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8/10
A summary of where we are and how we got here.
philw-1219 October 2016
I don't often write reviews on IMDb. In fact, this is only the second one I can remember doing. So why am I writing one now? Because this documentary is brilliant? No. It's very good, but brilliant would be a stretch.

I am writing it, because this documentary is important.

This film is long, at 2 hours 45 mins. For a documentary, you would think you'd fall asleep long before the end. Trust me, you won't. It is never boring, and at times, it's frankly mesmerising.

In a nutshell the film tells how we have arrived in the post-truth political world, from it's origins in the 1975. It explains the complex interplay between politics, the rise of the internet, the media and social media. Using archive footage and the power of hindsight, it show's how our governments are now just controllers and managers of risk, rather than visionaries, and why you can no longer believe much of anything they tell you.

Sounds like a conspiracy theory right? It isn't. I pride myself on being a rational thinker. I studied science at uni. I'm not religious and I take pleasure in debunking the ridiculous conspiracy theories you see on the internet. This is different. Not because he backs everything up with sources and evidence, but because if you are old enough, you will remember the events, and you will know it makes sense.

I gave this 8/10. Would have been 7, but I think the importance of the subject matter warrants a bonus point. It could have scored a ten, but as I said, I'm a trained scientist, and I value evidence. The film is let down by the absence of enough hard proof. It left me with the feeling that it's absolutely spot on, and that I already knew what it is telling me, but just hadn't admitted it to myself. However, I feel that it will leave many, especially those of the more conservative persuasion, saying "where's the evidence?"

Some more hard facts; documents, interviews with insiders, anything, would have helped to convincingly drive the point home. That said, if you're looking for something that will make you think, you'll certainly get that.
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7/10
A review without analysis
Gretchen_X30 April 2017
This is a very long film so I recommend breaking it up into two or more chunks and leaving some time for digestion in between. It has lots of interesting ideas and I guarantee even the best-read will learn something and have a couple of "Hmmmm" moments, if not an "Aha!" one.

Curtis has a way of imposing a narrative upon your active perception using images, music and sounds in ways you would expect from, ahem, a film maker. He even casts himself as a journalist, rather than a storyteller. As a result, you are always aware that you are being manipulated, just like the manufactured reality discussed/presented in the film. You are the audience of the audience.

Proceeding in this spirit, though many people have found Hypernormalisation depressing and frightening, it should not take you anywhere you haven't been before (if you are over 50 anyway). Barbarism in the pursuit of power is not peculiar to the 20th and 21st centuries, it is just a lot bigger and it's online. Hypernormalisation is not for the squeamish, but when you become aware that you have developed a level of immunity to these myriad images of horror, you get to understand what normalisation means. Neither is it for the faint hearted; the target audience may be those who are already deeply cynical.

But Curtis is a clever film maker, let him entertain you.
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9/10
Ever get the feeling you've been cheated - J. Lydon 1978
dgjones-6225820 June 2018
This is a documentary that people need to watch. It's informative in a way I have never seen on TV before and will help people of all political divides to make their minds up as to weather their political beliefs are accurate.

From other reviews you will gather that it is about politics, money, power, The West, the Middle East, and how politicians are trying to re-establish some form of control by lying to you.

My review is to encourage you to watch this because of the future of the internet. INFORMATION IS POWER.

Today questions are being put forward in parliament about how to control the internet - this documentary will both inform you about how important this is and possibly scare you about who might be setting the controls.
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Flawed but fascinating in its polemic presentation
bob the moo21 February 2017
At the core of this film is a message which I think we can all appreciate; that the world is complex and filled with diversity but at the same time we are encouraged by our media, hobbies, and politicians, to believe it is much more black/white, and not to expose ourselves to views that contrast with our own. This is not new unfortunately – the politics of the right/wrong is everywhere, and the echo chambers of Twitter, CNN, Fox, and many other "people who liked this also liked these" type tools – it is pretty clear where we are. How we got here is more interesting, and there are worse ways to explore it than to allow Adam Curtis to have a run at explaining it.

