Peaky Blinders (TV Series)
Mr. Jones (2019)
Full Cast & Crew
Directed by
| Anthony Byrne | ||
Writing Credits (in alphabetical order)
| Steven Knight | ... | (created by) |
| Steven Knight | ... | (written by) |
Cast (in credits order)
Produced by
| Bryony Arnold | ... | associate producer |
| Julie Brinkman | ... | associate producer |
| Jamie Glazebrook | ... | executive producer |
| Caryn Mandabach | ... | executive producer |
| David Mason | ... | executive producer |
| Patrick Spence | ... | executive producer |
Music by
| Anna Calvi | ||
Cinematography by
| Si Bell | ... | director of photography |
Editing by
| Paul Knight | ... | (edited by) |
Production Design by
| Nicole Northridge | ||
Art Direction by
| Dean McLeod | ||
Set Decoration by
| Jonnie Mead | ... | set decorator |
Makeup Department
| Oonagh Bagley | ... | senior hair stylist / senior makeup artist |
| Jules Chapman | ... | hair & makeup supervisor |
| Anthony Davies | ... | mould technician: Millennium FX |
| Georgina Gabbie | ... | crowd hair & makeup artist: dailies |
| Rachel Gatt | ... | project assistant: Millennium FX |
| Christopher Goodman | ... | concept artist: Millennium FX |
| Neill Gorton | ... | prosthetic makeup designer: Millennium FX |
| Terri Hargreaves | ... | buyer: Millennium FX |
| Amber Hertzberg | ... | silicone technician: Millennium FX |
| Stacey Louise Holman | ... | makeup artist |
| Becky Kerton | ... | junior makeup artist: crowd, daily |
| Morgan Kimber | ... | mould technician: Millennium FX |
| Magda Kulig | ... | silicone technician: Millennium FX |
| Cara Lanning | ... | lifecast technician: Millennium FX |
| Helen Masters | ... | junior makeup artist: daily |
| Rob Mayor | ... | prosthetic makeup designer: Millennium FX |
| Sharna Rothwell | ... | project coordinator: Millennium FX |
| Martina Skokova | ... | administrator: Millennium FX |
| Jody Stanton | ... | lifecast technician: Millennium FX |
| Jackie Sweeney | ... | makeup artist: daily |
| Nicole Dawn Taylor | ... | hair & makeup trainee: daily |
| Kate Walshe | ... | prosthetic makeup producer: Millennium FX |
| Jenny Watson | ... | hair trainee / makeup trainee |
| Chris Lyons | ... | special effects teeth (uncredited) |
Production Management
| Dee Collier | ... | post-production supervisor |
| Laurence P. Duke | ... | post production executive (as Laurence Ducceschi) |
| Jo Evans | ... | production executive |
| Rachel Jones | ... | production manager |
Second Unit Director or Assistant Director
| Arizona Eastwood | ... | Crowd 2nd Assistant Director |
| Sara Evans | ... | third assistant director |
| Jon Midlane | ... | first assistant director (as Jonathan Midlane) |
| Gemma Nunn | ... | second assistant director |
Art Department
| Molly Barnard | ... | art department assistant |
| Andrew Berry | ... | graphic design assistant |
| Rebecca Rose Carey | ... | graphic designer |
| Natasha Carlyle | ... | art department trainee |
| Sarah Downes | ... | dressing props: dailies / standby props: dailies |
| Callum Ferguson | ... | dressing props |
| Douglas Ferguson | ... | prop chargehand |
| Brian Gerrard | ... | construction rigger |
| Andrew Laybats | ... | lead scenic painter |
| Elsa McLenachan | ... | petty cash buyer |
| Alan Shaw | ... | property master |
| Joanna Tattersall | ... | production buyer |
| Gemma Foster | ... | lead scenic artist (uncredited) |
Sound Department
| Oliver Brierley | ... | adr mixer |
| Joshua Tot Carr | ... | sound trainee |
| Laura Clough | ... | sound trainee: dailies |
| Benjamin Darier | ... | adr mixer |
| Adele Fletcher | ... | dialogue & adr editor |
| Alex Gibson | ... | sound effects editor |
| Nigel Heath | ... | re-recording mixer |
| Ben Hossle | ... | second assistant sound |
| Timor Oren | ... | adr |
| Alessandro Pascale | ... | first assistant sound |
| Nicky Poulton | ... | Sound Post Producer |
| Brad Rees | ... | re-recording mixer |
| Ciaran Smith | ... | foley engineer |
| Ruth Sullivan | ... | foley artist |
| Stu Wright | ... | sound mixer |
Special Effects by
| Dewi Alun Foulkes | ... | special effects technician |
| Danny Hargreaves | ... | special effects supervisor: Real SFX |
| Dave Kneath | ... | special effects technician |
| Tom Scouse Lock | ... | special effects technician |
| Jade Poole | ... | special effects coordinator: Real SFX |
| Jack Taylor | ... | assistant technician |
Visual Effects by
| Tony Abejuro | ... | lead matchmover: BlueBolt |
| Lucy Ainsworth-Taylor | ... | visual effects executive producer |
| Oscar Atack | ... | roto/paint artist |
| Leah Ayinde | ... | junior visual effects artist |
| Angela Barson | ... | visual effects executive supervisor |
| Ben Beaumont | ... | visual effects artist |
| Eddie Bonin | ... | visual effects executive: Netflix |
| Sarah Buisson | ... | visual effects editor |
| Theodore Burley | ... | visual effects producer: BlueBolt |
| Sarah Byers | ... | matchmove artist: BlueBolt |
| Deanna Crisbacher | ... | visual effects artist |
| Clive De Souza | ... | visual effects artist |
