In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
In 1962, Tony "Tony Lip" Vallelonga, a tough bouncer, is looking for work when his nightclub is closed for renovations. The most promising offer turns out to be the driver for the African-American classical pianist Don Shirley for a concert tour into the Deep South states. Although hardly enthused at working for a black man, Tony accepts the job and they begin their trek armed with The Negro Motorist Green Book, a travel guide for safe travel through America's racial segregation. Together, the snobbishly erudite pianist and the crudely practical bouncer can barely get along with their clashing attitudes to life and ideals. However, as the disparate pair witness and endure America's appalling injustices on the road, they find a newfound respect for each other's talents and start to face them together. In doing so, they would nurture a friendship and understanding that would change both their lives.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Doc's chess set has no black squares or pieces. See more »
I find the issue of Tony's gun a puzzle. It was a surprise that he had a gun towards the end of the film when he used it to scare potential muggers away and it makes a funny scene but the fact that he had a gun would surely have been investigated in the hiring stage at the start as he was responsible for Don's safety and it surely would have been discovered during their arrest and incarceration in the cells. If it had been hidden in the car , why would it have remained a secret from Don over the weeks on the road and why would we the audience be unaware of it and indeed would the car have not have been searched as well? See more »
You know, if this got out, it would kill your career.
Dr. Don Shirley:
OK Tony, I need you to stop it with the phony altruism and concern for my career.
The hell's that mean?
Dr. Don Shirley:
You were only thinking about yourself back there because you know if I miss a show it'd come out of your pocketbook.
Of course I don't want you to miss a show, you ungrateful bastard! You think I'm doing this for my health? Tonight I saved your ass! So show a little appreciation, maybe! Besides, I told you never to go nowhere without me!
Dr. Don Shirley:
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Real-life photos of Dr. Donald Shirley and Frank "Tony Lip" Vallelonga, and a few insights into their life after the events in the movie, are shown before the credits roll. See more »
... just that it's so inoffensive, safe, and cliche that I feel like I've seen it a million times before. Mortensen and Ali are terrific actors, and I am thankful for them. Without their charisma (and Viggo's willingness to shove insane amounts of food down his throat), I fear Green Book would be dead on arrival.
Mostly, I think this is a movie that's desperately afraid of 'offending' anyone. For instance: if there's a scene with racist cops, there will also be a scene with a good cop down the road, just to make clear that the movie is not stating or suggesting that 'all cops are/were racist'. It's also funny that the good-cop scene happens in the snow, to let us know the characters are back in a blue state, where supposedly life wasn't so bad for a black man after all! This is one of the many simplistic moves that indicate to me that the filmmakers were willing to sacrifice the complexities of their themes for a feel-good entertainment.
The script wants both characters to 'learn' from each other and eventually change and grow, but to make this happen, it turns them into unrealistic caricatures. It's a bit frightening how Shirley is portrayed as a complete ignorant of black culture, but it had to be this way so Tony can be the one to 'introduce' him to it. Tony's transformation comes simply from witnessing racism first hand, as if he never experienced such a thing in his life before - maybe another consequence of this being a blue state-red state movie??
So besides the performances, that speak for themselves, I think it's a very uninspired effort. At one point the characters leave the car for no reason other than to have a dramatic confrontation in the rain, as if rainy night equals 'dramatic weight'. I saw it in a packed movie theater and people seemed to enjoy it. You can't blame them. The movie has a 'now everything's fine' conclusion that can leave audiences in a good state of mind - but it also
shows how simplistic it really is.
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