Directed by
| David Lilley | ||
Writing Credits (in alphabetical order)
| David Lilley | ||
Cast
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Ferzana Shah Arain | ... | Bank customer |
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Maisie Barlow | ... | Robber |
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Andy Batson | ... | Hammer Toe |
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Curtis Beckford | ... | Bank customer |
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Pete Bennett | ... | Gout |
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Holly Brown | ... | Bank customer |
| David Chabeaux | ... | Sniffer | |
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Leon Chrimes | ... | Robber |
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Chris Henson | ... | Robber |
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Kai Higham | ... | Diner Chef |
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Marilyn May James | ... | Robber (as Mal James) |
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Roger Knott-Fayle | ... | Bank customer |
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Katie Massingham | ... | Bank customer |
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Sydney Money | ... | Diner Waitress |
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Trisha Money | ... | Diner customer |
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Dean Morris | ... | Bank customer |
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Mark Petty | ... | Bank customer |
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Daniel Roberts | ... | Bank customer |
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Lauren Simmons | ... | Diner customer |
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Aj Stevenson | ... | Bunion (as AJ Stevenson) |
Produced by
| Jenn Day | ... | producer |
| Nick Ford | ... | executive producer |
| Elias Savada | ... | executive producer |
| Kel Webster | ... | producer |
Music by
| Matthew Robert Cooper | ... | (as Matthew S Cooper) |
Cinematography by
| Jon O'Neill | ||
Editing by
| Simon Dymond | ||
Production Design by
| Julia Bull | ||
| Charlotte Glasgow | ||
Makeup Department
| Ivana Ivanova | ... | makeup and hair design |
Second Unit Director or Assistant Director
| Oliver Blair | ... | third assistant director |
| Laura Roe | ... | third assistant director |
| Alex Withers | ... | first assistant director |
Art Department
| Chris Henson | ... | weapons master |
| Elfyn Round | ... | design: sock |
| Abigail Wardle | ... | set dresser |
Sound Department
| Charlie Clarke | ... | additional dialogue recording |
| Jenn Day | ... | additional dialogue recording |
| Glenn Estes | ... | additional dialogue recording |
| Natalie C. Palmer | ... | boom operator (as Natalie Palmer) |
| James Parnham | ... | additional dialogue recording |
| Elliot Payne | ... | additional dialogue recording (as Eliot Payne) |
| Alex Stroud | ... | location sound recordist / sound designer |
Special Effects by
| James Blakemore-Hoy | ... | practical special effects |
| Nikki Disney | ... | puppeteer |
Visual Effects by
| Steve Askey | ... | visual effects artist |
| Matthew Burkey | ... | visual effects artist (as Matt Burkey) |
| Nick Willett | ... | visual effects artist |
Camera and Electrical Department
| Toms Auzins | ... | second assistant camera |
| Mark Campbell-Garrity | ... | first assistant camera |
| Matthew Daunt | ... | additional photography (as Matt Daunt) |
| Ben Evans | ... | spark |
| Todd Franklin | ... | first assistant camera |
| Iain Grey | ... | first assistant camera |
| Gemma O'Brien | ... | unit stills photographer |
| Fatosh Olgacher | ... | camera operator |
| Chris Rossell | ... | gaffer |
Costume and Wardrobe Department
| Laura Baines | ... | costume supervisor |
| James Blakemore-Hoy | ... | speciality costume |
| Tracey Cooke | ... | costume supervisor |
Script and Continuity Department
| Madz Abbasi | ... | script supervisor |
| Merryn Rae Peachey | ... | script supervisor |
Additional Crew
| Callum Archer | ... | production assistant |
| Cal Brown | ... | production assistant |
| Mark Daunt | ... | EPK director: Lace Market Media Group |
| Matthew Daunt | ... | EPK director: Lace Market Media Group (as Matt Daunt) |
| Chris Fawcett | ... | production assistant |
| Allan Njanji | ... | production assistant |
Thanks
| Pete Burns | ... | special thanks to |
| Adam Byrne | ... | special thanks to: and staff at Broadway Cinema |
| Paul Day | ... | special thanks to |
| Jackie Green | ... | special thanks to: and staff at the Nottingham Council House |
| Stephen Grey | ... | special thanks to |
| Matt Jordan | ... | special thanks to |
| Helen Lilley | ... | special thanks to |
| Gaz Lynam | ... | special thanks to |
| James Newton | ... | special thanks to |