Directed by
| Brandon McCormick | ||
Writing Credits (in alphabetical order)
| Brent Huffman | ||
| Brandon McCormick | ||
Cast (in credits order)
Produced by
| Karl Horstmann | ... | producer (produced by) |
| Nicholas Kirk | ... | producer (produced by) |
Music by
| Nicholas Kirk | ||
Cinematography by
| Samuel Laubscher | ||
| Pete Wages | ||
Editing by
| Brandon McCormick | ||
Casting By
| Jeffrey Karantza | ||
Production Design by
| Richard Morganelli | ||
Art Direction by
| Nathan Jones | ||
Set Decoration by
| Tonya Haswell | ||
Costume Design by
| Dana Konick | ||
Makeup Department
| Karinna Barley | ... | hair stylist |
| Amey Crodar | ... | hair stylist |
| Benji Dove | ... | makeup artist |
| Amber Flores | ... | makeup department head |
| Morgon Lindskog | ... | key makeup artist |
| Diana Shepherd | ... | hair department head |
| Amber Youngblood | ... | hair stylist |
Production Management
| Rachel H. Allen | ... | unit production manager |
Second Unit Director or Assistant Director
| Hayden Mason | ... | second assistant director |
Art Department
| Greg Bivens | ... | scenic (as Greg Morgan Bivens) |
| Robert Crane | ... | art department pa |
| Keith A. Frutiger | ... | scenic charge |
| Larson Gailes | ... | art department pa |
| Ian Heslup | ... | art department pa |
| Elliott Johnson | ... | carpenter |
Sound Department
| Matthew Dunaway | ... | sound effects editor / sound mixer |
| Nicholas Kirk | ... | re-recording mixer / supervising sound editor |
Special Effects by
| Michael Johnson | ... | special effects coordinator |
| Mike Smith | ... | special effects assistant |
Visual Effects by
| Brian Barnard | ... | visual effects producer |
| Derald Hunt | ... | lead visual effects artist |
| Nathan Lee | ... | motion control assistant |
| Monda Ray | ... | compositor / visual effects supervisor |
| Nigel Rowe | ... | motion control operator |
Stunts
| Max Calder | ... | stunts |
Camera and Electrical Department
| Sebastian Boada | ... | first assistant camera |
| Jon Collins | ... | epk photographer |
| Mike Cosky | ... | key grip |
| Michael Fortin | ... | aerial cinematography (as Mike Fortin) |
| Chad George | ... | grip |
| Parker Kempf | ... | techno crane operator |
| Aaron King | ... | steadicam |
| Ethan Moffitt | ... | best boy grip |
| Monda Ray | ... | digital imaging technician |
| Ron Sands | ... | electrician |
| Henry Schroeder | ... | techno crane tech |
| Lori Stikeleather | ... | epk videographer |
| Austin Taylor | ... | second assistant camera: "a" camera |
| Randy Tharpe | ... | best boy electric |
| Tj Tichnor | ... | grip |
Costume and Wardrobe Department
| Kate Gailes | ... | costumer (as Kate Horstmann) |
| Victoria Lee | ... | key costumer |
| Rebecca Shoemaker | ... | set costumer |
Editorial Department
| Lonny Pelot | ... | colorist |
Music Department
| Michael Feingold | ... | orchestration |
| Tom Gibson | ... | conductor |
| Jesse James | ... | music librarian |
| Paul Lipscomb | ... | music session producer |
| Matthew Maslanka | ... | copyist |
| Bill Snyder | ... | music recording lead engineer |
| David Spence | ... | music recording technical engineer |
Additional Crew
| Emily Herring | ... | craft services assistant |
| Laura Ly Mason | ... | production office coordinator (as Laura Ly Crane) |
| Elizabeth McMinn | ... | craft services assistant |
| Kimberly McMinn | ... | craft service |
| Levi Mlinar | ... | key set pa |
| Amy Palmer | ... | production accountant |
| Lindsey Perrien | ... | key set pa |
| Josh Smith | ... | key set pa |