"Fosse/Verdon" Glory (TV Episode 2019) Poster

(TV Mini Series)

(2019)

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9/10
On Top of the World...and Bottoming Out
lavatch1 May 2019
Warning: Spoilers
1973 was the Annus Mirabilis, or miracle year for Bob Fosse. He won an Oscar for his directing of "Cabaret," three Emmys for "Liza with a 'Z'", and two Tony Awards for "Pippin." And yet, he was a despondent, pill-popping, chain-smoking addict to sex, fame, and power. In three years, Bob has come a long ways since the flop of "Sweet Charity." Yet, the motif of the episode is Bob contemplating jumping out of his high-rise New York apartment.

The direction of this program is crisp with creative uses of dance and music. In one of the best scenes, Bob is rehearsing "Pippin" while simultaneously carrying on a conversation with Gwen about her role in the stage play "Children! Children!", which will close after a single Broadway performance. The program contrasts Bob's meteoric rise with Gwen's decline. In a touching scene at the hospital, Gwen visits with terminally ill Joan Simon. Gwen and Bob no longer support each other with feedback and coaching on each other's productions. Bob hits rock bottom when he blunders into Gwen's bed to discover "Ron."

The episode made clever use of the finale from "Pippin," setting the song to lyrics about Bob's potential suicide. But instead of jumping to his death, the workaholic winds up in the Payne Whitney psychiatric clinic on the Upper East side of Manhattan.
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5/10
Glory it seems is relative
klbrad196315 June 2019
I am halfway through the series and do not understand the fawning critiques. Michelle Williams though playing Gwen Verdon is coming off more like Shirley McClainr in each succeeding episode. While Sam Rockwell has me pining for Roy Scheider. Another casting missteps include the actors selected to portray Ben Veneer and Anne Reinking. I'm not expecting carbon copies but these actors lack the "it" factor associated with the talented performers. When the series focuses on the dynamics of the Fosse/Verdon relationship it is compelling and interesting. However, the musical numbers continue to sink it's impact.
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5/10
Glory
Prismark1010 October 2019
Glory represents a personal triumph for Bob Fosse. It is 1973 and Cabaret is a hit. His television special for Liza Minnelli is a hit and so is his Broadway show, Pippin.

Fosse wins 3 Emmys, 2 Tonys and an Oscar for Best Director. Cabaret won more Oscars than The Godfather in that year.

For Gwen the year was not so good. Her play flopped and closed quickly. She did managed to get the rights for Chicago but Fosse is not yet interested in it.

For Fosse on a high. His life is one big party. Sex drugs cigarettes pills. He also has a blank cheque to do what he wants creatively. We see him abusing his power to get sexual favours from women in his musicals. It all comes with a cost, a one big downer.

It is good to see the contrast in fortunes between Gwen and Fosse. Yet with all that the episode never grabbed me. There is a black actor rehearsing for Fosse's musical. He is playing the great Ben Vereen and not once does he make an impression. Even Fosse's celebrations become repetitive. Life in 1973 might had been one great party for him but not for this viewer watching.
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