After watching hundreds of vignettes by Bree Mills, I have become accustomed to her stretching, often way past its limits, the notion of "suspension of disbelief", a principle central to movie storytelling.
In "Bad Samaritans", the basic premise is set up but the hapless heroine played by Cadence Lux behaves in a manner that is impossible to buy into, just for the purpose of getting a threesome sex scene shot and delivered to Bree's captive (website streaming) audience.
She wants a lasting commitment from her boyfriend of 3 years, played by crew member AJ Bucks. They argue and he kicks her out of their car, leaving her alone and helpless to leg it for home.
Title characters are played by regulars Seth Gamble and Charles Dera, pals who fast talk Cadence after she accepts a ride from Seth. Their manipulation of her is well-acted by the two studs, but Cadence's enthusiastic participation in a threesome that Dera shoots with his new camera, designed for her to get back at AJ, is preposterous. Trick ending is just as phony.
In "Bad Samaritans", the basic premise is set up but the hapless heroine played by Cadence Lux behaves in a manner that is impossible to buy into, just for the purpose of getting a threesome sex scene shot and delivered to Bree's captive (website streaming) audience.
She wants a lasting commitment from her boyfriend of 3 years, played by crew member AJ Bucks. They argue and he kicks her out of their car, leaving her alone and helpless to leg it for home.
Title characters are played by regulars Seth Gamble and Charles Dera, pals who fast talk Cadence after she accepts a ride from Seth. Their manipulation of her is well-acted by the two studs, but Cadence's enthusiastic participation in a threesome that Dera shoots with his new camera, designed for her to get back at AJ, is preposterous. Trick ending is just as phony.