Directed by
Daniel Burman | ||
Bruno Hernández | ... | (as Bruno Hernandez) |
Writing Credits
Tomás Sala | ... | (collaborating writer) |
Daniel Burman | ... | (created by) |
Mario Segade | ... | (written by) |
Emiliano Torres | ... | (story editor) |
Virginia Martinez | ... | (written by) |
Cast
Brian Beacock | ... | Antonio | |
Andrés Velencoso | ... | Teo |
Produced by
Silvina Chaine | ... | executive producer |
Arturo Diaz | ... | development executive |
Pablo Trachter | ... | line producer |
Music by
Nico Cota | ... | (2018) |
Cinematography by
Hugo Colace | ||
Federico Rivarés |
Casting By
Belén Arana |
Art Direction by
Natalia Mendiburu |
Makeup Department
Magdalena Puibusqué | ... | makeup artist |
Production Management
Augusto Greco | ... | production manager |
Verónica Lobariñas | ... | production manager (as Veronica Lobarinas) |
Tomas Morelli | ... | assistant production manager |
Second Unit Director or Assistant Director
Marlene Grinberg | ... | assistant director |
Bruno Hernández | ... | second director (as Bruno Hernandez) |
Art Department
Bana Fernandez Fernandez | ... | scenic painter |
Maria Emilia Toranzo | ... | art department assistant |
Sound Department
Julián Catz | ... | sound mixer |
Gigi Chaves | ... | foley artist |
Sebastian Levy Polat | ... | sound editor |
Andres Marks | ... | boom operator: second unit (as Andrés Marks) |
Nicolás Payueta | ... | sound recordist: second unit |
Justin W. Walker | ... | dubbing mixer (english version) |
Special Effects by
Franco Burattini | ... | weapons master |
Alberto Jaceniuk | ... | weapons |
Hernán Martínez | ... | special effects coordinator |
Fernando Ariel Menghi | ... | special effects coordinator |
Visual Effects by
Maxi Gomez | ... | digital compositor |
Leonardo Quartieri | ... | digital compositor |
Sebastian Toro | ... | workflow consultant |
Camera and Electrical Department
Fernando Blanc | ... | camera operator |
Manuel Canales | ... | chief lighting technician |
Miguel Caram | ... | camera operator |
Emiliano Charna | ... | electrician |
Sergio Céliz | ... | generator operator |
Soledad Franchini | ... | second assistant camera |
Manuel Juncker | ... | chief lighting technician |
Guillermo Kron | ... | videoassist |
Miguel Maiser | ... | digital imaging technician |
María Fernanda Mallo | ... | first assistant camera (as Fernanda Mallo) |
Florencia Manca | ... | assistant camera / first assistant camera |
Nicolás Mayer | ... | steadicam operator |
Sebastián Mendelberg | ... | rigging gaffer |
Diego Mendizábal | ... | first assistant camera |
Magdalena Monteagudo | ... | data manager |
Guillermo Saposnik | ... | gaffer |
Costume and Wardrobe Department
Soledad Muñiz | ... | key on-set costumer |
Mercedes Santagada | ... | set costumer |
Editorial Department
Tomas Blason | ... | post-production coordinator |
Leonardo Camporeale | ... | dailies operator |
Dafne Dervissoglou | ... | on-line editor |
Juan Godoy | ... | mastering |
Laura Larrosa | ... | colorist |
Barbara Lavia | ... | on-line editor |
Josefina Llobet | ... | assistant editor |
Magdalena Monteagudo | ... | post-production cordinator for cinecolor |
Santiago Montero | ... | on-line editor |
Location Management
Ana Luisa Millot | ... | assistant location manager |
Santiago Serret | ... | location manager / location scout |
Script and Continuity Department
Dante Dechecco | ... | continuity |
Additional Crew
Edgardo Sanucci | ... | legal consultant |
Victor Vasini | ... | postproduction manager |