondling and seducing Hunter. This is a sensual scene but I found its tongue-in-cheek overtones, including verbal double entendres, to be rather obvious.
Finale is a bit outrageous and absurd, but merely par for the course in the uncharted new world of romantic Gay XXX, for fans used to pure gonzo. Another bear, big Brad Kalvo is lying on his bed book-ended by his two very young lovers Kory Houston and Black actor Tayveon Martin. He's brought them together to "try and get along", when both of them are mad at him selfishly two-timing both of them. The subtext is clearly domination and submission, and by the time all three have shot their respective wads it's clear submission is the flavor of the day.
Kory's repeated purring of "Daddy, daddy" while the three hump is the giveaway that this Icon Male video's content and its title all refer to role-playing, in the "That's my boy!" generic form of paternalism. No, there's no moment of Tayveon getting riled and yelling "Don't call me boy!". Rather it's a happy little universe where solid humping overcomes jealousy and even healthy sense of self - the porn label's advocacy for what might be termed Sugar Daddyism is not Nica being subversive but rather what I would construe as a subconscious internalization by porn people of their status. To quote my all-time favorite director from a different context, Sam Peckinpah famously once said about his employment as a director: "I'm a whore - I go where I'm kicked". That's one memo Spielberg never received.
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- lor_
- Jun 30, 2016
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