Directed by
| Francis Locke | ||
Writing Credits
| Anora Leachim | ... | (written by) |
Cast (in credits order)
 |
Heidi Kline | ||
|
|
Shauna Banks | ||
| Monique Alexander | |||
|
|
Ander Page | ||
|
|
April Hanna | ||
|
|
Jay Steele | ||
|
|
Franco Martini | ||
|
|
Mandi Peader Collins | ||
Produced by
| Alexander Davis | ... | executive producer |
| Bill Fisher | ... | producer |
| Francis Locke | ... | producer |
| Pearl Stone | ... | line producer |
Music by
| Blade Simpson | ||
Cinematography by
| Bernard Susse | ... | director of photography |
Production Design by
| Victor Gungenstein | ||
Art Direction by
| Kelly Blakes | ||
Set Decoration by
| Howard Cadenston | ||
Makeup Department
| Kate Blanketry | ... | assistant makeup artist |
| Pam Sanderson | ... | key makeup artist (as Pamela Sanderson) |
Production Management
| Lyle Yates | ... | production manager |
Second Unit Director or Assistant Director
| Jenny Grey | ... | first assistant director |
| Baker Highson | ... | second assistant director |
Art Department
| Gerry Tolls | ... | swing crew captain |
Sound Department
| Richard J. Bates | ... | boom operator |
| Ivan Gorevich | ... | post production sound |
| Jeff Gumuld | ... | sound mixer (as Jeff Gurruld) |
Camera and Electrical Department
| Nigel Brown | ... | camera operator |
| Vince Fikle | ... | gaffer |
| Janis Freddy | ... | best boy electric |
| Jay Frieder | ... | company grip |
| Bobby Hunters | ... | key grip |
| Jesse Kryle | ... | first assistant camera |
| Kate Redstone | ... | dolly grip |
| Johnny Wagojuwski | ... | second assistant camera |
Editorial Department
| Trey Tran | ... | on-line supervisor |
| Ruger Tyler | ... | off-line editor |
Additional Crew
| Luke Dawson | ... | set intern |
| Carl Navarro | ... | production intern |