The way he does it here is as compelling and confusing and frustrating and flawed as one would imagine; it really succeeds in making some of his other work look like the tightest factual presentation ever. In almost three hours we explore the story by touching on Gaddafi, Ayatollah Khomeini, the internet, politics, Donald Trump, 1970's Russian sci-fi; the Arab spring; perception management, drugs, Brexit, UFO conspiracies, Twitter, and so on. Often the links are tenuous, but Curtis structures it really cleverly – we are given chunks of facts in a presentation that makes sense, and as a result we accept the links even as they jump countries and decades.

The downside is that many will be turned off because this is polemic incorrectly presented as a documentary. It is not the latter but as the former it works very well. Although it runs to almost 3 hours, I did not find it boring, but rather found it quite compelling in its message and the manner in which it is presented. The strength of the film to me was not that it convinces in every word, or that I agreed with it wholly but rather that it gave me plenty to think about. It helps that I am old enough to remember many of these events – to have seen the shifting political allegiances, to experience the moments, and to feel like they were not organic in all cases.

HyperNormalization is a niche film – it did not even make it not a BBC channel but rather was put on the streaming service directly. It is not as smart as it wants to, but it is engaging and interesting whether you agree with all of its assertions or not.
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9/10
Eye Opening
thomasjay-220131 July 2018
A fascinating dive into the current world of politics and the vast significant changes worldwide over the past 30-40 years which have seen a change in systems and beliefs. This documentary provides the facts behind political conflict and gives reason for particular events which have triggered truly shocking outcomes. The run time might be off putting but this is an important watch
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9/10
Makes you wonder
YesWeCan201724 January 2017
With a £30k budget and an amazing flair for story-telling, the director takes us on a journey through post-WW2 history and the circumstances as to why we are in this disillusioned state so many political agendas seem to be supporting.

This is great viewing and really gets you to think hard about the issues that matter: nothing can truly be explained by a 140-character tweet and that's exactly the problem: the world is too interlinked and complex to be understood via superficial analysis nor poetic slogans.

We need to collectively understand the deeper issues at hand, and find the solution that deals at source - building walls, imperial slogans, bigotry and racist knee-jerk responses are not the way

Peace
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8/10
Again: From Falsity everything follows
zalouteacher8 November 2016
Adam again used his deconstructivist style in order to reach the un-result leaving the viewer mesmerized and perplexed by what s/he should hold as truth in this world. The soundtrack of the documentary is similar to his previous documentary "Bitter Lake" with the acid music and also the colors in the movie are really sharp with raw footage that are unedited maybe to reflect the real world he's trying to unravel to the laymen. Again, he blames the finance men for the troubles that are happening around the world and also the politicians who gave up their powers to them by letting them have more than it is supposed to be. However, he has some inaccuracies in terms of some cases especially to what is happening in the Arab world. In other words, he may have even fallen in the perception management that he described in his documentary. In general, his documentary is mind opening to question the reality that is surrounding us.
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8/10
Disorientating,unsettling,curious and always interesting
JBLOSS19 October 2016
Warning: Spoilers
HyperNormalisation is an ambitious attempt to explain how we view and understand the world we live in. We are overwhelmed by data yet become ever more trapped in silos. We struggle to know what is the "truth" whilst sometimes accepting a fake one if it suits our needs or prejudices...that applies to governments as well as the general populace. The film charts the origins of the Syrian crisis, the rise of the banks and corporates, the evolution of politicians becoming managers rather than leaders. It illustrates quite shockingly how forces unleashed by Syria and Iran in the late 70s and early 80s have come back to haunt them. There are numerous strands to this tale which also covers The Donald who has perhaps more than many exploited the increased anger and disillusionment with the world amongst many. The film shows how there is increased tendency to preach to the already converted and how social media amplifies this as it runs on algorithms based on individuals likes and interests. It's hard to summarise effectively but it is thought provoking and is a noble attempt to lift the veil on the world we live in and how it can be manipulated,obscured and presented in a multitude of ways.
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10/10
Not as cohesive as Bitter Lake but still miles ahead
alexjamesholmes10 April 2018
Thought provoking illustration of a moment in time and how the events lead up to it, both as poignant as they are eclectic, contribute to the current social and economic climate of today.
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10/10
The Truth is Out There (but we don't really want to hear it)
adamthomasmurphy7 April 2019
Warning: Spoilers
Adam Curtis argues that our world is built on a foundation of lies. Lies that help us accept that those in control know what they are doing, despite history proving again and again that even the most powerful politicians are just as in the dark as you or I. Curtis gives example after example. Neoliberal policy was the height of this theory, but neoliberals used it as a selling point and argued they were 'managers' who needed to just 'tweak the system.'

