The Devil and Father Amorth

This was an interesting, but disappointing film. The various interviews were informative. The main draw was obviously the exorcism. It was so not scary. It was ridiculous. The voice was clearly manipulated in post production. It was the same voice effect used in dozens of movies. It's probably labeled "Devil Voice #3" in the drop down list of audio filters in their editing software. You need only look at the reactions of the numerous family members in the room. As the harsh demonic voice screams at the priest, they are not startled in the least. They calmly look on, smiling and nodding like they're gathered around the table for Sunday dinner. No fear, no drama... Just silliness.

The recorded exorcism itself is very interesting, yet also kind of boring. I liked hearing interpretations of the psychiatrists and neuroscientists and the archbishop. The priest himself and the "possessed" woman's family members (as well as the other interview subjects who said they'd previously been possessed and freed) were less reliable sources since they had so much emotional investment, religious fervor and fear, and strict viewpoints that it didn't really leave anything open for discussion. The movie opens with the stat that 500,000 Italians a year seek out exorcism. That's a lot of people who believe they have the devil inside them, but it's also worth noting that about 75% of the country is Catholic. In other words, an exceptionally religious country is also exceptionally "possessed" ... or it might be more accurate to say that they are afraid they are possessed and more likely seek out spiritual solutions for their problems.

For the end sequence, the director resorted to a recap of a final event using creepy narration, "scary" stock footage, dark music, and stingers to try to create a scary scene, but the whole time I was just wondering why he didn't record it (since that's the whole reason he was there) while also feeling like I couldn't really take his word after watching the footage of the actual exorcism and it being nothing like this final "terrifying" event he later describes but doesn't let us view.

Bottom line. The "possessed" woman was definitely in distress, but the unanswered question is: What is the root of her distress and what is the solution? Very interesting topic, okay execution. How you feel about it will partially depend on how you feel about possession going into it.

The Devil and Father Amorth (2017)

** (out of 4)

For better or worse, THE EXORCIST will always be the film people think of whenever William Friedkin is discussed. I personally don't think it's his best film but there's no question that it was a ground-breaking motion picture that was the director's most successful at the box office. It's interesting to see that towards the end of his career he would revisit the subject of exorcisms but this time it's the true story of Father Amorth who let Friedkin film his ninth exorcism on a woman.

THE DEVIL AND FATHER AMORTH got released to mostly negative reviews with many calling into question the ethics of Friedkin because of a twist that happens towards the end of the picture. I'll get to that more in a minute but there's no doubt that this here is a rather questionable movie for the director to tackle and especially when you consider it's just 69-minutes, which makes it feel more like a Blu-ray extra instead of an actual feature. In fact, Friedkin hasn't taken too kindly to the negative press this film has gotten and has really lashed out at critics.

Well, I'm sorry to say it but I have to agree with the negativity surrounding this picture. The first ten or so minutes basically has Friedkin talking about THE EXORCIST including revisiting the locations where it was filmed. He talks about the case that the movie was based on and then we get some archival footage of William Peter Blatty discussing the original case and the film. Umm... okay. I'm really not sure why we needed this stuff unless it was some sort of attempt to bring more attention to this movie. Perhaps the running time wasn't long enough so this was added?

Whatever the case is, none of this early footage is of much interest but then we jump to the exorcism that is being performed. We hear from the woman's family as well as Father Amorth who talks about exorcisms and various ones that he has performed. Once we get to the exorcism the main thing that's going to jump out is the voice coming from the woman. Some have question whether it's a sound effect or not but I really don't know. Are these scenes scary? Not at all.

What follows is Friedkin talking to a various of doctors and showing them the footage. There's a debate on whether it is some sort of brain issue yet we never really get any test results from the woman herself. The back and forth debate on the religious issue to the medical one is rather interesting but then we get back to the controversial ending. I'm not going to spoil it for people but I must admit that I found it to be incredibly stupid and I didn't buy it at all. It's like one of those monster hunter television shows where nothing ever happens until the moment a camera isn't set up.

THE DEVIL AND FATHER AMORTH is a film that I was really looking forward to but it's a real shame that it turned out the way it did.

I like how it was documentary style. I also liked that they showed both sides of the argument. Her voice when she was possessed sounded like the nazi zombies from call of duty. The ending was a bit ridiculous

Greetings again from the darkness. In 1971, William Friedkin directed one of my all-time favorite films, THE FRENCH CONNECTION. He won the Oscar for Best Director. But of course that's not the movie which entrenched him as a cinematic legend. Two years later he directed THE EXORCIST, a film that, 45 years later, still regularly appears at or near the top of most "Best Horror film" lists.

For most of his adult life (he's now in his 80's), Mr. Friedkin has been associated with exorcisms, and he kicks off this documentary by confessing that he will be attending his first ever actual exorcism ... and will be filming the ceremony. It's a ritual very few of us have ever witnessed, and we learn that more than 500,000 Italians seek exorcisms from a priest each year. The director seems very anxious to take us along on his journey.

We get interviews and footage from multiple associated folks: Jeffrey Burton Russell, author of "The Prince of Darkness" and other satanic novels; William Peter Blatty, author of "The Exorcist"; a young Los Angeles priest who simultaneously expresses skepticism while stating he wouldn't want to get that close to the devil; and a couple of Neurosurgeons and some Psychiatrists. There are also interviews with a brother and sister recalling her experience of having a liberating exorcism performed on her, and the titular Father Gabriele Amorth - one of the most beloved figures in the Catholic Church. He was Head Exorcist for the Diocese of Rome for more than 30 years.

Whether the movie works for you or not (whether you believe it's real) likely depends on the interview we neither see nor hear. Mr. Friedkin's build up is to the exorcism he attends as Father Amorth performs the 9th exorcism on 'Cristina'. It's May 1, 2016 and there are perhaps 12-15 people in the room, including Cristina's parents and boyfriend. She has struggled with "demonic possession" for years, and the footage is quite startling - especially the audio of the guttural voice from such an innocent looking lady. It's also Father Amorth's 91st birthday and he literally thumbs his nose at the devil. It's after this ceremony where Friedkin claims he was to interview Cristina in a local church. Inexplicably, he doesn't have his camera, so we only hear him tell of the horrific events.

Mr. Friedkin directs the film (co-written with noted film critic Mark Kermode) and also acts as our guide through the rituals and beliefs associated with exorcisms. There is a bit of a "Dateline" vibe to the production, though it's a bit surreal to hear Father Amorth proclaim to the evil spirits, "You are banned forever". As has been the tradition for years, religion and science are at odds with the subject. Neurosurgeons label it "delirium", while Psychiatrists call it "Disassociate Trance Disorder". Is it merely a placebo effect caused by religious beliefs, or does Satan exist? Perhaps author Jeffrey Burton Russell says it best: "stay away from this stuff".