| Sam Fortune | ... | roto/prep artist |
| Adam Jackson | ... | digital compositor: BlueBolt |
| Lauren Mullally | ... | visual effects editor |
| Kim Rampaul | ... | visual effects artist: Netflix |
| Peppe Russo | ... | pipeline developer: BlueBolt |
| Maggie Starzer | ... | visual effects production coordinator: BlueBolt |
| Kirtan Taak | ... | roto/prep artist: BlueBolt (as Kirtan Singh Taak) |
| Panos Theodoropoulos | ... | visual effects producer: BlueBolt |
| Tamara Toppler | ... | digital matte painter/environment artist (uncredited) |
Stunts
| Benjamin Ashley | ... | stunt performer |
| Dean Forster | ... | stunt coordinator |
| Tom Hallahan | ... | stunts |
| Cristian Knight | ... | stunt performer |
| Steven Mullins | ... | stunt performer |
| Gordon Seed | ... | stunt coordinator |
| Chris Waite | ... | stunt performer |
Camera and Electrical Department
| Steve Avison | ... | grip |
| Will Baldy | ... | cinematographer: second unit |
| Michael Bonnar | ... | electrician |
| Tom Finch | ... | first assistant camera: "a" camera |
| Andrew Michael Fletcher | ... | camera operator: "a" camera/steadicam operator |
| Lee Howarth | ... | standby rigger |
| George Jenkins | ... | electrician / lighting console operator |
| Lee Daniel Jones | ... | electrician |
| Nick Kemp | ... | grip trainee |
| Paul Kemp | ... | key grip |
| Andy Levett | ... | grip crane operator |
| Abi McVeigh | ... | camera trainee |
| Alan Millar | ... | best boy |
| Tom Ormrod | ... | assistant camera |
| Kevin Roberts | ... | lighting technician |
| Adam Sheldon | ... | camera trainee |
| James Shovlar | ... | digital imaging technician |
| Sam Smithard | ... | first assistant camera: "b" camera |
| Jordan Spencer | ... | electrician |
| Matt Squire | ... | still photographer |
| Eliot Stone | ... | second assistant camera: "a" camera |
| Ben Taylor | ... | second assistant camera: "b" camera |
| Robert Viglasky | ... | still photographer |
| Oliver Whickman | ... | gaffer |
Casting Department
| Paula McKie | ... | extras casting |
Costume and Wardrobe Department
| Jane Allen | ... | costume cutter/maker |
| Ben Frost | ... | costume trainee |
| Jennifer Johnson | ... | costume daily |
| Ashleigh Lennox | ... | crowd costume supervisor |
| Robert Leop Macfarlane | ... | assistant costume designer (as Robert Macfarlane) |
| Jade McNaughton | ... | principal set costumer |
| Carla Murtagh | ... | costume: daily |
| Rachel Nott | ... | costume supervisor |
| Jane O'Donnell | ... | costumer |
| Barbara Pinn | ... | principal costume standby |
Editorial Department
| Anthony Berardo | ... | data i/o operator |
| Jo Bonincontro | ... | assistant editor trainee |
| Hugh Howlett | ... | assistant colourist |
| Elias Millward | ... | post-production coordinator |
| Emily Russul Saib | ... | junior colorist |
| Laura Saimre | ... | edit assistant |
| Paul Staples | ... | colorist |
| Asher Thornton | ... | first assistant editor |
Location Management
| Lorena Bramall | ... | location assistant |
| Michael Campbell | ... | location manager |
| Miglet Crichton | ... | supervising location manager |
| Jessica Dove | ... | location scout |
| Charlie Greenstein | ... | Location Consultant |
| Dan Whittle | ... | location assistant |
| David Whicker | ... | location security (uncredited) |
Music Department
| Zoë Ellen Bryant | ... | music supervisor |
| Ed Hamilton | ... | music editor |
| Amelia Hartley | ... | music supervisor |
| Jimmy Robertson | ... | scoring mixer |
| Pete Saville | ... | music supervisor |
Script and Continuity Department
| Karen Cluskey | ... | script supervisor |
Transportation Department
| Howard Cawthorne | ... | transportation captain |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| Simon Fraser Roe | ... | Facilities Baseman |
Additional Crew
| Denzel Adebayo | ... | production assistant |
| Leah Blackaby | ... | production secretary |
| John Bracewell | ... | marine coordinator |
| Julie Brinkman | ... | production staff |
| Victoria Brooks | ... | managing director: publicity |
| Jo Cameron Brown | ... | dialect coach |
| Rosie Collins | ... | floor runner: dailies |
| Lucy Crossley | ... | production secretary |
| Paresh Dayalji | ... | floor runner |
| Olivia Dixon | ... | base runner |
| Richard Dobbs | ... | lead publicist / producer: epk |
| Lucy du Boulay | ... | production finance manager |
| Liam Farnes | ... | assistant production coordinator |
| Sara Hamill | ... | director of production |
| Rebecca Hodgkiss | ... | body double: Annabelle Wallis |
| Vlad Kandinsky | ... | projector technician |
| Jane Karen | ... | dialect coach |
| Lyndsay Myles | ... | personal assistant: Cillian Murphy |
| Sarah Oldman | ... | key floor runner (as Sarah Lamb) |
| Maria Pavlou | ... | production coordinator |
| Anu Pekkarinen | ... | director's assistant |
| Anita Sanderson | ... | assistant production accountant |
| Mark Shelley | ... | armorer |
| Gail Stezaker | ... | production accountant |
| Susan Waddell | ... | commercial director |