Francis Fukayama wrote the popular 'The End of History' in 1992 that was the exclamation point at the end of the Neoliberal story. But that narrative has collapsed in ways unimaginable to anyone in a pre-2001 world. Our political and economic systems are unfit to tackle domestic problems, let alone global ones (global warming and austerity). Curtis doesn't really say whether this is a bad or good thing, and I'm not sure either. Do people want to live like this? That could be the case. But before the viewer can start to think about their answer they must first recognize the question, and HyperNormalisation deftly sets up the premise. I am sure this film will continue to predict the future.

Howard Schultz entire campaign strategy is questions aren't important, only answers. It's like Schultz watched this film and came away with the completely wrong message (or right depending on your perspective and narcissism.) It's be akin to someone watching Starship Troopers and wanting to join the military, or getting a swastika tattoo after viewing American History X.

One of my favorite moments of the documentary were the parts outlining the Reagan admin's role in pushing UFO conspiracy theories, using the public as a guinea pig to see just how far misinformation can go to turn people into near fanatics about something that is on it's face completely nonsensical. And the administration succeeded wildly.
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7/10
Watch it for the nuggets
paul2001sw-113 February 2021
Adam Curtis is a talented film-maker. He has an ability to locate interesting clips, audio, and stories; and to draw previously un-remarked parallels between them. His weakness lies in his tendentiousness; not every parallel is a cause, and his tendency to make numerous, semi-random connections can obscure any final point. His most over-used word is "then" - things do happen, one after the other, but the order of succession is not always noteworthy. I watched a live interview with him a couple of years ago, in which he covered some of the themes in his film 'HyperNormalisation', and his answered ranged from perceptive to exasperating ("the politicians have let us down by not providing us with something to believe in", he said, but seemed to have no idea himself about what that something could be). The way to take his films, I think, is to look for the nuggets, those strange stories you haven't heard of before which just might be worth giving a little more thought to. 'HyperNormalisation' itself is nearly three hours long, and could fairly be described as rambling. But it's great to look at and it does make you think.
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10/10
Propaganda against Propaganda
HyperNormalisation is a film about the Western media conditioning and the complexities of it. What makes Adam Curtis so strong here is his tone of voice. He states complex observations about politics and media as facts, weaponizing visual media to critique visual media. By making such a complicated -- polarizing -- documentary in such a straight-forward, expository, way he allows audiences to be lead down a rabbit hole of sorts.

Whether or not we as an audience agree with individual pieces and arguments within this film, it's impossible to ignore that Curtis is using the tools, tone, and legitimization (thank you BBC) of the "brainwasher" to brainwash audiences against brainwashing, and to stimulate critical thought. These clever tricks makes this one of the best documentaries ever made, as it continually challenges the viewer's intelligence and perception of the world. There are many documentaries that make more factual, easy-to-prove arguments -- but this film does not intend to do that. Instead, HyperNormalisation challenges the audience with a 3 hour barrage of questions, often stated in the form of answers. How Curtis arrives at these answers creates one of the most thought-provoking films of the 21st century. The point is to not accept Curtis's sometimes shaky (perhaps only in the interest of keeping the runtime down, perhaps not) arguments as facts, but rather to consider them. If you are looking for a simple documentary that is easily proven factually true, this is not it. In fact, HyperNormalisation seems to suggest that form of documentary may not exist.

This film is not an answer, but a question. If you disagree with Curtis, read some books and articles and prove him wrong on your own, if you can. Either way you'll be a better and more educated person for watching this film. HyperNormalisation takes more than it's already 2 and half hour runtime to watch. I paused, researched, and questioned the entire time. HyperNormalisation requires fact checking and educating oneself on aspects of world politics restricted from mainstream thought, and asking questions about the "answers" he provides. Whether a deranged conspiracy theorist or one of the greater minds of the 21st century is up to the viewer, but either way Adam Curtis successfully challenges his audience with this film. Though I don't fully agree with everything put forth in this film, I have to admit that more and more about HyperNormalisation rings true to me in the present day than when it was created. Thank you Curtis for making me think about the world in this way.

Oh, and the soundtrack is incredible. : - )
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7/10
An introduction to control
Adam Curtis presents a view of a world where we are constantly deceived and controlled by bad actors or more accurately maybe, twisted characters, you know, not held enough by mum when they were babies. We don't have any buy-in to the future, we just have to watch the dreams of these twisted characters unfold and collide.

There are four main issues with his presentation. I believe he is a nice man, so I would classify these as errors. Firstly he implies that narrativization, simplification, theatre and confusion are somehow new developments in politics, this is not actually true, they have been ever present since a city was established on seven hills by the River Tiber. Donald Trump is not a new type of character on the political scene, as many sick politicians, with panoplies of personality disorders, have done their turn on the catwalk of power in the past.

Secondly, whilst he is striving for a neutrality of sorts, he simply is unaware of the political right wing, and where their discontent arises; this is partly because the political right became an oblique presentation: after defeats in progressive battlegrounds like racism and women's rights, conservatism went guerrilla. Conservatives in fact learned many lessons from the left, particularly the importance of social media. Conservatives became very cautious about their statements, presenting themselves as victims of continuous change and cultural uncertainty, not the skinheads of old who posted dog mess through letterboxes of people with different skin colours. Progressives on the other hand throw all caution to the wind, teaching small children of a supposedly bewlidering array of genders. This was done in a well meaning way, but with no more rigour than that which the phrenologists of yore employed. All Curtis is really able to do when talking about the alt right is to make vague Tolkien-esque allusions to forces of darkness welling up at the edges of Middle Earth.

Thirdly, a film of his is an assault of propaganda techniques. Granted he is not trying to delude his audience, he is a man of integrity, but of course, no-one on the right would ever give him that benefit of the doubt when faced with the bombardment of manipulation.

Fourthly the segues between topics are often extremely tenuous. An example from the film would be going from algorithms to Donald Trump via a bizarre anecdote about the Yakuza fleecing one of his casinos.

I learn a lot when watching his films, he's an introducer of topics, he brought an emotional texture to Hafez al-Assad's life for example, and I did not know about the effective bankruptcy of New York. Also if you accept the manipulation, like an innocent at a magic show, HyperNormalisation is enjoyable to watch.

Perhaps the most interesting bit of the film isn't really political, per se, it's when Curtis mentions a US government security algorithm, optic nerve, which discovers that people are in large part using streaming for sexual purposes, they want to broadcast their organs. Most people are not sophisticated, they are not using the internet to learn or conspire. If, as it turns out, we are simply lustful monkeys, is a conservative an unreasoning monkey who wants to hold on to whatever they have (either cultural, polticial or physical capital) no matter what the cost, and a progressive an unreasoning monkey who wants to make leaps into the dark, and seeing their hands empty, want to grab from the conservatives? Whilst the world becomes ever more complex, we humans are not becoming more complex, we are bound in by the finite capcaity of our memories, lifespans, empathy, and intelligences. Welcome to the chimp's tea party.
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5/10
Lies about Lies about Lies
Radu_A19 March 2017
Warning: Spoilers
As practically any political documentary these days, this one isn't interesting because of the "facts" it reveals, but rather because of what it chooses to omit and how information is manipulated to pass for a chain of events. The most interesting observation can be summarized in an axiom: the broader (not just) a documentary's subject is, the more likely it substitutes hard facts with the film maker's personal beliefs.

One very obvious omission is that Salafism isn't even mentioned once. Salafism has been taught at Sunni theological schools at least since the 1920s, Salafism is the backbone of al-Quaida, all 9/11 attackers were Salafists, Daesh is Salafist, all individual terrorists in Europe had Salafist connections. To claim that the source of modern terrorism is Syria's Shia dictator Assad is definitely a lie. I don't know whether this means that this is a propaganda effort( the Saudis and their dirty war in Yemen are suspiciously omitted), or whether the author is simply going for the ultimate "everything-is-connected" effect - that would be very BBC. Either way, this causality construction presents a deliberate manipulation of facts that can be easily counter-checked.

Another prominent claim of this film is that Ghaddafi was never a real threat to the Western world and merely set up as a stooge to cover up terrorist bombings actually committed by Syria or Hezbollah. There is no convincing argument delivered why this should be the case. The film maker argues that the US wanted to somehow cooperate with Syria, when all the hard facts point to the opposite. If you're into conspiracy theory, one might argue that the Ghaddafi's fall intensified the refugee crisis in the EU, which would then be the ultimate target of everything the US messes up. If you're not a conspiracy fan, you might as well go with "if nobody knows anything, you gotta do something, so that it seems you know everything".

Another claim is that Assad used Hezbollah for suicide attacks against soft targets as a revenge for Kissinger's obstruction of a unified Arab world. That concept, however, originated with Egypt's Nasser in the 1950s, and the first organized terror attack in the Western world was the PLO's assassination of the Israeli Olympic team in Munich in 1972. It was the Sunni PLO that Shia Hezbollah learned terror from, not Hamas from Hezbollah after the Sabra/Shatila massacres of 1982. Just look at the sequence of events, people. The OPEC siege, Entebbe, Mogadischu, all that happened before and had multiple causes.

What is true, however, is the assessment that the failure of the Arab Spring and the failure of Occupy can be traced to what I hold to be the only profound statement made in this film: that the internet may have the power to bring people together against something, but cannot substitute an alternative idea. Today's protest movements all fail because they are not based on an underlying concept. Curtis should have added that, as a consequence, their failure cannot be ascribed to Islam. It's rather the incapability of an internet image culture to formulate strategy and organize leadership - just look at the Pirate Party, or #Black Lives Matter's strategic error not to reach out to Hispanics, which would multiply their base.

Another interesting bit is the piece on Russian media manipulation by Putin's confidant Surkov, supporting both protest groups and right-wing nationalists in an attempt to rile them up against each other - inspired by absurdist theater - which is fascinating. This is, alas, only mentioned in passing - the focus drifts to Trump's campaign and culminates in the common theme of keeping the public in a disorganized state of uncertainty in the face of an ever changing narrative. However, this is not a new idea as this film may make you think, but in fact a cornerstone of postmodern philosophy and media theory (just google Postman).

So watch this with caution. There are some good points to take home with, but the alternative reality this film constructs is just as unconvincing as the official story. The simple truth to a slightly older academic like me is that today nobody knows anything anymore because they're constantly overloaded with useless info. The film maker walked right into this trap himself, by coming up with his specific "what if" scenario, and then eliminating every fact that doesn't work with his interpretation from his film.
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I've been saying this for a long time now...
UNOhwen25 May 2019
Chillingly accurate.

My Curtis is probably the most accurate - devastating documentarist I've ever seen.

I think Mr Curtis' ouvre is a visual record on part with the witness of Malcolm Gladwell, and though they're interests differ,, these 2 are supporters of the tent poles which hold us up - personally and as a race.

Watching, I find it difficult to not watch, but, for every brake in his narrative, I'm almost fearful to continue watching.

I've always said there's nothing more chilling than realty.

If you're sometime who wants to begin to understand, 'wtf is going on with this works and how had it happened?' here it is.

I don't want to say to much, aside from this is truly the real 'Shock of the New (to borrow, from my favourite art historian essayist, and general bad boy, Robert Hughes).
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10/10
It should be played every year at Christmas and broadcast to every home.
Offworld_Colony18 February 2020
A dense, eye-opening, rich and complex piece of art that presents itself clearly. I would recommend it to everyone. It covers a lot of ground but not for one second is it unfocused and every beautiful thread weaves together with some of the most artistic and unique and harrowing images I've ever seen. It's still present, its editing is phenomenal and it's probably one of the most important, relevant and modern things I've ever seen. I'm aware of the irony of posting this review on Facebook. I think a part of Hypernormalisation is that it is the mirror it speaks of and it is holding itself up against us. Which is hard to bear, but vital and rare.
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8/10
Long But Worth It
cianlyons-1856513 May 2018
Hypernormalisation is an interesting film. I think when watching it you have to keep in mind that more than anything Adam Curtis is an idealist and he is telling you a story more so than he's telling you a history. Some of the historical details aren't really up to snuff but the overarching point is what's really important I think. I don't agree with a lot of Curtis' conclusions but his ultimate point about politics becoming this hypernormalised spectacle is one that is very worthwhile.
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9/10
Eye opening
mohamadacma28 July 2020
Starting from 1975, with two shots of Damascus and Newyork, Adam curtis investigates two ways of running the world. The banks were lending a lot of money to politicians in the 1975 but that suddenly stopped. From Banks to politics spanning the globe from Russia,Syria,Lebanon, to Lybia,Iran, the US, and ending with an Arab Spring. We can see how main players in the world were either pawns in a game of chess or fake players to distort perception. Hypernormalization is the term used to describe the attempts to promote a fake image of the world and make it the normal. Wiliam Gibson introduced the term Cyberspace negatively and then the decalration of independance of Cyberspace came along and then computers and the internet make cyberspace invidualist's dream. The film is full of events from protests all over the world and major political events and repercussions of big decisions made by politics. I find it hard to write in a clear manner about what i saw as it is a jumbled mass of complex politics of the old world where reality was still physical to a new system of cyberspace reality influencing events in the real world and a politics driven by shapeshifting and unrecognizable fake reality where the truth become irrelevant and people are parts of the node on a network of ever complicated reality.
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10/10
Unraveling the scapegoat mechanism one family at a time
umchinagirard16 February 2021
Examples, strategies of successful changes made to a family scapegoat system. Because there are no successful examples, otherwise the power structure itself would have changed. Humans have invested in this scapegoat mechanism and blindly went into this: people are so deeply a part of the family scapegoat system that any and all attempts to change it ultimately fail.
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10/10
Fable of our destiny
imdb-920834 April 2024
Warning: Spoilers
Adam leads us, once again, through our recent history. Less animated than Pandora's Box or The Trap.

If you are at the least bit interested in psychology, what makes you, you it is worth it. A good 3 hours long with familiar footage, factual.

Whether or not you agree with his narration or ideology, it raises questions even today. It gives insights, unseen. And can prompt investigation instead of blind acceptance bias.

Black Swan theory is sort of touched on, unknown unknowns. But we are mainly back to Game Theory. How the state measures us as numbers. He examines why you would strap bobs and blow yourself up, with others. Something we would see on Sep 11 2001.

One man's terrorist is another's freedom fighter. I watched the twin towers fall live.
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9/10
A collage of world events
jellopuke28 February 2021
You're going to get a all-encompassing collage of events and people and places and moments in time for the purpose of imparting how the world has descended to where it is now (and was in 2016). What you're seeing is the why and how, not anything about how to escape it or change it. This might leave you cynical or depressed or it might not. Up to you. Like what you take from this, it's up to you.
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7/10
Must differentiate between the interesting message and some flaws
gian_9928 December 2020
I had watched this in 2019, maybe not getting until the end. There are some deep flaws in this documentary, which did not let me get to the end of it the first time. So I will begin with these.

This movie has an idea, about internet, for example, and about Middle East politics. It tries to show the facts which are in agreement with the idea. Conveniently ignoring those facts that tend to go against the idea. I will try to give some examples without spoilering too much (but can you... spoiler a documentary?). It is stated that current politics takes decisions in incoherent ways and sows confusion intentionally without a definite end except avoiding risk - I might agree with the general message. Yet, the Russian intervention in Syria is presented as one of those "inexplicable decisions" taken without a reason and not understandable. This completely ignores that:

1 - Russia has maritime bases in Syria, and would most probably lose them if Syria became Isis land - this alone justifies intervention 2 - Russia - with all her ills - does consistently fight islamism which was rising in Syria

Also about Internet. Gibson is put in contrast with the EFF and its activism. Internet is shown as only a place where people can run away to hide from their failures in changing society. This place is ruled by malevolent corporations - this ignores the fact people all over the world do find *real* freedom through the Internet. In many different ways, the Internet did enable real, sincere expression of ideas which would have been impossible before. Many examples of this might be shown, but they are avoided because they would not support the idea behind the documentary. This is, in a way, a manipulation of reality just the same as the one which is exposed in the movie.

In any case, this movie came to my mind again during the Covid epidemics. And after watching the 2020 US elections...I revalued the general message, which is not perfect, but does offer interesting thought points such as:

  • Politics does tend to create a perception of reality which is convenient to its means - this increases the detachment between politics and the voters, which do participate in the political process, but they do it mechanically and out of habit, fully knowing that the political ideas are out of touch with reality - because of blatantly absurdity - but in a way, avoiding to confront reality. This is a deep message which the movie does bring across and which is ... real. Evident all over this crisis.


  • The Internet does contain information which could "save" the people and bring out reality. Because of how Internet is used, however, people tend to isolate themselves in bubbles where their own biases are reinforced. Or even brought to their extreme. This is well explained and researched.


The two "thoughts" this movie gave me are enough for it to deserve a 7. But they many distorted realities inside this very movie make it, sometimes, similar to a propaganda piece. Which makes me unable to give it more than a 7.
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10/10
Fun little 3 hour exercise in alt-history
euhafshzs21 February 2021
Get comfy, pack a bowl (of popcorn) and let Adam Curtis take you on a three hour psychedelic trip through modern history cut into pieces and shaken up into a beautiful puzzle, complete with various bangers and brilliant storytelling.

"2001 of history documentaries" (put this one on the box)
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7/10
A convicing linking of events from the 70s to now
bootsblakeleyimdb6 February 2020
Warning: Spoilers
A friend suggested this was worth a watch and defo if you've got the time it does make a convincing narrative for why today is so screwed up based on some interlinked events a generation+ ago coupled with weak politicians in the UK and US in the intervening years who were happy to pretend the world was simpler than it actually was. In short it traces the path from Kissinger screwing the Palestinians over in the '70s through the financial crashes to where we are today with huge swathes of the Arab world destabilised and the most unlikely inept leaders either side of the Atlantic.

Any readers of Private Eye will be familiar with some of the material and it does miss the manipulations of Saudi out of the equation.
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4/10
Mis-interpretation of the past w/ blatant propaganda
birthdaysuit1123 October 2016
Warning: Spoilers
It is a mis-interpretation of the past, if not outright status-quo propaganda.

The documentary has these enormous suppositions that come from.. out of someone's ass perhaps? Um, excuse me, I grew up in the eighties and nineties, and to put a blanket statement over the entire western culture that everyone gave up hope of better things in the nineties is utter farcical bull crap. Really? The stock market was booming, (due to interest rate manipulation by the fed) the internet and bio-pharma boom was happening, and this film states that "everyone gave up ideas of a better future???" It then plays some movie clips over and over again and subsequently shows 9/11 footage as supposed obvious conclusion to fear and foreboding in America (and it seems the west in general) and the terror attacks were just a natural outcome from all of that? The movie even begins talking about NYC in the seventies running out of money and them waiting for the banks to come in and buy their bonds.. this had an inkling of interest for me, based on my understandings of the way the banks in America, especially after the forming of the federal reserve in 1913, behaved. They created, supported by Keynesian economists, the idea of the "business cycle." A complete sham that enormous amounts of westerner's and even the world in general, believe in. The business cycle is nothing more than the regular bailing out of the banks. Look no further than the GFC to confirm this.

The Fed manipulates and lowers interest rates, the speculative markets and housing skyrocket, and then, low and behold, it all crashes! What to do? Punish the bankers that made shoddy investments? Throw any of them in jail? NO! Pay them gobs and gobs of taxpayer money. Sink the nation further into debt and provide more interest revenue streams to the banks, as they simultaneously proceed to do it all over again! Lower rates, the market soars, the bubbles inflate! Look at Deutsch Bank: 65 TRILLION in derivatives and there stock valuation of such a supposedly first class investing institution is less than TWITTER!! The derivatives they sit on top of equal 19 times the GDP of the most powerful market share of the EU: Germany!! Think of the massive jenga stack/bubble that is. Amazing.. here we go again, its not a matter of IF but WHEN this thing is going to blow.

What this FILM really misses is the financial ties to everything. Money runs the world and the FED with its criminal monopoly of the US dollar is on of the kings. This massive crash in 2008 happens, we QE and lower rates and... no hyper inflation! How come? Man, if it was just printing money and lowering rates, all of the banana republics and African dictatorships would be the most powerful and wealthy nations in the world! How do we do it? Well this film alludes to it in the beginning: it had something to do with that massive war criminal, Henry Kissinger.

This is the man who colluded with McNamara and Nixon to bomb Cambodia back to the stone age and created a power vacuum there that led to the genocide and slaughter of 2million people. Nice bit that was huh? Pol Pot running around and having his henchmen photograph and then systematically torture and murder most of the population. Forgot to mention that little feather in Kissinger's cap. But Kissinger also did some other things that are allowing us to export our inflation today to the rest of the world. He created the Petro-dollar cycle. You see, Nixon was at war in Vietnam, things were going well, slaughter was happening, the military industrial complex was making fat green. But there was a limit to it all: the pesky gold standard. You were limited by how much you could budget for war efforts by the amount of gold you had to back your dollars with, a nice check, a discipline for not over-spending. What to do? Well, you blame the international speculators, say you are saving the dollar from the gold hoarders around the world, and well.. cut the dollar loose from the gold standard.

At the same time, what the film and Adam Curtis conveniently did not mention about Kissinger's dealings in the Middle East, he convinced the Saudi's and their oil producing friends of a protection racket. We would back them militarily in the Middle East if they would agree to only sell oil for US dollars. Yep, it was that simple. These two things kicked off the petro-dollar cycle: it goes like this: the fed creates dollars out of thin air, then the US government and the commercial banks borrow those dollars (at interest, of course) and then we, and the rest of the world, buy our oil from the middle east. Then Saudi Arabia and its pals take their profits and put them back into the Federal Reserve (specifically the New York branch). Then... get this brilliance... the Fed takes those dollars and loans them out again.. at interest! Phenomenal! A double loan occurs for money created out of thin air! I've written a book so far, so I will stop there, but research this yourselves folks.. don't believe the crap from this piece of crap from the msm. In conclusion, it is over-simplified garbage that paints a one-sided, dangerous picture.

Do not BELIEVE my words, research instead of believing a neatly pieced but through out and through out fictional story with a biased geopolitical agenda. Where's the talk about Wikileaks, Clinton getting funds from Qatar,which has openly supported ISIS, the Qatar-Turkey Pipeline vs. Syria-Iran-Iraq Pipeline. These things were not mentioned because it is a propaganda piece, nothing more and just in time for the election.THERE ARE NO GOOD GUYS IN GEO-POLITICS, remember that.
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